Two emotionally challenged people come together in the most unlikely of settings in this touching romantic drama from acclaimed director Jean-Pierre Ameris.
The film packed with stunning images jaw-dropping scenes and superb performances from Robert De Niro and Mickey Rourke is a fusion of two genres - the classic Chandleresque detective story and the supernatural. Harry Angel is hired for $125 a day to track down the big band swinger Johnny Favourite. What seems like a straight-forward missing person case dramatically becomes a murder hunt for this down-and-out private detective. His client Louis Cypher a mysterious stranger is forced to up his fee to keep Angel on the case. Each of Angel's leads ends up as a victim of a ritualistic act of murder as he begins to put together the pieces in the jigsaw of Johnny's strange story... the nightmare has just begun.
As Australia faces internal and external threats to its way of life so too do the people of Inverness, and previous alliances and relationships are tested. In the brand new season, Sarahs dilemma between her feelings for George and her duty to her husband Rene, is exacerbated by a heart breaking secret. James and Olivia's relationship is under pressure by the desire of physical fulfilment, while the true parentage of baby George is threatened with exposure. Elizabeth Bligh's decision to leave Ash Park to explore a life of her own proves more difficult than she thought. The difference between the fairy tale romance of Anna and Gino and the reality of married life threatens to tear them apart. Starring Marta Dusseldorp as Sarah Adams and Noni Hazlehurst as Elizabeth Bligh, this historical show has a terrific cast and pleasantly revisits the dramas of the past. This DVD set contains all 10 episodes of A Place to Call Home Series 3 as well as an alternative Series 2 finale.
Featuring the best of children's fairytales characters such as Alice in Wonderland Red Riding Hood Peter Pan and many more Eleanor's Secret is a beautifully animated tale about the importance of being able to read. When their beloved aunt Eleanor dies Nathaniel and his family are left the house where they have spent every summer and Nathaniel has been bequeathed all the books in the library where he makes a startling discovery - after dark all the characters come to life! They tell him that to save them from extinction he must read the magic spell in the library. There is only one problem - Nathaniel can't read. In a race against time Nathaniel must battle against all the odds including a wily antique dealer who wants to buy all the books from his parents to save his new friends. A charming film for all ages.
Baghdad Iraq 2009. Mission: Unclear. Enemy: Unidentified. Duration of Tour: Unknown. It was impossible for the Marines of the First Recon Battalion to anticipate what would occur during those first 40 days of the Iraq war as they found themselves struggling with Shoddy supplies frustrated by the chain of command and questioning the mission at every turn. Fused with camaraderie faith and fury Generation Kill brings you the gritty raw and brutally honest insider's look at what has become of our contemporary American War. Based on Evan Wright's best-selling book and produced by David Simon and Ed Burns two of the men who brought you the critically heralded HBO series The Wire Generation Kill is now an equally acclaimed seven-part miniseries event from HBO Films.
The amazing true story of a mother torn between her loyalties challenged by her faith and moved by a tragedy that would change her life and the lives of others forever. Bobby Griffith (Ryan Kelly Smallville) was his mother's favourite son the perfect all-American boy growing up under deeply religious influences in Walnut Creek California. Bobby was also gay. Struggling with a conflict no one knew of - much less understood - Bobby finally came out to his family. Despite the tentative support of his father two sisters and older brother Bobby's mother Mary (Golden Globe winner Sigourney Weaver Working Girl) turned to the fundamentalist teachings of her church to rescue her son from what she felt was an irredeemable sin. As Mary came closer to the realization that Bobby could not be 'healed ' she rejected him denying him a mother's unconditional love and driving her favourite son to suicide. Anguished over Bobby's death Mary finds little solace in her son's poignant diaries revelations of a troubled boy fighting for the love of his mother and God. Finding it difficult to reconcile her feelings of guilt her conflicted emotions over religious teachings and her struggles with understanding her son's orientation Mary finally and unexpectedly reaches out to the gay community as a source of inspiration and consolation. For Mary Griffith it's the beginning of a long and emotional journey that extended beyond acceptance to her viable role a vocal advocate for gay and lesbian youth. In 1996 twelve years after Bobby's death she was invited to address the Congress of the United States establishing her as a major force in the fight for human rights.
A remote fishing village in Iceland. Teenage boys Thor and Christian experience a turbulent summer as one tries to win the heart of a girl while the other discovers new feelings toward his best friend. When summer ends and the harsh nature of Iceland takes back its rights, it's time to leave the playground and face adulthood.
Caught midway between 1970s soft-porn clunker The Story of O and Bunuel's sado-masochistic fantasy Belle de Jour, the 1968 erotic curio Girl on a Motorcycle is one of Marianne Faithfull's chief claims to notoriety. She stars as Rebecca, a leather-clad, former bookstore clerk in search of sexual fulfilment who flees her dependable schoolteacher husband for a dangerous liaison with Daniel (Alain Delon), a dashing Professor addicted to speed. The story is told entirely in flashbacks as Rebecca rockets along the road, having donned her leathers and walked out on her sleeping husband at the crack of dawn. It all must have seemed fairly daring and provocative in 1968, providing viewers with ample opportunities to view a naked Faithfull at the height of her allure. But today the existential musings of the lead character seem achingly pretentious, the erotic symbolism merely gawky and unintentionally amusing: the sight of Alain Delon with a phallic pipe dangling from his mouth is like something out of a Rene Magritte painting. The sex scenes between Delon and Faithfull are all swamped in a polarised visual effect that, while garish and psychedelic, is dated and distinctly unerotic. Director Jack Cardiff is better known as a cinematographer on classics such as The African Queen and Black Narcissus. Among Cardiff's other directorial credits is a worthy adaptation of DH Lawrence's Sons & Lovers, but Girl on a Motorcycle is a saucy road movie with no final destination. On the DVD: This DVD version is misleadingly presented as being the fully restored and uncut version of the film. Yet it was the US version not the European one that was heavily cut (and titillatingly re-titled "Naked Under Leather"). The restoration certainly does not refer to the print quality: although the colours are vivid and bright, the print used to master the DVD (in 16:9 anamorphic format) is extremely grainy and, at times, speckled with dirt and scratches. Included as one of the special features, a theatrical trailer loaded with innuendo shows just how much the film was marketed to a prurient audience. Director Jack Cardiff provides an audio commentary but has few revelatory things to say about his film beyond technical considerations, and even makes several clunking errors (recalling his casting decisions concerning a scene that takes place in a provincial German café, he raves about how he strove to find authentic French locals!). He does reveal that the film's use of a voice-over was inspired by the internal monologue that forms the basis of James Joyce's Ulysses. Given Cardiff's age and experience one feels that he must have more interesting anecdotes and insights, making this commentary feel like a wasted opportunity. --Chris Campion
Eureka Entertainment to release A TREE GROWS IN BROOKLYN, Elia Kazan's heartfelt and sentimental first feature, presented on Blu-ray from a 2K restoration as a part of The Masters of Cinemas Series from 22 July 2019. Director Elia Kazan's first film, A Tree Grows in Brooklyn shows that the filmmaker's great empathy for his characters was already quite evident at this early juncture, and this endures as one of the most moving Hollywood dramas of the 1940s. Based on Betty Smith's novel a bestseller in the U.S. but also one of the most popular books among American soldiers overseas in WWII Kazan's debut is a sensitive, masterful adaptation. Set among Brooklyn tenements circa 1912, A Tree Grows in Brooklyn is a portrait of the Nolans, an Irish-American family living in financially challenging circumstances, often made worse by father Johnny's drinking and employment problems. But matriarch Katie keeps the family together during all of the obstacles, caring for son Neeley and daughter Francie, as well as Katie's outspoken, oft-married sister Sissy. But just as Francie's gift for writing opens up new avenues, more tragic developments test the family's resolve. Winning Academy Awards for actors James Dunn (as Johnny) and Peggy Ann Garner (as Francie), and featuring splendid work by Dorothy McGuire and Joan Blondell, A Tree Grows in Brooklyn is a heartfelt testament to the strength of family, and offers an early indication of Kazan's unrivalled proficiency with actors. Special Features: 1080p transfer of the film on Blu-ray from a 2K restoration completed from a 4K scan of the original film elements Optional English subtitles for the deaf and hard-of-hearing Feature-length commentary by Richard Schickel with Elia Kazan, Ted Donaldson, and Normal Lloyd The Making of A Tree Grows in Brooklyn An Appreciation of Dorothy McGuire A Tree Grows in Brooklyn Hollywood Star Time: Original radio broadcast version of A Tree Grows in Brooklyn from 1946, starring Peggy Ann Garner, James Dunn and Joseph Kearns PLUS: a collector's booklet featuring new essays by Kat Ellinger, Phil Hoad, and Philip Kemp, alongside rare archival imagery
Oscar-winning actress Dame Peggy Ashcroft stars as an enigmatic elderly Austrian woman travelling across Europe by train. Over the course of one overnight journey she has a profound and unsettling influence on the young Englishman who is her fellow passenger... Originally broadcast in 1980 Caught on a Train was inspired by a journey Stephen Poliakoff made form London to Vienna as a young man of 25. The drama has endured as one of his most popular works. It is by turns both nightm
The Best Picture Oscar in 1949 went to All the King's Men, a hard-hitting political melodrama that will strike any number of eerily familiar chords with audiences weaned on later American politics: from the Kennedys to Nixon, Bill Clinton and beyond, US politicians obviously haven't changed much in the intervening decades. Based on the Pulitzer Prize-winning novel of the same name, this grittily realistic movie charts the rise and fall of Willie Stark (Broderick Crawford in an Oscar-winning role), a hick lawyer whose ideals are inexorably eroded by his relentless pursuit of power. When we first meet him, Stark is the people's champion, a struggling self-taught advocate who isn't afraid to speak out against "graft". Although inspired by the real-life story of Louisiana Governor Huey Pierce Long, All the King's Men also parallels the much later Primary Colors (1998), which is itself a thinly disguised portrait of Bill Clinton's presidential campaign. Like that movie, this one tells the tale from the point of view of a young idealist (John Ireland) who succumbs to the fledgling politician's charm and joins his campaign team. There he meets cynical aide Sadie Burke (Mercedes McCambridge, in another Oscar-winning role) and together they connive at and excuse every increasingly corrupt move made in the name of political expediency, until matters get dangerously out of hand after the governor's son kills his girlfriend in a drunk-driving incident (a spooky premonition of Chappaquidick?). The performances are all top-notch, as is the fast-paced screenplay and direction from Robert Rossen (later director of The Hustler in 1961). Less idealistic than Capra's Mr Smith Goes to Washington, this is a movie ahead of its time which still has plenty to say about the state of modern politics, American or otherwise. --Mark Walker
Straight-laced Princeton University admissions officer Portia (Tina Fey) lives by the book, both at work and at home. But Portia is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate.
Haunting passionate and unforgettable this beautiful version of Emily Bronte's timeless masterpiece stars Anna Calder-Marshall and Timothy Dalton as Cathy and Heathcliff star crossed lovers destined for a doomed romance.....
Fanny Hill (Lisa Raines) is a buxom country maiden who arrives in the big city and quickly begins an affair with the scion of a wealthy family in this softcore version of an old British tale. When the clan patriarch dies, Fanny is ready to marry her lover until she discovers he has been unfaithful, that sets her on a course of erotic adventures that begins in protest and ends in great wealth.
In the Bronx neighborhood of Five Corners, 1964, change is in the air and unrest is in the streets. Two teenage girls are given away to a pair of delinquents; a high school teacher is shot in the back with an arrow on the way to school, and psychotic Heinz (Turturro) is released from jail only to return to stalking the object of his obsession, Linda (Foster). Fearing for her safety, Linda turns to Harry (Robbins), who previously helped put Heinz in jail. Harry soon finds himself in a morally compromising situation where violence might be the only solution. Product Features High-Definition Transfer Audio Commentary with Mike McPadden Optional English SDH Subtitles Still Gallery Trailer
A lonely orphan's life is transformed by an extraordinary woman who teaches him to conquer grief and discover the magic in nature and himself.
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's murderous reign in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
ER kicked off its second series of high-intensity drama and wry humour by introducing a character who would turn out to be a long-term member of--and a major irritation for--the inner-city Chicago hospital staff. After Mark Greene (Anthony Edwards) is promoted to attending physician, the door is open for a new chief resident, and in walks Kerry Weaver (Laura Innes), who wastes no time ruffling everyone's feathers with her strict managerial style and subtle putdowns. One of her prime targets, Susan Lewis (Sherry Stringfield), struggles to balance her personal and professional life when she has to take care of her abandoned infant niece. The Lewis character grows the most during the series, along with second-year student John Carter (Noah Wylie), whose natural compassion gives way to professional ambition following the model of his teacher, the ambitious and self-absorbed Peter Benton (Eriq LaSalle). Benton angles for a position with a renowned cardiovascular surgeon (Ron Rifkin) and has to deal with the fallout from a relationship with physician's assistant Jeannie Boulet (Gloria Reubens), yet he also starts to show some glimmers of humanity. Greene has his own problems trying to manage a long-distance marriage, while nurse Carol Hathaway (Julianna Margulies) bounces back from her aborted first-series marriage attempt to start a new relationship with paramedic Shep (Ron Eldard, who also became Margulies' real-life partner). She buys her first house and enjoys an entire series out of the companionship of Doug Ross (George Clooney), who as always runs into problems with his cowboy style and philandering ways. But just when he's finally driven himself out of ER, he has to go play hero when he finds a boy pinned in a storm drain in an episode that was nominated for six Emmys and remains one of the, excuse the pun, high-water marks of the series. That and such episodes as "The Healers," which deals with the aftermath of Shep's daring fire rescue, prove that when ER was at its best, it was as good as anything on television. Guest appearances include Lucy Liu as the mother of an AIDS-stricken boy, Red Buttons as an elderly husband, Joanna Gleason as an infomercial producer and Jake Lloyd (The Phantom Menace) as the son of a prostitute. DVD bonus features are a little lighter than on the first-series set, consisting of a commentary track (by co-executive producer Mimi Leder, editor Randy Jon Morgan and Laura Innes) on the series' first episode and "The Healers", a nine-minute spotlight on "Hell and High Water", an 11-minute piece on the series' multiple directors, 14 minutes of outtakes and a gag reel. --David Horiuchi
Join the adventures of the quirky Yamada family - from the hilarious to the touching - brilliantly presented in an unique visually striking comic-strip style. Takashi Yamada and his wacky wife Matsuko who has no talent for housework navigate their way through the ups and downs of work marriage and family life. Amongst their brood is the sharp-tongued grandmother who lives with them; a teenage son who wishes he had cooler parents; and a pesty daughter whose loud voice is unusual f
An all-star cast headline this fantasy outing from director Matthew Vaughn.
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