On a crisp December morning in 1932, bride-to-be Dolly (Felictiy Jones) hides in her bedroom as her many family members arrive for the wedding with all of the cheerfulness, chaos and grievances that go with such occasions. But trouble soon appears with the arrival of Joseph (Luke Treadaway), Dolly's lover from the previous summer, who, to her mother's (Elizabeth McGovern - Downton Abbey) exasperation, throws Dolly's feelings into turmoil. With lavish costumes and beautiful English countryside, Cheerful Weather for the Wedding is a joy from start to finish in the grand tradition of English period comedy-dramas, filled with light-hearted humour and steamy romance. Special Features: Behind the Scenes Audio Commentary with Writer and Director Donald Rice, Writer Mary Henely Magill and Editor Stephen Haren
The beautiful fugitive, Grace (Nicole Kidman), arrives in the isolated township of Dogville on the run from a team of gangsters.
As William Randolph Hearst and his lover actress Marion Davies set sail from San Pedro Harbour early one Saturday morning hosting a small group that includes the brilliant but self-absorbed Charlie Chaplin film pioneer Thomas Ince and ambitious novelist Elinor Glyn it quickly becomes clear that although witty repartee is the order of the day deceit and deception are also on the menu... From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes
Four ageing men live together in a secluded house on a windswept Chilean coastline. Each has been sent there to purge sins of the past, adhering to a strict regime under the watchful eye of a female caretaker. This fragile stability is disrupted by the arrival of a newly disgraced companion bringing with him the past they thought they had left behind... In this multi-award-winning feature, Oscar-nominated director Pablo Larrain explores the lives of priests who have been disgraced for crimes both proven and suspected, and the moral impasse of the Catholic Church that must both contain and protect them. Featuring compelling performances from Alfredo Castro, Roberto Farias and Antonia Zegers, this is an unflinching yet compassionate portrayal of an ordered world unexpectedly under siege. Special Features: Pablo Larrain Interview Original Theatrical Trailer
The heartwarming story of an unlikely romance between a quiet shy and somewhat overweight shoe salesman and the outgoing beautiful psychology student whose initial interest in him is purely academic. Or is it?
Evelyn Waugh's Brideshead Revisited is a moving tragic story which chronicles the tempestuous journey of Charles Ryder through the tangled and stormy world of the aristocratic Marchmain family. It is an epic tale of his love - for his closest friend Sebastian Flyte for Sebastian's sister Julia Flyte and for an entire way of life. This classic visually stunning TV drama directed by Charles Sturridge and Michale Lindsay-Hogg was adapted for the screen by John Mortime
A young Greek boy growing up in Costantinouplois spends time under his grandfather's tutelage learning the culinary skills that see him leave his birthplace. Years later he journeys back home to reunite with his grandfather and his first love only to realise that he has lost the one thing that made him special; a touch of spice.
Brilliant inventor Robert Sommerby is head of a research establishment that is engaged in a very special secret project: the development of robots. Far from the crude, lumbering, steelc-lawed automatons of sci-fi films, Robert's robots are humanoid in appearance and ultrasophisticated in design, with highly developed electronic brains, fast reflexes and smooth, natural movement. Naturally, there are personality clashes; Eric is Robert's most advanced robot, who thinks humans are quite disgusting with their revolting habits like eating, while K.T. (aka Katie) is big, strong, and very stupid - he has a tendency to walk through doors and is generally kept away from guests. The eccentric Robert encounters all sorts of problems - not least, the devious activities of Marken, head of an acquisitive electronics company, and his seedy private eye, Gimble, who will try anything to discover Robert's secret project. But he has his doting Aunt Millie and lovely fiancée Angela to help out, and he's just about tolerated by at least some of his robots - who are fair-minded enough to concede that he is, after all, only human! From Bob Block, the creator of Rentaghost, Roberts Robots stars John Clive as Robert and Magpie presenter Jenny Hanley as Angela, this release comprises all seven episodes of series one, originally transmitted in 1973.
Nine disparate Britons are transported to a mysterious city where, according to their class and disposition, they find themselves either in an earthly paradise of peace and equality or a hell starved of ambition and riches. From the pen of J B Priestley, this fantastical allegory is a striking expression of post-war utopian impulses and among Ealing's most unusual features. Presented here in a new 2K transfer from the best surviving 35mm element, this rarely seen British classic is available for home viewing for the very first time. Directed by Basil Dearden (The Captive Heart, Victim) and starring John Clements, Googie Withers and Raymond Huntley. Features: Presented in High Definition and Standard Definition Michael Balcon NFT Lecture (audio only, 59 mins): recorded in 1969, the producer discusses the different stages of his career We Live in Two Worlds (Alberto Cavalcanti, 1937, 13 mins): a GPO film about communications technology, narrated by J B Priestley Britain at Bay (Harry Watt, 1940, 7 mins): a wartime propaganda film intended to boost morale, narrated by J B Priestley A City Reborn (1945, 21 mins): a propaganda film written by Dylan Thomas highlighting plans for post-war reconstruction Charley in New Town (Halas & Batchelor, 1948, 8 mins): a short animation on post-war new towns built to address housing shortages Your Very Good Health (Halas & Batchelor, 1948, 9 mins): a short animation on the new National Health Service
What if you could stop your heart to simulate a temporary death, and then be revived so you could describe your near-death experience to others? The mysteries of life--and the afterlife--compel five medical students (Julia Roberts, Kiefer Sutherland, Kevin Bacon, William Baldwin, Oliver Platt) to experiment with their own mortality, and what they discover has unsettling psychological implications. That's the intriguing premise of this neo-Gothic horror thriller, directed by Joel Schumacher (Batman & Robin) with his typical indulgence of vibrant colours and hyperactive, hallucinogenic style. The movie borders on silliness at times, and the near-death recollection of memories results in some repetitious scenes, but the dynamic young cast takes it all quite seriously, which is what keeps this gaudy thriller on the edge. The fascinating premise could have been made into a better film, but Schumacher's mainstream excess doesn't stop Flatliners from being slick, occasionally even provocative entertainment. --Jeff Shannon
Jabez Stone is a hardworking farmer trying to make an honest living, but a streak of bad luck tempts him to do the unthinkable: bargain with the devil himself. In exchange for seven years of good fortune, Stone promises Mr. Scratch his soul. But when the troubled farmer begins to realize the error of his choice, he enlists the aid of the one man who might save him: the legendary orator and politician Daniel Webster. Directed with stylish flair by William Dieterle, All That Money Can Buy brings the classic short story by Stephen Vincent BeneÌt to life with inspired visuals, an unforgettable, Oscar-winning score by Bernard Herrmann, and a truly diabolical performance from Walter Huston as the devil.Product Features New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary by film historian Bruce Eder and Steven C. Smith, biographer of composer Bernard Herrmann New restoration demonstration Reading by actor Alec Baldwin of the short story by Stephen Vincent Benét on which the film is based Episode of the Criterion Channel series Observations on Film Art about the film's editing Comparison of the differences between the July 1941 preview version of the film, Here Is a Man, and the film's 1943 rerelease as The Devil and Daniel Webster The Columbia Workshop's radio adaptations of BeneÌt's short stories The Devil and Daniel Webster and Daniel Webster and the Sea Serpent, both featuring music by Herrmann Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by author Tom Piazza and a 1941 article by BeneÌt Illustration by Thomas Ott
Al Pacino heads a stellar British/American cast (Nastassja Kinski, Donald Sutherland, Joan Plowright, Annie Lennox) in Revolution: The Director’s Cut. The definitive version of Hugh Hudson’s (Chariots of Fire, Greystoke) powerfully unsentimental film set during the American War of Independence is a tour-de-force of epic filmmaking. Single father Tom Dobb (played with dogged resilience by Al Pacino) struggles hopelessly against the violent course of history to protect his only son, meeting many obstacles and hardships along the way.Accompanied by John Corigliano’s poignant score, Hudson’s 1985 film is an uncompromising evocation of the chaos, squalor and upheaval of war which he has re-cut and updated with a new voice over by Al Pacino. Also included on Blu-ray is the original theatrical release of the film. Extra features: Standard Definition and High Definition presentation of The Director’s Cut (DVD & Blu-ray) Optional High Definition presentation of Original Theatrical Cut (Blu-ray only) Revisiting Revolution (2008, 23 mins): Al Pacino and Hugh Hudson in conversation (DVD only) Original theatrical trailer (DVD only) Revisiting Revolution (2012, 13 mins TBC): Hugh Hudson talks about the making of Revolution accompanied by production stills by celebrated photographers David Bailey and Don McCullum Deleted scenes: Re-cutting Revolution (21 mins TBC): a look at the differences between the different versions of the film
Men Of Honour (Dir. George Tillman Jr. 2000): One of those rare films that grabs you by the gut and never lets go Men Of Honour was inspired by the life of Carl Brashear (Cuba Gooding Jr.) an African American who dared to dream of becoming a U.S. Navy Master Diver. Despite a bigoted training officer (Robert De Niro) and a tragic shipboard accident Carl never gives up and achieves the impossible in an incredible finish that will leave you cheering. Antwone Fisher (Dir. Denzel Washington 2003): Inspired by the true life experiences of its title character Antwone Fisher tells the dramatic story of a troubled sailor who is ordered to see a naval psychiatrist about his volatile temper. Little does he know that his first step into the doctor's office will lead him on a remarkable emotional journey to confront his painful past - and connect with the family he never knew...
Hard-hitting portrayal of a young girl forced to work in South Korea's neon-lit sex industry until she finds love with the last person she expected.
When Brandon Teena, a young man with an infectious, aw-shucks grin and an angelic face that's all angles, wanders into Falls City, Nebraska, he takes to the town as if it's a second skin. In little time he's fallen in with a gang of goofy if temperamental redneck boys, found himself a girlfriend, and befriended enough people to form something of a small family. In fact, it's the best time Brandon's ever had. However, there are shadows looming over Brandon's life: a court date for grand theft auto, a chequered criminal record, and a seemingly innocuous speeding ticket that could prove to be his undoing. Why? Because as it turns out, Brandon Teena is actually Teena Brandon, a woman masquerading as a man. This fascinating story was based on real-life events (as documented in The Brandon Teena Story) that occurred in 1993 and ended in tragedy: Brandon's rape and murder by two of his supposed friends. Despite this horrible outcome, however, in the hands of director Kimberly Peirce (who co-wrote the unfettered screenplay with Andy Bienen), Brandon's story becomes not oppressive or preachy, but rather oddly and touchingly transcendent, anchored by Hilary Swank's phenomenal, unsentimental (and Oscar-winning) performance. Swank inhabits Brandon's contradictions and passions with a natural vitality most actresses would refuse to give themselves over to. Brandon's deception is doomed from the start, but Swank's enthusiasm is infectious, and when Brandon starts romancing the sloe-eyed Lana (a pitch-perfect Chloë Sevigny), he finds a soulmate who wants to transcend boundaries and fated identities as much as he does. The last part of the film, when Brandon's true identity is discovered, is truly painful to watch, but in between the agony there are touching moments of sweetness between Brandon and Lana, who wrestles with the truth of who Brandon actually is. You'll come away from Boys Don't Cry with affection and respect for Brandon, not pity. --Mark Englehart, Amazon.com
Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mummy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Horton
A monastery perched in the mountains of North Africa in the 1990s. Eight French Christian monks live in harmony with their Muslim brothers. When a crew of foreign workers is massacred by an Islamic fundamentalist group fear sweeps though the region. The army offers them protection but the monks refuse. Should they leave? Despite the growing menace in their midst they slowly realize that they have no choice but to stay... come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria from 1993 until their kidnapping in 1996.
The Traveler's Wife follows the spellbinding and intricately out-of-order love story between Clare Abshire (Rose Leslie) and Henry DeTamble (Theo James). At six years old, Clare meets Henry, the future love of her life - and who, as a time traveler, is actually visiting from the future. Fourteen years later, when a beautiful redhead wanders into the library where Henry works claiming not only to have known him all her life but to be his future wife, a magical romance ensues that is as sprawling and complicated as Henry's attempts to explain his condition. Over six hourlong episodes, the genre-bending drama series expertly weaves themes of love, loss, marriage, and survival - in a story that defies the laws and logic of time.
A detention camp probation officer tries to build a winning team from a ragtag group of dangerous teenage inmates.
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