All your favourite films from the ultimate filmmaker Alfred Hitchcock. 16 of his best loved classic films digitally restored in stunning high definition. Exclusive film tins including Vertigo Psycho The Birds North By Northwest Rear Window and To Catch a Thief. Plus... A 16-page Companion Booklet Movie Poster Art Cards New Original Letters Storyboard Special Features and more... Titles Comprise: Saboteur Shadow of a Doubt Rope Rear Window To Catch a Thief The Trouble with Harry The Man Who Knew Too Much Vertigo North by Northwest Psycho The Birds Marnie Torn Curtain Topaz Frenzy Family Plot
Having been re-directed to an Evacuation facility on the edge of town Steve an off-duty Paramedic is in a race against time fully aware that Marks chances of survival are rapidly slipping away. The scene that greets them on arrival is one of chaos. The floor awash with blood is covered with the bodies of the dying and injured doctors dart back and forth clearly overwhelmed. A violent convulsion causes Mark to lose consciousness heart stopped he slumps to the floor....
Ex-London gangster Harry Payne retires to Norfolk to be close to his wife, driven mad when he was forced to kill his best friend, psychopathic gang boss Eugene McCann. Immediately he is drawn into a murder mystery in which an obsessive local police detective targets him as the killer. Unknown to anyone, Harry has psychic abilities he has always suppressed with alcohol. Now he must confront the supernatural and his own personal demons to save his wife and free the tormented souls of the ghosts...
A reclusive artist working in a most unusual medium provides the chills in a classic British horror movie with a chilling twist
As a scantily dressed nurse goes to answer the phone a huge hairy hand reaches out and grabs her by the throat. The following morning she is found strangled having been brutally sexually assaulted. The telephone murders have begun. One after another young girls throughout the city meet the same stranger and the same fate. They all have two things in common they live alone and they are clients of Dr. Lindsay Gale. Somebody has decided it is quicker to kill than cure.
John Carpenter's Vampires (1998): In the blood-chilling tradition of Halloween and Village Of The Damned comes John Carpenter's unique vision of the ultimate killing machines vampires. ""Forget everything you've ever heard about vampires"" warns Jack Crow (James Woods) the leader of Team Crow a relentless group of mercenary vampire slayers. When master Vampire Valek (Thomas Ian Griffith) decimates Jack's entire team Crow and the sole team survivor Montoya (Daniel Baldwin) set out in pursuit. Breaking all the rules Crow and Montoya take one of Valek's victims hostage. The beautiful prostitute (Sheryl Lee) is their sole psychic link to Valek and through her senses they will track down the leader of the undead. As Valek nears the climax of his 600 year search for the Berziers cross Jack and the new Team Crow do everything humanly possible to prevent him from possessing the only thing that can grant him and all vampires the omnipotent power to walk in the daylight... John Carpenter's Ghosts Of Mars(2001): 200 years in the future a Martian police unit is dispatched to transport a dangerous prisoner from a mining outpost back to justice. But when the team arrives they find the town deserted and some of the inhabitants possessed by the former inhabitants of the planet.
Father Vassey (Michael Rooker) has a problem. Using his two 9mm, laser-sighted cannons, he has tracked down and killed the holders of a heretic ceremony meant to bring a demon into the world. Not just any demon, for this one's reason to be is nothing less than uncreating creation. The problem is, Vassey's too late. The demon has manifested and escaped, and is now on the hunt for the soul of a young boy who is believed to be saint material, due to the stigmata he had at birth. The film is directed by Jamie Dixon, heretofore a special effects supervisor, who shows canny restraint where special effects are concerned. The shadowy demon of the title is depicted often by a fluid black cloud, which is functional without losing its eeriness or credibility. The acting is solid, never campy, though Michael Rooker sometimes feels out of place. And the climactic scenes, built up to with good pacing, are fraught with peril and excitement. All in all, this is a worthwhile effort for a first-time director, and that makes it one of the best direct-to-video releases I've seen in quite a long time. I just wish I could locate the Bram Stoker story it's supposed to be based on. --Jim Gay, Amazon.com
Seventh Moon
Strange things start to happen when art collector James Robertson (Tom Selleck) displays a picture of three witches being burned at the stake one of who bears an uncanny resemblance to his wife...
Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected souls that roam the now desolate streets. Their fight for survival is tormented further by the shear destruction that surrounds them.
Hitchcock's first great romantic thriller is a prime example of the "macguffin" principle in action. Robert Donat is Richard Hannay, an affable Canadian tourist in London who becomes embroiled in a deadly conspiracy when a mysterious spy winds up murdered in Hannay's rented flat--and both the police and a secret organisation wind up hot on his trail. With only a seemingly meaningless phrase ("the 39 steps"), a small Scottish town circled on a map, and a criminal mastermind identified by a missing finger as clues, quick-witted Hannay eludes police and spies alike as he works his way across the countryside to reveal the mystery and clear his name. At one point he finds himself making his escape manacled to blonde beauty Pamela (Madeleine Carroll), whose initial antagonism is smoothed by Hannay's charm. It's classic Hitchcock all the way, a seemingly effortless balance of romance and adventure set against a picturesque landscape populated by eccentrics and social-register smoothies, none of whom is what he or she appears to be. Hitchcock would play similar games of innocents plunged into deadly conspiracies, most delightfully in North by Northwest, but in this breezy 1935 classic, Hitch proves that, as in any quest, the object of the search isn't nearly as satisfying as the journey. --Sean Axmaker, Amazon.com
Get ready for seconds... they're back! It's been two years since the fiendish Critters first terrorized the town of Grovers Bend and sent the Brown family packing. But the ""boy who called Critter "" Brad Brown (Scott Grimes) is back... and just in time! Critter eggs have been hatching lethal litters and the bloodthirsty hairballs are eager to partake in their favourite pastime - eating. In no time the eggs are popping open everywhere - a field full of livestock becomes a gigantic fe
The mansion... the madness... the maniac... no escape. An unknown stranger is inviting townsfolk over to a mysterious mansion where they are viciously and gruesomely murdered. The secret to the killer's shocking identity is revealed in an ancient diary.
Based on Thomas Harris's novel, Jonathan Demme's terrifying adaptation of Silence of the Lambs contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat) and he hasn't forgotten the significance of tone, atmosphere and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh, Amazon.com On the DVD: On disc one, the film itself looks clinically sharp in a faultless widescreen (1.85:1) anamorphic transfer, while the Dolby 5.1 soundtrack makes the most of the chilling sound effects and Howard Shore's masterfully understated score. Unlike the Region 1 Criterion Collection, however, there is no audio commentary at all. On the second disc, the all-new hour-long "making-of" documentary features contributions from the screenwriter, producer, composer, costume designer, make-up effects people and even the moth wrangler ("There were no moths harmed in the filming!") as well as Ted Levine (Buffalo Bill) and Anthony Hopkins, who talks at length about creating Lecter. Conspicuous by their absence are Jonathan Demme and Jodie Foster. Aside from the usual trailers and stills gallery there are 21 deleted scenes, many of which are not whole scenes but deleted excerpts, a promotional featurette made in 1991 and an outtakes reel that proves the cast really did have fun making this scary picture. For those who want to scare all their friends, there's also an answerphone message from Anthony Hopkins "in character". --Mark Walker
Awkward ice cream van driver Warren Thompson's only respite from his drab existence comes in the form of gorgeous soapie star Katie George. Besotted with the young actress, Warren can't help but imagine what life would be like with Katie at his side. After suffering another in a long line of savage beatings from local thugs, Warren's fragile psyche cracks under the strain, and his infatuation with Katie turns into psychotic obsession. As the lines between reality and fiction blur, Warren's quest to make Katie his will have catastrophic implications for all who populate his simple world. Armed with terrific performances, rave reviews and a shocking climax that will leave you gasping, Stuart Simpson's CHOCOLATE STRAWBERRY VANILLA is an unforgettable cracker of a film. Miss it at your own peril.
Paranormal Possesion
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