George Clooney headlines this legal thriller about an in-house "fixer" at law firm in New York who must face his biggest test to date.
Taboo follows James Keziah Delaney (Tom Hardy), a man who has been to the ends of the earth and comes back irrevocably changed. Believed to be long dead, he returns home to London from Africa to inherit what is left of his father's shipping empire and rebuild a life for himself. But his father's legacy is a poisoned chalice, and with enemies lurking in every dark corner, James must navigate increasingly complex territories to avoid his own death sentence. Encircled by conspiracy, murder and betrayal, a dark family mystery unfolds in a combustible tale of love and treachery.
Anyone doubting the layered, nuanced, and heartbreaking acting abilities of Michelle Williams will find My Week with Marilyn a tremendous revelation. And Williams fans will enjoy it even more. In My Week with Marilyn Williams takes on the formidable challenge of playing Marilyn Monroe, and does so with depth and assuredness, and without resorting to caricature. Williams's Marilyn commands the screen with pain and delicacy, and doesn't let go until the final credits. My Week with Marilyn focuses on a small time frame in Monroe's life, right after her marriage to Arthur Miller. Monroe, already "the world's most famous woman," still feels the need for validation as an actress. What better way to achieve that, she believes, than committing to co-starring with Laurence Olivier in The Prince and the Showgirl, a film she firmly believed would finally cement her reputation as a serious actress. My Week with Marilyn is based on the short memoir of Colin Clark, a crew member on The Prince and the Showgirl, who quickly became the confidant of the wildly insecure Monroe and watched a train wreck of egos--mostly Olivier's and Monroe's--collide in a fiery near-disaster. Kenneth Branagh gives an uncharacteristically restrained performance as the exasperated Olivier, resentful of the "new blood" in Hollywood that the young Monroe represents, and disdainful of her cult-like devotion to Method acting. (And of Monroe's chronic tardiness, which threatens to undermine the veddy, veddy strict British work schedule.) Eddie Redmayne plays Clark with a sweet, gentle veneer, someone who grows to care genuinely about the complex Monroe. Julia Ormond is clipped and proper as Olivier's then-wife, Vivien Leigh, and Emma Watson shows a lovely gravitas as Lucy, Monroe's acting coach. But it's Williams who gives the revelatory performance, capturing with painful intensity the insecurity that begins to seep out of Monroe like a fearful sweat. "Excuse my horrible face," she blurts out, while looking nothing less than her usual radiant self. Where does this tragic insecurity come from? My Week with Marilyn doesn't attempt to answer the unanswerable, but instead shines a light on the very real woman who became lost in the giant shadow of legend. --A.T. Hurley
The story of the SAS patrol; call sign Bravo Two Zero whose mission it was to take out the Scud missiles behind enemy lines during the Gulf War. With their position compromised they fight for survival.... Based on true events.
Two years after 20th Century Fox released its melodramatic disaster film Titanic in 1953, Walter Lord's meticulously researched book A Night to Remember surprised its publishers by becoming a phenomenal bestseller. Lord had an intuition that readers craved the reality of the Titanic disaster and not the romantically mythologised translations (like Fox's film, starring Barbara Stanwyck), which relied on fictional characters to "enhance" the world's worst maritime disaster. Lord's book proved that the truth was far more compelling than fiction, outlining the many "if onlys" (if only the iceberg had been spotted a few minutes earlier, etc.) that lent sombre irony to the loss of 1,500 Titanic passengers. Three years after Lord's book appeared, it was brought to the screen with the kind of riveting authenticity that Lord had insisted upon in his own research. The 1958 British production of A Night to Remember remains a definitive dramatization of the disaster, adhering to the known facts of the time and achieving a documentary-like immediacy that matches (and in some ways surpasses) the James Cameron epic released 39 years later. The film erroneously perpetuates the once-common belief that the Titanic sunk in one piece (instead of breaking in half as its bow began to plunge), but many other misconceptions are accurately corrected, and the intelligent screenplay by thriller master Eric Ambler is a model of factual suspense. By making Titanic the star of the film, director Roy Baker emphasises the excessive confidence of the booming industrial age and creates an intense you-are-there realism that pays tribute to Walter Lord's tenacious quest for truth. --Jeff Shannon
Bryn Cartwright, a wealthy roofing contractor, Rugby Club Chairman and local kingpin rules the roost until Fatty Lewis, a local handyman, falls off a ladder on a Cartwright job. Bryn refuses to pay compensation. The twins, Fatty's wayward sons, devise a wickedly comic way of getting even and Bryn ends up paying dearly. Representing the thin blue line of the law are Terry and Greyo, two local policemen who employ their own dubious peacekeeping methods as events spiral out of control. Product Features Interview with Morgan Hopkins Interview with Mark Thomas (music composer) Commentary with Morgan Hopkins & Gary Slaymaker
Leading a phenomenal cast including Val Kilmer, Kelly McGillis, Anthony Edwards, Meg Ryan and Tim Robbins, Tom Cruise soars as Maverick, the young, in-your-face U.S. fighter pilot with a need for speed, a lot to prove, and even more to learn. Forever ranking with the best action films of all time, Top Gun remains a high-octane adrenaline rush. Product Features The Legacy Of Top Gun On Your Six - Thirty Years Of Top Gun Danger Zone: The Making Of Top Gun (6-part Documentary) Commentary By Filmmakers And Naval Experts Tom Cruise Interviews Multi-angle Storyboards Best Of The Best: Inside The Real Top Gun Behind-the-scenes Featurette Survival Training Featurette And More
In LION, five-year-old Saroo gets lost on a train travelling away from his home and family. Frightened and bewildered, he ends up thousands of miles away, in chaotic Kolkata. Somehow he survives living on the streets, escaping all sorts of terrors and close calls in the process, before ending up in an orphanage that is itself not exactly a safe haven. Eventually Saroo is adopted by an Australian couple, and finds love and security as he grows up in Hobart. Not wanting to hurt his adoptive parents feelings, he suppresses his past, his emotional need for reunification, and his hope of ever finding his lost mother and brother. But a chance meeting with some fellow Indians reawakens his buried yearning. With just a small store of memories, and the help of a new technology called Google Earth, Saroo embarks on one of the greatest needle-in-a-haystack quests of modern times.
It would be a mistake to call Kundun a disappointment, or a film that director Martin Scorsese was not equipped to create. Both statements may be true to some viewers, but they ignore the higher purpose of Scorsese's artistic intention and take away from a film that is by any definition unique. In chronicling the life of the 14th Dalai Lama, Kundun defies conventional narrative in favour of an episodic approach, presenting a sequential flow of events from the life of the young leader of Buddhist Tibet. From the moment he is recognised as the reincarnation of the 13th Dalai Lama in 1937 to his exile from Tibet in the wake of China's invasion, the Dalai Lama is seen as an enlightened spiritual figurehead. This gives the film its tone of serenity and reverence but denies us the privilege of admiring the Dalai Lama as a fascinating human character. There is a sense of mild detachment between the film and its audience, but its visual richness offers ample compensation. In close collaboration with cinematographer Roger Deakins, Scorsese filmed Kundun with great pageantry and ritual, and meticulous attention to details of costume, colour and the casting of actual Buddhist monks in the scenes at the Dalai Lama's palace. Certain images will linger in the memory for a long time, such as the Dalai Lama's nightmarish vision of standing among hundreds of dead monks, their lives sacrificed in pacifist defiance of Chinese aggression. Is this a film you will want to watch repeatedly? Perhaps not. But as a political drama and an elegant gesture of devotion, Kundun is a film of great value and inspirational beauty--one, after all, that perhaps only Scorsese could have made. --Jeff Shannon
Robin Williams and Annabella Sciorra star in this visually stunning metaphysical tale of life after death. Neurologist Chris and artist Annie had the perfect life until they lost their children in an auto accident; they're just starting to recover when Chris meets an untimely death himself. He's met by a messenger named Albert (Cuba Gooding Jr.) and taken to his own personal afterlife--a freshly drawn world reminiscent of Annie's own artwork, still dripping and wet with paint. Meanwhile a depressed Annie takes her own life, compelling Chris to traverse heaven and hell to save Annie from an eternity of despair. The multitextured visuals seem to have been created from a lost fairy tale. Heaven recalls the landscape paintings of Thomas Cole and Renaissance architecture complete with floating cherubs, while hell is a massive shipwreck, an upside-down cathedral overgrown with thorns and a sea of groaning faces popping out of the ground (one of those faces is German director Werner Herzog). Williams is the perfect actor to play against the imaginative computer-generated imagery--he himself is a human special effect. But the lack of chemistry between Williams and Sciorra is painfully apparent, and the flashback plot structure flattens the story's impact despite its deeply felt examinations of the heart and the spirit. Still, there's no denying Eugenio Zanetti's triumphant production design and the Oscar-winning special effects, which create a fully formed universe that is at once beautiful, eerie, and a unique example of movie magic. --Shannon Gee
In 2006, Northern Ireland's bloody Troubles had dragged on for decades. Now with the growing threat of a new generation inspired by the 9/11 attacks to escalate the conflict to new levels of destruction, both the Catholic Republican and the Protestant Unionist sides are finally persuaded to seriously explore a peace agreement at UK Prime Minister Tony Blair's urging. Unfortunately, the principle negotiators, firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, are decades-long implacable enemies. However with talks about to start, Paisley has his wedding anniversary that he is determined to attend at home, and McGuinness decides he must accompany his enemy to prevent him from being persuaded to abandon this chance for peace. With the Prime Minister and his MI-5 staff nervously watching from secret cameras, the two foes undertake a journey together in which they bridge the seemingly unbridgeable and change the course of history.
The Award winning musical about Bohemian life, love and AIDS in New York comes to the screen.
Directed by Christopher Menaul and starring Dan Stevens, Dominic Cooper and Emily Browning, SUMMER IN FEBRUARY is a deeply moving and tragic love story played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
The last days of Hitler and the Third Reich are examined in this German drama.
In the aftermath of World War II, a writer's love affair with another woman drives his wife mad with distrust. Realising his errors, he tries all he can to save her from literally losing her mind. Kohei Oguri's haunting adaptation of the novel by Toshio Shimao is shot in a hyperreal style that is equal parts painterly and unflinching. Featuring striking set design, powerful lead performances and a vivid evocation of small-town life in postwar Japan, The Sting of Death won the Grand Jury Prize at the Cannes Film Festival while stars Ittoku Kishibe and Keiko Matsuzaka won numerous awards for their powerful performances. Radiance Films is proud to present this remarkable film on Blu-ray for the first time in the world. Product Features LIMITED EDITION BLU-RAY SPECIAL FEATURES High-Definition digital transfer Uncompressed mono PCM audio Documentary on the Japanese film renaissance of the 1990s featuring interviews with Kohei Oguri, Kiyoshi Kurosawa, Kaneto Shindo and others (Hubert Niogret, 52 mins) Interview with film scholar Hideki Maeda (2023) Trailer Newly translated English subtitles Reversible sleeve featuring designs based on original posters Limited edition booklet featuring a newly translated interview with director Kohei Oguri Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
First there was an opportunity......then there was a betrayal.Twenty years have gone by. Much has changed but just as much remains the same.Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.Click Images to Enlarge
David Essex stars in his first acting role as Davey Jackson a former cockney wide boy who fell in love with nature during a spell in open prison. Now out he settles in a cottage in the coutryside and the story revolves around him and the quirky characters that he meets in this warming sitcom.
Dawson (James Marsden) and Amanda (Michelle Monaghan) couldn’t lead more different lives in a small Southern town and yet soon they are falling head over heels in love. However they are soon separated by their families. Twenty years later they are reunited and soon both are forced into circumstances that test their love to its limit.
Having miraculously remained 29 years old for almost eight decades, Adaline Bowman (Blake Lively) has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones (Michiel Huisman) reignites her passion for life and romance. When a weekend with his parents (Harrison Ford and Kathy Baker) threatens to expose the truth, Adaline makes a decision that will change her life forever.
From Sebastián Lelio, writer-director of the Academy Award-winning A FANTASTIC WOMAN, DISOBEDIENCE is a timely and emotionally powerful tale set at the crossroads of tradition and modernity, of personal desires and the demands of faith. When her estranged rabbi father suddenly passes away, Ronit (played by Oscar-winner and co-producer Rachel Weisz) returns from New York to the north London Orthodox Jewish community she rejected years previously after a scandalous transgression. Ronit s presence immediately courts further controversy when she unknowingly runs into Esti (Rachel McAdams), the wife of her strictly religious cousin Dovid (Alessandro Nivola) and the woman for whom she shared an illicit attraction in their childhood. This happy reunion soon reignites the two women s burning, long-unrequited passions, an act of defiance that could alter the course of their lives forever. Based on the novel of the same name by bestselling author Naomi Alderman and co-written by Rebecca Lenkiewicz, DISOBEDIENCE is a critically acclaimed romantic drama that explores the fraught boundaries between spiritual devotion and sexuality.
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