Titles Comprise: Oceans 11: Danny Ocean (Sinatra) gets his old army unit back together to help him pull off a daring raid robbing several Vegas casinos at once undercover of a blackout. The first Rat Pack film with a host of famous faces and some classic old school Vegas landscapes. Robin And The 7 Hoods: The Rat Pack retell the Robin Hood story in the form of Chicago gangsters with Sinatra as Robin and the Merry Men played by the usual gang of faces. The boys take on the evil racketeers in a bid to help save a local orphanage and become local heroes whilst their at it. This time round the gang are joined by the ultimate crooner of them all Bing Crosby. Four For Texas: Frank and Dean head out West in this action packed cowboy adventure that sees the two of them join up to start a casino. Along the way the guys get up to their usual tricks of fighting and womanising in this comedy Western from the powerhouse director Robert Aldrich. Watch out for Western legend Jack Elam in a small but great part.
Eureka Entertainment to release THE FLIGHT OF THE PHOENIX, Robert Aldrich's all time classic thriller starting James Stewart, Richard Attenborough and an international cast, as part of the Masters of Cinemas Series on Blu-ray for the first time in the UK on 12 September 2016. One of Hollywood's toughest and most idiosyncratic filmmakers, Robert Aldrich has on of his greatest and most cherished popular successes with the thrilling adventure classic The Flight of the Phoenix, headlined by an all-star cast including James Stewart, Richard Attenborough , Peter Finch, Ernest Borgnine and Hardy Kruger. A cargo plane carrying an assortment of oilmen and military personnel crashes in the Sahara Desert during a sandstorm. Realising they're too far off course to be found and rescued before food and water runs out, their only hope is to attempt to rebuild the aircraft amidst the unforgiving environment. An engrossing mix of intensely physical filmmaking an marvellous character turns across the board, The Flight of the Phoenix is a vivid chronicle of men pressure, with unsettling questions about the nature of leadership. The Masters of Cinema Series is proud to present a new Blu-ray special edition of the film.
In this atomic adaptation of Mickey Spillane's novel, directed by Robert Aldrich (What Ever Happened to Baby Jane?, The Dirty Dozen), the good manners of the 1950s are blown to smithereens. Ralph Meeker (Paths of Glory, The Dirty Dozen) stars as snarling private dick Mike Hammer, whose decision one dark, lonely night to pick up a hitchhiking woman sends him down some terrifying byways. Brazen and bleak, Kiss Me Deadly is a film noir masterpiece as well as an essential piece of cold war paranoia, and it features as nervy an ending as has ever been seen in American cinema.
A terrific film noir full of skewed camera angles and mysterious whose-shoes-are-those shots, Kiss Me Deadly is about as dark and exciting as noir gets. A young woman (Cloris Leachman) in bare feet and a trench coat throws herself into the traffic to flag down help and the car she stops belongs to detective Mike Hammer. Not even 15 minutes into the film and there's already been a murder, a mysterious letter, an attempt to kill Hammer and, of course, a warning to stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. Mike Hammer is a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon; he knows his opera singers as well as his amateur prize-fighters and he makes the ladies swoon--but he's far from a conventional hero. In fact, he's emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?"). Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. --Ali Davis
A model for dozens of action films to follow, this box-office hit from 1967 refined a die-hard formula that has become overly familiar, but it's rarely been handled better than it was in this action-packed World War II thriller. Lee Marvin is perfectly cast as a down-but-not-out army major who is offered a shot at personal and professional redemption. If he can successfully train and discipline a squad of army rejects, misfits, killers, prisoners, and psychopaths into a first-rate unit of specialised soldiers, they'll earn a second chance to make up for their woeful misdeeds. Of course, there's a catch: to obtain their pardons, Marvin's band of badmen must agree to a suicide mission that will parachute them into the danger zone of Nazi-occupied France. It's a hazardous path to glory, but the men have no other choice than to accept and regain their lost honor. What makes The Dirty Dozen special is its phenomenal cast including Charles Bronson, Donald Sutherland, Telly Savalas, George Kennedy, Ernest Borgnine, John Cassavetes, Richard Jaeckel, Jim Brown, Clint Walker, Trini Lopez, Robert Ryan, and others. Cassavetes is the Oscar-nominated standout as one of Marvin's most rebellious yet heroic men, but it's the whole ensemble--combined with the hard-as-nails direction of Robert Aldrich--that makes this such a high-velocity crowd pleaser. The script by Nunnally Johnson and Lukas Heller (from the novel by E.M. Nathanson) is strong enough to support the all-star lineup with ample humour and military grit, so if you're in need of a mainline jolt of testosterone, The Dirty Dozen is the movie for you. --Jeff Shannon
Eureka Entertainment to release HUSH HUSH, SWEET CHARLOTTE; Robert Aldrich's brooding and tense tale of murder, mayhem and deceit starring Bette Davis, as part of The Masters of Cinema Series for the first time on Blu-ray in the UK in a special Dual Format (Blu-ray & DVD) edition on 21 January 2019. Originally conceived as an informal follow-up to What Ever Happened to Baby Jane?, Robert Aldrich's Hush Hush, Sweet Charlotte was yet another hit for the legendary director, receiving seven Academy Award nominations. Charlotte Hollis (Bette Davis) has been closeted in her mansion since the grisly murder of her married lover many years earlier. When the county wants to tear down the house to build a highway, the spinster's relatives and friends appear to rally behind her, but each slowly preys on her mind until the gruesome rumours of the last 40 years appear to be coming true. On hand are cousin Miriam (Olivia de Havilland), Dr. Drew Bayliss (Joseph Cotten), Jewel Mayhew (Mary Astor), and the scariest inhabitant of all, loyal servant Velma (OscarÂ® nominee Agnes Moorehead). A dark and twisted psychological thriller from one of Hollywood's most idiosyncratic filmmakers, The Masters of Cinema Series is proud to present Robert Aldrich's Hush Hush, Sweet Charlotte for the first time on Blu-ray in the UK in a special dual-format edition. DUAL FORMAT SPECIAL FEATURES: 1080p presentation on Blu-ray, with a progressive encode on the DVD LPCM 2.0 Audio (on Blu-ray) Optional English SDH subtitles New and exclusive feature length audio commentary by critic Kat Ellinger Audio commentary by film historian Glenn Erickson Hush Hush, Sweet Joan: The Making of Charlotte [22 mins] Bruce Dern Remembers [13 mins] Wizard Work [5 mins] an archival behind-the-scenes look at the film, narrated by Joseph Cotton Trailer & TV spots PLUS: A collector's booklet featuring a new essay by Lee Gambin, illustrated with archival imagery
With a company of American soldiers trapped by the Germans during The Battle of the Bulge their captain is an abject psychopathic coward who has a record of exposing his men to danger. When his cowardice turns to sheer panic during combat it becomes necessary for the enlisted men to take things into their own hands...
In a gripping tale of courage resourcefulness and determination the consequences of a plane crash strip bare the morals of the survivors. The pilot of the doomed aircraft Frank Towns (James Stewart) is an aviator of the old school used to seat-of-the-pants flying distrustful of new technology. With his navigator Lew Moran (Richard Attenborough) he is piloting a cargo-cum-passenger plane high above the Arabian desert when a powerful sandstorm rises from below. Trusting his instincts Frank decides to fly through and above the storm; a risky move which leads to the starboard engine overheating and catching fire shortly followed by the demise of the port engine. Without power the plane begins a long dive towards the ground a sequence memorably intercut with the opening credits before impacting messily. Staggering from the wreckage the living find themselves deep within the Arabian desert far off their original flight plan and with little hope of rescue. Two of their number were killed instantly while a third (a young oil-worker) has been gravely wounded - right from this beginning the crosses of the dead loom over those left alive. Frank blames himself bitterly for this tragedy (correctly so from an objective perspective) but still tries to exert some authority over the rabble and provide reassurance. Since they have enough water for about ten days according to Dr.Renaud (Christian Marquand) and plenty of dates as food Frank and Lew spin the yarn that they will surely be found by search aircraft. Meanwhile a pecking order emerges among the men (a mix of oil-workers soldiers technical personnel and the aircrew) with the more learned/respected exerting control over the manual workers. As time passes the situation becomes increasingly bleak and Captain Harris (Peter Finch) decides to march to the nearest oasis with Sgt.Watson (Ronald Fraser) who is less than keen on the idea. In fact Sgt.Watson manages to fake a sprained ankle just to get out of the desert trip (a move symptomatic of his hatred of the military) and his superior leaves with another passenger. Unfortunately another survivor Trucker Cobb (Ernest Borgnine) is so deranged that he staggers after the departed pair. Frank is still so wracked with guilt that he goes after Cobb risking his own life in the brutal midday heat and fails once again in his task. Just when the situation looks irretrievably lost Heinrich Dorfmann (Hardy Kruger) comes up with an audacious idea - why not build a smaller plane from the debris of the first? Initially he is ridiculed both for being German and for having such a crackpot scheme but attitudes change slightly when he reveals that he is actually an aircraft designer. Once again there is hope no matter how slim that they won't become vulture food - just as long as the struggle for control between Frank and Heinrich doesn't destroy the entire enterprise...
Eureka Entertainment to release Robert Aldrich's TWILIGHT'S LAST GLEAMING, a nail-biting thriller starring screen legend Burt Lancaster and Richard Widmark, on home video for the first time in the UK in a Dual Format edition, as part of the Masters of Cinema series, on 17 October 2016. High among idiosyncratic auteur Robert Aldrich's most powerful and intense dramas, Twilight's Last Gleaming is a thunderous political thriller and race-against-time doomsday classic. Burt Lancaster stars as the Air Force general Lawrence Dell who seizes control of a stockpile of nuclear missiles to force the US President (Charles Durning) to tell the truth about the Vietnam war. As negotiations get ever more desperate, General MacKenzie (Richard Widmark) leads an elite fighting team into the complex to disable Dell and his team directly. One of the most overlooked nail biters of the 1970s, Twilight's Last Gleaming is presented here on UK home video for the first time in a new Dual-Format edition. SPECIAL FEATURES: High-definition digital restoration Uncompressed PCM audio on the Blu-ray English subtitles for the deaf and hearing-impaired Aldrich Over Munich - The Making of Twilight's Last Gleaming documentary PLUS: A booklet featuring new writing and archival images
Blackly comic psychodrama from director Robert Altman starring screen legends Bette Davis and Joan Crawford. Jane Hudson (Davis) found fame as child star 'Baby Jane', only to be eclipsed by her sister Blanche (Crawford) when the latter became a Hollywood glamour girl in the 1930s. Blanche's career was brought to an abrupt end by an accident for which Jane was seemingly responsible. Now the two ageing sisters live together in their Hollywood mansion, attended by their maid, Elvira (Maidie Norm...
Poor Charlotte Hollis. She's been shunned by the community for decades, ever since the fateful night in 1927 when her lover was hacked apart with an axe. Her antebellum southern mansion is slated for the bulldozer, as it stands in the way of highway construction. Charlotte's only hope lies in her cousin Miriam (Olivia de Havilland), coming down from up north to help settle things. Miriam, however, has other designs. Together with her boyfriend Drew (Joseph Cotten), she embarks on a scheme to systematically drive Charlotte out of her mind (not a great leap) and get her mitts on the family fortune. From there, things only get more complicated. Charlotte puts the "gothic" in southern gothic, as a great showcase for completely bizarre, overwrought, and out-of-control performances from all involved. Agnes Moorehead plays Charlotte's loyal, dishevelled housekeeper to the hilt, with an odd inflection that calls to mind Amos and Andy more than southern gentility. As the drunken, conniving Dr. Drew, Cotten's accent is indeterminate at times, and seems to come and go. As great as the supporting players are, though, the crown goes to Bette Davis as the shrieking Charlotte, a portrait of isolation and decay stuck in a world of tragic delusions inside her crumbling mansion. De Havilland is a close second as the scheming Miriam; the scene where she slaps the holy snot out of a hysterical Charlotte is itself worth the price of admission. Mary Astor (in her last role) and Cecil Kellaway (as a kindly Lloyd's of London adjuster) put in the only performances with any restraint, acting as counterweights for the rest of the cast. Besides, you'll never get another chance to see Joseph Cotten playing the harpsichord and singing, or caked in mud and lily pads! With Robert Aldrich's claustrophobic direction, Charlotte is as Southern as a field of kudzu, and as subdued as a train wreck. --Jerry Renshaw
Burt Lancaster stars in an action-packed western based on a thrilling true story. After years of bloody fighting with settlers on the American frontier Apache Chief Geronimo is forced to submit to a humiliating surrender. But his fiercest warrior Massai refuses to accept defeat. With enormous strength and razor-sharp cunning Massai battles the relentless U.S. Cavalry struggling to stay one step ahead of the highly-trained soldiers who have sworn to track him down. The pride of hi
This stunning box set features 3 of the finest movies to feature the 'First Lady of Film' Bette Davis. All About Eve (1950): It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in
OscarÂ®-winners Lee Marvin (The Wild One) and Ernest Borgnine (Marty) face off in an epic battle of wills in this riveting thriller that is directed by Robert Aldrich (The Dirty Dozen). Boasting gripping, action-packed suspense with one of the most spectacular fight scenes ever witnessed on a train, Emperor of the North is one beast of a film! Set on the Pacific Northwest railways at the height of the Depression, Emperor of the North pits a crafty, train-hopper called A-No.1 (Marvin), who takes a young drifter (Carradine) under his wing as they come up against Shack (Borgnine) - the cruel, bum-intolerant conductor of Engine 19. Both parties try to outwit each other but when pride turns their determination into obsession, the clash escalates into a fight-to-the-finish that only one man can survive
Sister George" within The Killing of Sister George is Britain's best-loved soap opera character, played by actress June Buckeridge (Beryl Reid). Buckeridge has become so identified with her character--a sweet old Miss Marple-ish nurse who putters around her quaint little village on a motor scooter--even her friends call her George. But outside the studio she's a hard-drinking, hot-tempered, foul-mouthed lesbian living with an immature young thing she's nicknamed "Childie" (Susannah York, who makes her memorable entrance in a sheer baby-doll nightie). At her worst Sister George is an abusive monster (in a moment of rage she forces Childie to eat the butt of her cigar) but beneath the bluster is an insecure television actress. When the studio decides to kill her character off and an executive makes a play for Childie, the soap star desperately clings to her young lover. Director Robert Aldrich, best known for his tough action films and gothic thrillers, brings his fierce vision of human nature to Frank Marcus's play . In its best moments the film simmers in angry suspicion and helpless frustration, brought to life by Reid's vivacious performance but other scenes are overlong and stage-bound and would have benefited greatly from judicious trimming and tightening. The caricatured portrayals of lesbian life have aged rather poorly--an inevitable sign of the times--but this acidic show-biz drama still carries a hefty emotional punch. --Sean Axmaker, Amazon.com
Mildred PierceA classic American novel published to tie-in with a major new SKY series starring Kate Winslet.Whatever Happened to Baby JanePossessed
One man alone understood the savagery of the early American west from both sides and is assigned to aid the US Cavalry in tracking down the notorious Apache warrior Ulzana and his band of renegade Indians...
Set on a Pacific island in 1942, Too Late the Hero is a hard-as-nails "men on a mission" war movie: a group of British soldiers have to traverse the New Hebrides to destroy a Japanese radio transmitter, then get back to safety while being hunted all the way. Inevitably everything goes wrong, but director Robert (The Dirty Dozen) Aldrich turns the book of WWII movie clichés on its head and springs some unnerving surprises. Even the token American star, Cliff Robertson--echoing William Holden's grafted-on role in The Bridge on the River Kwai--proves less than obviously heroic, while an outstanding Michael Caine brings considerable depth to his usual cynical cockney. Henry Fonda gets heavily billed for a brief guest appearance, but there are star performances such fine British character actors as Denholm Elliot, Ian Bannen, Ronald Fraser and Lance Percival. This portrait of battle-worn men offers greater complexity than Spielberg's Saving Private Ryan, while the jungle trek was more recently paralleled in Terrence Malick's The Thin Red Line. Only the attitudes--more 1970 than 1942--detract from Aldrich's tellingly realistic vision, which with a thoughtfully ironic script and a succession of tense set pieces and brutal firefights, builds to a harrowing climax. On the DVD: The picture is presented at approximately 1.7:1, reformatted from the original 2.2:1 70mm theatrical presentation. Despite approximately 25 per cent of the original image being missing, this loss is only really noticeable in a few scenes. Apart from the occasional fleck, the print is in superb condition, and despite the lack of anamorphic enhancement the picture is sharp, detailed and has excellent colour. The surround sound (not mono as listed on the packaging) is highly effective, with the tension being increased by a considerable amount of the music coming from the rear speakers. The special features are simply a few static pages of biographical and production notes. --Gary S. Dalkin
BattlefieldTells the stories of the important clashes in world history. This work covers battles from ancient Egypt to the Second Gulf war placing them chronologically within their tactical technological and historical context. Detailed maps help portray the course of famous battles and campaigns.The Dirty DozenThey are convicts psychos lunkheads losers - and champs at the box office and in movie lore. Decades after it burst onto the scene THE DIRTY DOZEN remains a milestone among ensemble action flicks. Lee Marvin portrays a tough-as-nails major volunteered in the Army way to command a squad of misfits on a suicide mission against Nazi Brass. Charles Bronson Jim Brown John Cassavetes Trini Lopez Telly Savalas Donald Sutherland and Clint Walker are among the 12 jailbirds who will earn their freedom if they survive. And Robert Aldrich directs blending anti-authority gibes with explosive excitement. Nominated for four Academy Awards THE DIRTY DOZEN won for Best Sound Effects.Battle of the Bulge
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
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