From Academy Award® nominated director Stephen Frears (The Queen, Philomena) and producers Working Title Films (The Theory Of Everything, Everest, Tinker Tailor Soldier Spy), comes the true story of the meteoric rise and fall of one of the most celebrated and controversial men in recent history; Lance Armstrong, the world-renowned Tour de France champion. Inspired by the award winning book Seven Deadly Sins' by David Walsh, and featuring a stellar cast including Ben Foster (Lone Survivor), Chris O'Dowd (Calvary), Guillaume Canet (Tell No One) and Jesse Plemons (Breaking Bad), THE PROGRAM is a tense and suspenseful thriller.
They started with street corner harmonising and became slick stage performers destined to become rhythm and blues royalty. This film tells the true story of the pressure that goes with one of the most successful Motown singing-groups in history The Temptations from their personal battles with drug and alcohol abuse to their bitter break up...
Inspired by the award winning documentary Planet B-Boy, a new generation of athletes push the envelope to new heights as dancers from Russia, France, Japan, Korea, Brazil and more vie for their position atop the award stand.
Inspired by Sei ShÅnagon's first-century diary, Peter Greenaway's The Pillow Book is an audio-visual tour de force, and a showcase for one of British cinema's most singular talents. Starring Vivian Wu (8½ Women), Ewan McGregor (Trainspotting) and Ken Ogata (Mishima: A Life in Four Chapters), the film is among Greenaway's most daring and adventurous works. Product Features High Definition remaster Original stereo audio Selected scenes commentary with Peter Greenaway (2015, 38 mins) The Book of the Editor (2020, 27 mins): editor Chris Wyatt recalls his work with Greenaway Rosa (1992, 16 mins): performance film by Anne Teresa De Keersmaker's Rosas dance company, directed by Peter Greenaway and shot by Sacha Vierny, newly restored from the original negative by Belgium's Cinematek Image gallery: on-set and promotional photography Original theatrical trailer Original theatrical calligraphic subtitle presentation New and improved English subtitles for the deaf and hard of hearing
A love story about divorce. A marriage coming apart and a family coming together. Marriage Story is a hilarious and harrowing, sharply observed, and deeply compassionate film from the acclaimed writer-director NOAH BAUMBACH (The Squid and the Whale). ADAM DRIVER (BlacKkKlansman) and SCARLETT JOHANSSON (Under the Skin) deliver tour-de-force performances as Charlie, a charismatic New York theatre director wedded to his work, and Nicole, an actor who is ready to change her own life. Their hopes for an amicable divorce fade as they are drawn into a system that pits them against each other and forces them to redefine their relationship and their family. Featuring bravura, finely drawn supporting turns from ALAN ALDA (M*A*S*H), RAY LIOTTA (Goodfellas), and LAURA DERN (Certain Women)who won an Academy Award for her performance hereas the trio of lawyers who preside over the legal battle, Marriage Story (nominated for six Academy Awards, including best picture) is a work of both intimacy and scope that ultimately invokes hope amid the ruins. Special Features: New 4K digital transfer, supervised by director Noah Baumbach, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray New interview with Baumbach The Players, a new programme featuring interviews with actors Scarlett Johansson, Adam Driver, Laura Dern, Alan Alda, Julie Hagerty, and Ray Liotta The Filmmakers, a new programme about the production of the film, featuring interviews with Baumbach, editor Jennifer Lame, production designer Jade Healy, costume designer Mark Bridges, and producer David Heyman The Making of Marriage Story, a new programme featuring behind-the-scenes footage New interviews with composer Randy Newman and Baumbach about the film's score New programme featuring Baumbach walking the viewer through a key location from the film Trailers English subtitles for the deaf and hard of hearing PLUS: Notes on the film by novelist Linn Ullmann
Directed by Philip Leacock (who was also nominated for The Jury's Grand Prize at Cannes in 1954 for this 1953 British film. Two Canadian orphans (Jon Whiteley & Vincent Winter) are starved for affection. Their cantankerous, self-absorbed grandfather (Duncan Macrae) pays very little attention to them. The boys borrow a baby so they can raise it as their very own, while the real parents--and the police--scour the countryside in search of the missing infant. Interesting to note that both Jon Whiteley & Vincent Winter won Honorary Juvenile Oscars for their perfomances.
The only Deanna Durbin film made in colour Can't Help Singing was a spectacular musical triumph nominated for two Academy Awards and a real favourite with her fans. Featuring four great songs from Deanna Durbin - ""Can't Help Singing"" ""Any Moment Now"" ""More and More"" and ""Cal-i-for-ni-ay"" Can't Help Singing captures Deanna at her musical best.
Using a faulty thriller for his soapbox as an outspoken critic of China, a devout follower of the Dalai Lama, and an influential supporter of Tibetan freedom, Richard Gere resorts to the equivalent of propagandistic drama to deliver a heavy-handed message. In other words, Red Corner relies on a dubious strategy to promote political awareness, but director Jon Avnet appeals to the viewer's outrage with such effective urgency that you're likely to forget you're being shamelessly manipulated. Gere plays a downtrodden TV executive who sells syndicated shows on the global market, and during a business trip to China he finds himself framed for the murder of the sexy daughter of a high Chinese official. Once trapped in a legal system in which his innocence will be all but impossible to prove, Gere must rely on a Chinese-appointed lawyer (played by Bai Ling) who first advises him to plead guilty but gradually grows convinced of foul play. Barely attempting to hide its agenda, Red Corner effectively sets the stage for abundant anti-Chinese sentiment, and to be sure, the movie gains powerful momentum with its tale of justice gone awry. It's a serious-minded, high-intensity courtroom drama with noble intentions, but one wonder if it has to be so conspicuously lacking in subtlety. --Jeff Shannon, Amazon.com
Set in the sultry splendor of Rio de Janeiro, Wild Orchid stars Mickey Rourke (9 1/2 Weeks), Jacqueline Bisset (Bullitt) and supermodel Carre Otis in a torrid (Variety) adventure of the senses. Filled with exotic settings (The Hollywood Reporter), it is a hypnotic odyssey that will leave you breathless and spellbound. Beautiful young attorney Emily Reed (Otis) travels to Rio to work with international negotiator Claudia Lirones (Bisset) on a multimillion-dollar deal. But once exposed to the raw sensuality of her surroundings, Emily is increasingly drawn into a world of erotic fantasy. Eager to guide Emily through this underworld is Claudia's old flame Wheeler (Rourke). Mysterious and seductive Wheeler unleashes Emily's most primitive desires... even as she threatens to unlock his world-weary heart. From director Zalman King (Red Shoe Diaries, Two Moon Junction) comes a tale of sex, passion and erotic taboos set against the backdrop of the rich and powerful. Wild Orchid will be released on Blu-ray in a Dual Format (Blu-ray & DVD) edition for the first time in the UK. Special Features Original theatrical trailerOptional English subtitles for the deaf and hard-of-hearing
Charlie Chaplin was already an international star when he decided to break out of the short-film format and make his first full-length feature. The Kid doesn't merely show Chaplin at a turning point, when he proved that he was a serious film director-it remains an expressive masterwork of silent cinema. In it, he stars as his lovable Tramp character, this time raising an orphan (a remarkable young Jackie Coogan) he has rescued from the streets. Chaplin and Coogan make a miraculous pair in this nimble marriage of sentiment and slapstick, a film that is, as its opening title card states, a picture with a smile-and perhaps, a tear.Special Edition FeaturesNew 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrackNew audio commentary featuring Chaplin historian Charles MalandJackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa HavenA Study in Undercranking, a new program featuring silent-film specialist Ben ModelInterviews with Coogan and actor Lita Grey ChaplinExcerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo RothmanDeleted scenes and titles from the original 1921 version of The Kid Charlie on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to EuropeFootage of Chaplin conducting his score for The KidNice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy BrockTrailersPLUS: An essay by film scholar Tom Gunning
Ma has created a whole universe in 'Room' for five-year-old Jack, where they have both lived for Jack's whole life. But when Ma decides they have to escape, she risks everything to give Jack the chance to make a thrilling discovery: the world.
Rival football firms go head-to-head in this story of violence, adrenaline, loyalty, rivalry and back-street warfare. Matt Buckner (Elijah Wood) moves to London after being kicked out of Harvard University for alleged drug dealing. Before long he gets sucked into the hardcore world of booze, balls and violence with London's toughest football firm- the Green Street Elite. While Matt's busy proving himself in battle, a chain of events is set in motion that threatens to destroy everything he holds dear.
Paul Newman plays Ben Quick, the mysterious drifter who stirs up a town and its women when he hitches up in Frenchman's Bend, Mississippi, where life is dominated by elderly patriarch Will Varner (Orson Welles). Will's daughter Clara (Joanne Woodward) and son Jody (Anthony Franciosa) are a disappointment to him. While Jody spends his time fooling around with his alluring wife, Eula (Lee Remick), the strong-willed Clara is courted by Alan Stewart (Richard Anderson), a milquetoast mama's boy. Will himself is resisting being pressured into marriage by his long-term mistress Minnie (Angela Lansbury), but he sees in Ben the passion and drive that Jody lacks. He invites Ben to live with the family, and Ben launches a relentless campaign to break Clara's will and win her heart. This proves the final straw for Jody, who is driven to desperate measures to prove his manhood a situation that sparks both deadly danger and shocking revelations over the course of one long, hot summer.
Adapted from John Boyne's best-selling novel, "The Boy in The Striped Pyjamas" is a moving story told through the eyes of an eight year old boy largely shielded from the reality of World War II.
Monarch Of The Glen is the story of an extraordinary family in an extraordinary place. Archie MacDonald is the young Laird of Glenbogle a 40 000 acre estate in the Scottish Highlands. He and Lexie return home after their round the world honeymoon however Archie is restless. After years of financial struggle Glenbogle is finally solvent and Archie needs a new challenge. He finds the prospect of a job in New York very tempting and Lexie is horrified that he would even consider such a
In a secluded valley in Iceland, brothers Gummi and Kiddi live side by side, tending to their prized ancestral sheep. But a long-term grudge means that they haven't spoken to each other for four decades, passing messages via the sheep dog. When a lethal ovine disease suddenly appears in the valley, the authorities move in to cull all of the livestock. But Gummi and Kiddi don't give up easily and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the special breed of sheep passed down for generations - and themselves - from extinction.
Michel Poiccard (Jean-Paul Belmondo), an ex-airline steward turned hoodlum, steals a car and heads to Paris. Discovering a gun in the car's glove department, he uses it to shoot and kill a cop who tries to wave him down. He wants to escape to Italy with his American girlfriend Patricia (Jean Seberg), but the police are after him, and he is distracted by all the pleasures Paris has to offer.Story-wise, Jean-Luc Godard's A Bout De Souffle (1960) (aka Breathless) is pretty thin, but as its director always proclaimed, you don't need much in the way of narrative to make a movie. Sometimes a girl and a gun are quite enough. The effortlessly cool and laconic Belmondo mirrors the director's mischief and flamboyance. With his fat cigarette stub perched on his bottom lip, his shades, his felt hat and white socks, he looks like a cross between a left-bank intellectual and an American gumshoe (perhaps his beloved Bogart). With her close-cropped hair and New York Herald Tribune T-shirt, his girlfriend (Jean Seberg) is equally stylish. A Hollywood star (she had appeared in the lead in Otto Preminger's Saint Joan in 1957 when she was still a teenager), the Iowa-born Seberg is turned by Godard into the lithe embodiment of European radical chic.The film has a spontaneity that studio-bound offerings of the time missed by a mile. Cameraman Raoul Coutard uses natural light and real locations whenever possible. Lots of the pet tricks in the movie--jump cuts, whip pans and improvised tracking shots--have been copied relentlessly by imitators ever since. A Bout De Souffle, though, is unique: anarchic, liberating and hugely stylish, "the best film around now", as its trailer proclaimed. It made Godard, almost overnight, into "the world's most discussed, interviewed and quoted filmmaker". --Geoffrey MacnabOn the DVD: Godard's greatest movie has been lovingly transferred to disc by Optimum, and comes with several extras including trailers and production notes and an old Godard short, Charlotte Et Son Jules, also starring the swaggering, arrogant Belmondo. --Geoffrey Macnab
A single mum must either tell her son the ugly truth about his real Dad or find the perfect stranger to play his father in this moving Scottish drama.
An Interpol agent teams up with a tenacious District Attorney in order to bring down one of the world's most powerful banks.
Oliver Stone used such words as "liberating" and "fun" to talk about U-Turn's relatively quick production schedule of 42 days. Stone's ideas of film fun, however, are something older generations would call sick. This film is a Southwestern noir tale about Bobby Cooper (Sean Penn), a hotshot who is stuck in the tight confines of Superior, Arizona, when his car breaks down. His subsequent adventure is a meatball comedy--loud, obnoxious and violent, and stuffed with diffused light, a hot cast and a no-fat Ennio Morricone score. This film has plenty of odd characters but you never really find out much about them. Bobby's first encounters include a repulsive mechanic (Billy Bob Thornton under the grease) and a blind Indian (Jon Voight under the makeup). Then there's Grace McKenna (a sizzling Jennifer Lopez), who is as dangerous as the curves of her red sundress. Bobby's got time to kill and Grace seems more than willing. Unfortunately, it seems that Bobby has never seen a movie such as A Touch of Evil; if he had, he would know it can only get worse. About the time Grace's husband, Jake (Nick Nolte), shows up, Bobby is knee-deep in murder plots and double-crosses. The first 40 minutes or so are "fun" to a point. Penn is the perfect near-creep to root for and as he wanders back into town after meeting Grace, the eclectic characters pile up. But soon it gets monotonous, tiring and just plain ugly. And when incest and bloody fights begin, the fun is gone. If Penn wasn't so solid an actor and able to be empathetic in the most morose situations, the movie would be unwatchable in stretches. Lopez makes another good impression but this is not a performance that stands out. Nolte, raspy and ill-looking, is the Lee Marvin of the 90s. Before U-Turn is over, you are already wondering if Oliver Stone will do something else, something more important, soon. --Doug Thomas
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