Three documentary filmmakers investigating Bigfoot sightings in Siskiyou County capture a series of distressing, unfortunate events proving the existence of this terrifying creature's existence.
Zavvi Exclusive Limited Edition Steelbook with Matt Finish. Limited to 3000 Copies. The blood-pumping action and special effects of this edgy, satisfying thriller from filmmakers Tim Burton and Timur Bekmambetov (Wanted) are even more spectacular in this exclusive Blu-ray⢠edition! Included are the high-definition 3D and BD, a look at the journey from novel to fi lm, and a graphic novel about the secret origins of vampires in America. When vicious vampires plot to make the U.S. their own nation, President Abraham Lincoln (Benjamin Walker sets out to pulverise the bloodthirsty undead killers one by one in an epic fight for life and freedom!
A grand inquisitor leads a religious campaign of torture and violence. A woman becomes caught up in the madness when he becomes smitten by her beauty.
A modern group of seductive vampires are using the best source for fresh victims: the internet. While Van Helsing's descendent tracks them a young journalist is getting more than she bargained for from her story.
Radu has been destroyed and Michelle has been captured by Radu's vile mother, Mummy. Mummy uses sorcery to bring Radu back to life, then magically transports them back to Castle Vladislas to escape their mortal pursuers; Michelle's sister Rebecca, Mel Thompson of the US Embassy and Lt. Marin of the Bucharest police. Michelle manipulates Radu into teaching her the secrets of vampire existence and how to harness her vampiric powers. Once she learns to survive on her own, she intends to destroy him. But Michelle's plan is thwarted when Rebecca storms the castle with the help of a CIA operative armed with an arsenal of silver bullets. Driven insane by Mummy's demands and his weakening hold on Michelle, Radu makes a fatal mistake that leads to a climactic standoff on the high walls of the castle. Special Features: All Region Codes Remastered Transfer in 1.78:1 Aspect Ratio Remixed 5.1 Soundtrack Stereo 2.0 Soundtrack Audio Commentary by Ted Nicolaou Original Full Length Videozone Original Trailer Full Moon Trailer Park Killer Subspecies Montage The Madness Behind the Making of Subspecies Reversible Sleeve incorporating original art
A horror film that surpasses all others. Alan relates the story of traveling magician Dr Caligari and Cesare. Their arrival in a town coincides with savage killings. Secretly Caligari was an asylum director who hypnotizes Cesare to re enact murders. But the final reel contains something which will leave an audience shattered. It blows away all your moral certainties and beliefs. This is the true power of its horror. To leave you vulnerable and uncertain of what you feel was secure and certain.
Silent Hill (Christophe Gans 2006): After the continuous sleep walking episodes of Sharon the young daughter of Rose Da Silva the decision is made to take Sharon to the place only mentioned in her restless dreams- Silent Hill. However the road to Silent Hill is anything but easy to access and Rose creates a high speed chase between herself and a police officer only to end in a crash for them both. When she wakes up Sharon has disappeared and Rose is at the entrance to the deserted dream-like town of Silent Hill. As Rose begins the search for her daughter she does not realize the terror and mystery surrounding her. Rose is led on a blind search for her beloved daughter finding herself getting more and more entwined into disturbing past of Silent Hill. An American Haunting (Dir. Courtney Solomon 2005): Based on true events that took place in Tennessee during the 1800s An American Haunting tells the story of the only documented case in U.S. history (validated by the State of Tennessee) in which a spirit caused a person's death. With over 20 books written on the subject and a town that still lives in fear of the spirits' return the story is terrifying. The Amityville Horror (Dir. Andrew Douglas 2005): On November 13 1974 Suffolk County Police received a frantic phone call that led them to 112 Ocean Avenue in Amityville Long Island. Inside the large Dutch Colonial house they discovered a horrific crime scene that shattered the landscape of the typically peaceful community: an entire family had been slaughtered in their beds. In the days that followed Ronald DeFeo Jr. confessed to methodically shooting his parents and four siblings with a rifle while they slept claiming 'voices' in the house drove him to commit the grisly murders. One year later George (Ryan Reynolds) and Kathy Lutz (Melissa George) and their children moved into the house thinking they'd found their dream home. But shortly after settling in bizarre and unexplainable events began to occur -- nightmarish visions and haunting voices from an evil presence still lurking within the house. Confused and frightened by her daughter Chelsea's cryptic interaction with an imaginary friend named Jodie Kathy struggles to hold her family together as George's increasingly strange behavior finds him spending days and nights in the basement of the house where he soon discovers a passageway to a mysterious and gruesome 'Red Room.' With lucid visions and evil voices swirling through George's head the house comes alive in a terrifying climax that finds him carrying out the spine-chilling events that would become forever known as The Amityville Horror. Based on the true story of George and Kathy Lutz The Amityville Horror remains one of the most terrifying stories ever because of one small fact - it actually happened. 28 days after moving in the Lutz family abandoned the residence lucky to escape with their lives. Now 30 years after the shocking events that inspired a best selling novel and one of the most popular horror films of all time come revisit the house that started it all: The Amityville Horror.
In 18th Century Spain, a small village is ruled over by an evil Marquis. A beggar goes to the castle of this unfair ruler and asks for a small amount of bread and is consequently humiliated and jailed. He is soon forgotten and becomes more animal than human, the only contact he has with humanity is through the mute servant girl who feeds him . When the servant girl is thrown into the beggar's cell and raped in a fit of lustful rage she falls pregnant.After being released from the cell she escapes the castle and is taken in by the kind Alfredo Corledo. On Christmas Day, Leon is born. His mother dies at birth and Corledo takes to raising the boy. Leon grows up to be a normal boy until age 6 when he begins to go missing at night and goats are reported savaged the next day. Leon is a werewolf, a condition brought on by his traumatic heritage. However, with love and attention the transformations can be fought and they are until Leon becomes a man. One full moon he again turns into a werewolf and terrifies the town.
Dear God No! is a tribute to a lost regional drive-in film from 1976 that doesn't rely heavily on computer gimmicks, and cuts to the core of what made these low-budget films shockingly fun. Shot entirely on super 16mm Fuji film and using equipment from the era, Dear God No! is a drive-in and grindhouse lover's dream. No pretty actors - just a rocking original soundtrack, bikers, babes and blood, and as many naked breasts as the script would allow. Outlaw motorcycle gang The Impalers' tri-state rape and murder spree ended in a bloody massacre with rival club Satan's Own. The surviving members sought refuge in a secluded cabin deep in the North Georgia mountains. What first must have seemed like easy prey for a home invasion, became a living nightmare of depravity and violence. A young innocent girl being held captive may hold the key to the twisted secrets locked in the basement and the killing machine feasting on human flesh in the forest outside. Special Features: Exclusive full colour booklet featuring the words of Director James Bickert and Graphic Illustrator Tom Hodge, production stills and more Audio Commentary with Writer/Director James Bickert and Composer Richard Davis Audio Commentary with Actors Jett Bryant, Madeline Brumby and Shane Morton Original Theatrical Trailer Redband Trailer Behind the Scenes Gag Reel Poster and Still Slideshow Zombie Parody Canadian Theatrical Promo Torture Porn Parody Festival Promo Vlog the Magnificent at the Dear God No! World Premiere
It's midnight at the Hillside Necropolis and the stage is set for the first ever Monster Brawl main event!
A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease and seduce him into staying for their night-time soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death", mutters one of them as they await the cabal where he is the guest of honour. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerising fantasy. --Sean Axmaker, Amazon.com
This Hammer Horror Resurrected box set collects Hammer movies from the mid-1960s (plus a stray 1975 title), an era when Hammer was making sequels or even sequels to sequels and occasionally cobbling together films with a lack of care that would not have passed muster in the 1950s. Nevertheless, all of these films have elements that remain pleasing and a good half of the titles represented are in the front-rank of the Hammer canon. Rasputin the Mad Monk is a bloodied-up slice of Russian history, hindered somewhat by the need to limit the sets to those that could be recycled from Dracula Prince of Darkness and a legal injunction to refrain from naming names. Christopher Lee makes a fair fist of the lead role, employing his Dracula staring eyes and wringing hands to go with an impressive false beard and using sheer force of will to dominate the Tsar's court, especially the elegantly masochistic lady-in-waiting Barbara Shelley. Frankenstein Created Woman sends Peter Cushing's Baron back to the drawing board and finds him diverted from his usual brain surgery and corpse-stitching into experimenting with cryogenic suspension and soul transference. Terence Fisher, on his third Hammer Frankenstein, directs the cynical script with cold flair. The side is let down only by Playboy Playmate Susan Denberg's insufficiently devastating lady monster. The Vengeance of She is the mildest effort in this bunch, a quickie sequel to She in which blonde, bosomy Czech "discovery" Olinka Berova did not turn out to be an international sensation along the lines of previous Hammer babes Ursula Andress and Raquel Welch. The feeble storyline peters out as the heroine is plagued by dreams that suggest she is the reincarnation of the evil ice queen Ayesha but then turns out not to be. The Plague of the Zombies is a grimmer Hammer, with cartoonish social comment ladled onto the voodoo goings-on. Cornish squire John Carson (even chillier than the usual Christopher Lee) enjoys rampaging around the countryside with his hunting pals abusing comely lasses while his fortune is kept going by the exploited living dead working his tin mine. Andre Morell has the Peter Cushing role as a concerned expert who recognises that there's voodoo in the air, and Jacqueline Pearce--unforgettable in director John Gilling's companion piece, The Reptile--is suitably affecting as the secondary heroine who turns into a seductive zombie and gets her head lopped off. In Quatermass and the Pit boffin Professor Quatermass (Andrew Keir) unearths an eerie history of insect aliens who have influenced human evolution when workmen extending the London underground discover a five million year old Martian spaceship. This is a rare intelligent science fiction movie with genuine ideas to go along with its creepy moments. 1975's To the Devil a Daughter was the last gasp of Hammer's horror cycle, an attempt to rejig Dennis Wheatley's once-popular Satanist-bashing novel into a post-Exorcist/Omen Devil movie. Fallen priest Christopher Lee tries to get teenage novice Nastassja Kinski pregnant with a monster, while pipe smoking occultist Richard Widmark does his best to foil the dastard. Sloppy, silly and awkwardly structured, with an especially limp climax (the villain is foiled by being bashed with a rock), it does manage some chills along the way, and has an interesting supporting cast of neurotics (especially Denholm Elliott, cowering inside a pentagram). This release presents a fuller version than some video or TV prints, including a strange sequence in which Kinski's womb is invaded by a repulsive demon child. The very young Kinski has a nude scene, but so does Christopher Lee's game stunt double. On the DVD: Hammer Horror Resurrected box set has no extras at all. But the films are presented in nice, anamorphic transfers which bring out the pretty pastels of the landscape around Bray Studios and the rich red splashes of blood. --Kim Newman
The living nightmare of the Lutz family. They got out alive! but another family wasn't as lucky. They lived at 112 Ocean Avenue Amityville before the luckless Lutz family and what is the real history of this desirable family residence? In a sequel to the original film ""The Amityville Horror"" which tells the true story of the Lutz family's chilling supernatural encounter ""Amityville: The Possession"" dramatises other terrifying events which took place at the same house. Not f
The carcasscrunching action comes thick and fast. A pack of ghoulish predators entrap some ridiculously ill-prepared locals in a moody, malevolent mansion. Suffice to say, a mammoth amount of stomach-turning, meat-munching mayhem ensues. Only the golden age of Italian horror could have delivered a movie-meal of such outstanding insanity
The continuing popularity of horror spoofs has created an opportunity for low-quality slashers such as A Crack In the Floor to pass themselves off as humorous. The story follows axe-wielding psychotic hermit Jeremiah who meets a bunch of fresh-faced young hikers and the movie employs every trick in the genre's book but still fails to rise itself above cheap exploitation (best indicated by the tasteless rape of Jeremiah's mother that prefaces the action). Brazenly claiming to feature Tracy Scoggins and Gary Busey--who in reality appear for about five minutes each--the film features young unknowns, the most high profile being Saved By the Bell's Mario Lopez. Which is fitting really because the film, with its mix of teen enthusiasm, redneck stereotypes and crass violence, is little more than that show meets The Dukes of Hazzard meets Deliverance meets Friday the 13th. Recommended for connoisseurs of everything gory and tacky but no-one else. On the DVD: The DVD manages to keep the quality set so spectacularly by the film itself--featuring an appalling trailer, a reprint of the information on the disc's box, biographies of the handful of established actors who make the briefest of cameos and trailers for some equally naff TV movies. Not what DVD was invented for. --Phil Udell
See it with someone you're sure of! Before Let The Right One In there was Martin the original story of teenage angst... and vampirism! George A. Romero (Dawn of the Dead) directs this chilling tale of a tormented youngster with an insatiable appetite for blood! Martin is seemingly your average awkward teen; only he just happens to have a penchant for the blood of nubile women! Suspicious of Martin's nocturnal activities the lad's uncle decides he must be killed believing his death will lift an age-old family curse but he'll have to catch him first... Martin is a brilliant cult curio from the 1970s and is rightly considered to be one of master horror-maker Romero's finest films.
Filmed as Jack's Wife and briefly released in the US under the title Hungry Wives Romero's third film Season Of The Witch is the disturbing story of a suburban housewife's descent into extramarital sex and the occult.
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