An epic story of a world at war. And a boy at play.
Deliverance remains one of the screen's most powerful man vs. nature adventures and chronicles the journey of four Atlanta 'weekend warriors' who set off in canoes down a dangerous Georgia river and discover a wilderness of terror. John Boorman's taut direction builds the tension and fear to a raging climax as the men travel beyond their comfort zone and are forced to face more than they could have ever imagined. Vilmos Zsigmond's expert cinematography captures the wilderness of forest and river while Eric Weissberg's classic musical theme Dueling Banjos provides a perfect counterpoint to the action.
A lush retelling of the legend of King Arthur and the Knights of the Round Table, Excalibur is a dark and engrossing tale. Director John Boorman (Deliverance) masterfully handles the tale of the mythical sword Excalibur, and its passing from the wizard Merlin to the future king of England. Arthur pulls the famed sword from a stone and is destined to be crowned king. As the king embarks on a passionate love affair with Guenevere, an illegitimate son, and Merlin's designs on power, threaten Arthur's reign. The film is visually stunning and unflinching in its scenes of combat and black magic. Featuring an impressive supporting cast, including early work from the likes of Liam Neeson and Gabriel Byrne, Excalibur is an adaptation of the legend both faithful and bold. --Robert Lane
Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
From Oscar nominated director John Boorman comes his latest black comedy film which charts the rise and fall of the notorious Irish gangster Martin Cahill (Brendan Gleeson) who held Dublin in his thrall during the 1980s with a series of daring robberies gaining the name ""The General"". The film tells the story of Chahill's life of crime exposing his deep-seated resentment and open defiance of all authority with his relentless battle with the Irish police force. He over-reaches himself when he and his gang (Adrain Dunbar Sean McGinley) steal paintings belonging to the Beit collection. Cahill and his men are watched day and night by the police but he continues to defy and elude them. However when the IRA become involved the consequences are devastating for ""The General"" and his gang.
This winning 1987 epic written and directed by John Boorman (Deliverance, The General) serves as a picaresque and semi-autobiographical remembrance of a boy's coming of age during the Second World War. Exhibiting a defiant and humorous take on life during the London blitz, the family of the young boy at the center of the story (Sebastian Rice-Edwards) are a close-knit and resilient bunch, undeterred in the face of the war and revelling in each other's company even as they hide from the incessant bombing. To be sure, there are some poignant moments in this childhood reminiscence, such as when the boy's older sister (Sammi Davis) falls in love with a Canadian, becomes pregnant, and marries him, only to see him taken away by the military police. And the boy's mother (Sarah Miles) serves as a strong influence in the his life as she leads her family through this tumultuous time. The majestic sweep of the film is contrasted with so many comic moments as the people in town go about the mundane details of their daily lives yet also engage in the most absurd rituals in dealing with the onslaught of German artillery - from taking the air raids for granted to wearing gas masks at school. Boorman doesn't dwell on the horrors of war; instead he celebrates the richness and resilience of the people he remembers so fondly. An adventurous and nostalgic slice of life, Hope and Glory is a superb and memorable film. --Robert Lane
A father's love is tested to the limit in this staggeringly beautiful eco-tale set in the rain forests of Brazil and starring Powers Boothe Meg Foster and Charley Boorman. While working on a controversial dam project in Brazil US engineer Bill Markham (Powers Boothe) is horrified to discover that his young son has been kidnapped by the rain forest tribe 'The Invisible People'. Never giving up hope and after years of tireless searching Markham one day stumbles upon the tribe and finds his son. But as he is reunited with this long lost son he realizes his adventure is just beginning.
One of the key films of the 1970s, John Boorman's Deliverance is a nightmarish adaptation of poet-novelist James Dickey's book about various kinds of survival in modern America. The story concerns four Atlanta businessmen of various male stripe: Jon Voight's character is a reflective, civilized fellow; Burt Reynolds plays a strapping hunter-gatherer in urban clothes; Ned Beatty is a sweaty, weak-willed boy-man, and Ronny Cox essays a spirited, neighbourly type. Together they decide to answer the ancient call of men testing themselves against the elements and set out on a treacherous ride on the rapids of an Appalachian river. What they don't understand until it is too late is that they have ventured into Dickey's variation on the American underbelly, a wild, lawless, dangerous (and dangerously inbred) place isolated from the gloss of the late 20th century. In short order, the four men dig deep into their own suppressed primitiveness, defending themselves against armed cretins, facing the shock of real death on their carefully planned, death-defying adventure and then squarely facing the suspicions of authority over their concealed actions. Boorman, a master teller of stories about individuals on peculiarly mythical journeys, does a terrifying and beautiful job of revealing the complexity of private and collective character--the way one can never be the same after glimpsing the sharp-clawed survivor in one's soul. --Tom Keogh, Amazon.com
Geoffrey Rush and Pierce Brosnan star in this comic thriller adapted from the John Le Carre novel about an ex-con turned tailor to the rich and powerful in Panama, and the spy who gets him involved in political matters way out of his league!
In a prequel to legendary horror "The Exorcist," priest Lancaster Merrin encounters unspeakable evil in the deserts of East Africa.
In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
The Exorcist The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. The Exorcist II: The Heretic Pasuzu the incarnation of evil cast out of little Regan by Father Merrin returns to torment her once again... The Exorcist III A serial killer haunts the streets of
Zardoz
All five films from the horror franchise. In 'Exorcist' (1973) actress Chris MacNeil (Ellen Burstyn) has every reason to be content, having just completed a film with director Burke Dennings (Jack MacGowran). However, she becomes disturbed by the changes taking place in her 12-year-old daughter, Regan (Linda Blair). At first sullen and withdrawn, Regan becomes aggressive and blasphemous, and ugly welts appear on her face and body. No medical cure is forthcoming, and after Burke is killed by being thrown from Regan's window, Chris turns to local Jesuit priest Father Damien Karras (Jason Miller) for help. Karras then calls in exorcist Father Lankester Merrin (Max von Sydow), who confirms that Regan is possessed by the devil. In 'Exorcist 2 - The Heretic' (1977) Regan is now a relatively normal, happy teenager, living under the care of a psychiatrist (Louise Fletcher) and her mother's ex-secretary (Kitty Winn). When the demons return to haunt Regan, priest Father Lamont (Richard Burton), himself suffering a crisis of faith, is sent to investigate. In 'The Exorcist 3' (1990) 15 years have passed since Father Damien Karras died exorcising Regan MacNeil. Now his best friend Lt. Kinderman (George C. Scott) is troubled by a series of mysterious murders which are strangely reminiscent of those committed by the Gemini killer - who was executed on the night Karras died. Does the killer's spirit live on, and if so in whom? Kinderman's investigation leads him to an amnesiac in a mental hospital who has recently awoken from a 15-year coma, can describe the Gemini killings in detail, and bears an uncanny resemblance to Damien Karras... In 'Exorcist: The Beginning' (2004), set in Africa in 1949, Father Merrin (Stellan Skarsgård), his faith shattered by World War II, journeys to Kenya to join an archaeological dig that has uncovered a Byzantine church mysteriously untouched by the ravages of time. But an even greater mystery awaits: an ancient and horrific evil is now awakened and a soul-shattering death spree begins. Can Merrin summon the faith and courage to defeat humanity's oldest and most powerful foe? In 'Dominion - Prequel to the Exorcist' (2005), during an excavation in Africa, Father Merrin (Skarsgård)'s team finds a hidden church that contains an ancient evil, and a local boy begins to exhibit signs of demonic possession...
A box office failure at the time, John Boorman's 1974 cult science fiction film Zardoz is an entrancing if overly ambitious project that offers pointed commentary on class structure and religion inside its complex plot and head-movie visuals. Its healthy doses of sex and violence will involve viewers even if the story machinations escape them. Beautifully photographed near Boorman's home in Ireland's Wicklow Mountains by Geoffrey Unsworth (2001), its production design is courtesy of longtime Boorman associate Anthony Pratt, who creates a believable society within the film's million-dollar budget. A bewigged Sean Connery is Zed, a savage "exterminator" commanded by the mysterious god Zardoz to eliminate Brutals, survivors of an unspecified worldwide catastrophe. Zed stows away inside Zardoz's enormous idol (a flying stone head) and is taken to the pastoral land of the Eternals, a matriarchal, quasi-medieval society that has achieved psychic abilities as well as immortality. Zed finds as much hope as disgust with the Eternals; their advancements have also robbed them of physical passion, turning their existence into a living death. Zed becomes the Eternals' unlikely messiah, but in order to save them--and himself--he must confront the truth behind Zardoz and his own identity inside the Tabernacle, the Eternals' omnipresent master computer. --Paul Gaita
When it was released in 1977 The Exorcist II: The Heretic was virtually laughed off the screen. A much-anticipated sequel to the Oscar-winning original, it turned out to be an unintentionally hilarious mishmash and received such terrible reviews that director John Boorman yanked it out of cinemas. He reedited it, cutting eight minutes in hopes of getting the story (written by William Goodhart) to the point of coherency--but to no avail. The film remains a kind of reverse gold standard for sequels. It's still a ridiculously overacted, although at times visually haunting, movie. Richard Burton stars as a troubled priest (something of a speciality of his) who is brought in to follow up on the case of Linda Blair, who is institutionalised, still troubled by her encounter with the devil (who wouldn't be?). By the time they confront Satan's minion in the final struggle, you'll be rooting for evil to win. --Marshall Fine
John Boorman makes his directorial debut with this cult 1960s story in which Dave Clark appears as a stuntman who gives up the rat-race to see the real world along with the Dave Clark Five Band and Dave's model girlfriend. On a sunny island they mix with beatniks and society people while singing Top Ten hits during a wild weekend as agents ad men and the press try to catch them if they can...
It is 1944 and the war in the Pacific is at its height. On a small deserted Pacific island a Japanese naval officer and U.S. naval pilot find themselves marooned. The two men are bitter wartime enemies but now stranded and with no one else to help them will they decide to fight each other to the death or work together for survival? As adversaries can their mutual hatred suspicion and mistrust be overcome and can humanity survive under such extreme conditions?
Hell in the Pacific is one of the most original and thoughtful war films of the 1960s. Fresh from Point Blank (1967) Lee Marvin reunited with director John Boorman for this elemental story of a US pilot and a Japanese naval officer washed ashore on an otherwise uninhabited Pacific island. Lee Marvin speaks English; Toshiro Mifune (The Seven Samurai) speaks Japanese; and the audience shares their frustrations as they attempt to communicate, as Boorman does not use subtitles. Once the men become aware of each other's presence they move from wary avoidance through conflict to an uneasy truce as they realise they will have to cooperate to survive. The naturalistic acting is key to the film's success, greatly aided by the fact that both stars served their respective countries in the Pacific theatre during the Second World War. Conrad Hall's cinematography is superb, using natural light to evoke the beauty of the island, and the wide Panavision frame to show the men's isolation and their reactions to each another. Boorman developed further his fascination with man against nature in Deliverance (1974) and The Emerald Forest (1985), and there wouldn't be another poetic war film until Terrence Malick's The Thin Red Line (1999). On the DVD: The stereo sound is fine, atmospherically reproducing both the natural sounds of the island and Lalo Schfrin's imaginative score. The picture quality likewise is very good, with the image well focused with strong colours and plenty of detail. Unfortunately the 2.35:1 image has been panned and scanned to 1.33:1 TV ratio, destroying the scale and beauty of the compositions and sometimes meaning the viewer sees only one side of the interactions between the two men. Extras are perfunctory, with production notes, biographies of the stars and a "slide show". Considering even BBC2 occasionally shows the film in near full Pavavision and with Boorman's preferred, TS Elliot inspired ending, this DVD is a lost opportunity to bring a modern classic into the digital age. --Gary S Dalkin
A father's love is tested to the limit in this staggeringly beautiful eco-tale set in the rain forests of Brazil and starring Powers Boothe Meg Foster and Charley Boorman. While working on a controversial dam project in Brazil US engineer Bill Markham (Powers Boothe) is horrified to discover that his young son has been kidnapped by the rain forest tribe 'The Invisible People'. Never giving up hope and after years of tireless searching Markham one day stumbles upon the tribe
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