Revenge thriller starring Andy Garcia Ellen Barkin and Morgan Freeman. When he returns from a business trip in Mexico small-time smuggler Clinton (Garcia) discovers that his lawyer brother has been tortured and murdered. Vowing revenge Clinton gets a lead through ex-prostitute Nadine (Barkin) and a mysterious tape containing salsa music. This in turn leads him to lawyer Pratt (Freeman) and a discovery that the mob are ready to kill in order to get the tape back.
Stares Death Straight In The Face Without Flinching... Can You? We have a right to a few minutes of fame even if they are our last so believe the two filmmakers we follow in Suicide. They don't wish to question why people want to immortalise their suicidal deaths they just offer an opportunity to become the focus of attention at least once in their lives... As the filmmakers become torn between sympathy for their customers and greed for the money they're being paid how far will they go?. By filming the events are they becoming accomplices to the deaths? and by watching how drawn do we become? Suicide exploits the camera in an ultra-real way and challenge our emotions more and more with each episode an experience shared by the cast and crew during production. Every scene was shot in one take this had to be enough because the actors and crew were so moved that they couldn't bear trying it a second time...
This box set of cheesy delights includes six of the greatest low-budget horror flicks ever made. Each of these classics is introduced by Peterson who has dusted off her trademark gothic beehive and voluptuous vamp suit to write and record intros and outros for each film. Carnival of Souls (Dir. Herk Harvey's 1962): Three friends are out for a day's drive when they accept a drag challenge. Their car is forced off a bridge and plunges in to a river. with all three appearing to have drowned. Eventually Mary resurfaces and makes her way into town where she accepts a job as a church organist but a mysterious phantom figure begins to dog her every move. Dementia 13 (Dir. Francis Ford Coppola 1963): John Haloran dies from a heart attack leaving his wife Louise with something of a problem; she won't get to inherit any of the Haloran family money when Lady Haloran dies if John is already dead. So Louise forges a letter from John in order to convince the rest of his family that he has been called away urgently on business to New York whilst she journeys to the ghostly ancestral home in Ireland. It is her intention to ingratiate herself into the family and ensure a cut of the inheritance but things don't go as she had planned... Night of the Living Dead (Dir. George A. Romero 1968): The story begins casually enough; a brother and sister go to visit the grave of their father in a remote graveyard in the woods. There a strange man grabs at O'Dea and her brother rushes to her defense at which the man bites him and knocks him out. Terrified the girl jumps in the car and speeds to a nearby farm house to get help. She goes inside and the house appears to be deserted and the phone disconnected. She looks out the window and to her horror she sees the man trying to get inside the house! That is just the beginning of the seminal horror movie that is Night Of The Living Dead! House on Haunted Hill (Dir. William Castle 1959): Millionaire playboy Frederick Loren invites five guests out to a genuine haunted house offering them each $10 000 if they spend the night. Amongst the inivited is Watson Pritchard a nervous alcoholic who has been in this house before and witnessed some terrible things. Mr. Loren's beautiful but treacherous wife is also present - and might be out to kill Frederick during the course of the evening; then again he might be out to kill her... Severed heads a skeleton an acid vat ghostly screams and a noose that creeps around on its own and strangles unsuspecting victims are just some of the treats on show. The Little Shop of Horrors (Dir. Roger Corman 1959): Seymour Krelbourne works at a struggling flower shop where he shows the owner Gravis Mushnick a plant hybrid he has been working on. Named Audrey II in honour of Audrey Fulguard the plant proves an instant attraction as business booms almost overnight. Delighted Mushnick invites Seymour and Audrey out for a celebratory meal but Audrey already has a date with her boyfriend and Seymour needs to care for his ailing plant. Seymour soon realises that the only thing that can keep Audrey II alive is human blood... and that Audrey II's appetite is growing with her size! The Brain That Wouldn't Die (Dir. Joseph Green 1962): Jan Compton (Virginia Leith) literally loses her head in a fiery car crash and awakens as a monstrosity. Herb (a.k.a. Jason) Evers is Jan's fianc transplant specialist Bill Cortner who is driven to keep the head alive at any cost until he can find a suitably voluptuous replacement body. Locked in a closet by Bill and his assistant Kurt (Leslie Daniels) is yet another monster. A nightmarish patchwork of previous mistakes that becomes Jan's ally in bloody revenge.
Whilst investigating a series of mysterious deaths detectives Jerry Callum and Gordon Mullin with the help of psychic Alley Oates at the county morgue unwittingly reactivate an ancient oriental curse. Joined by a trapped pathologist an orderly and a failed suicide they fight for their lives. Only the lucky don't survive as survival is a fate worse than death!
A young girl tries to cope with her mother's suicide in her own way in this chiller - but things soon turn nasty.
The Mummy: Deep in the Egyptian desert a handful of people searching for a long-lost treasure have just unearthed a 3 000 year old legacy of terror... Combining the thrills of a rousing adventure with the suspense of Universal's legendary 1932 horror classic The Mummy starring Brendan Fraser is a true nonstop action epic filled with dazzling visual effects top-notch talent and superb storytelling. The Mummy Returns: Set in 1933 ten years after the events in the first film Rick O'Connell (Brendan Fraser) is married to Evelyn (Rachel Weisz) and the couple has settled in London raising their 9-year-old son Alex (Freddie Boath). When a chain of events finds the corpse of Imhotep (Arnold Vosloo) resurrected in the British Museum Imhotep walks the earth determined to fulfill his quest for immortality. But another force has also been set loose one born of the darkest rituals of ancient Egyptian mysticism and even more powerful than Imhotep. When these forces clash the fate of the world will hang in the balance sending the O'Connell's on a mission to save the world and their son before it is too late... The Scorpion King: In the notorious city of Gomorrah evil warlord Memnon is determined to lay to waste all the nomadic peoples of the desert. Because the few remaining tribes are virtually powerless against him they decide to hire a skilled assassin Mathayus to eliminate Memnon's most prized asset: the sorceress Cassandra who lies at the root of Memnon's power. Mathayus's plan however is to kidnap Cassandra rather than kill her. He knows if he takes her deep into the desert badlands as his hostage Memnon and his henchman will stop at nothing to rescue her...
In a not too distant future, the world's population has been restricted to walled-in cities, in the interest of preserving the surrounding wilderness from imminent catastrophe. The only ones allowed out are high-ranking politicians and corporate bigwigs, and of course their heavily militarized escorts. For ordinary folks, contact with nature comes only through high-tech simulators. Paul is an ace at the vivid, virtual-reality hunting games, but his heart hungers for the real thing, the chance to hunt live game in the true outdoors. An politician friend can arrange a furtive visit to the wild: but thanks to a top-secret experiment gone awry, Paul and his friends will have to put their real killing skills to far greater tests than expected!
There are demons so terrible that no mortal man of God could successfully drive them back to Hell. The only option is for the exorcist himself to invite possession and then commit suicide, dragging along the demon to damnation - so the Augustine Interfaith Order of Hellbound Saints - or Hellbenders - was formed. A group of elite, highly-trained exorcists, they live in a constant state of debauchery so they will be ready to go to Hell at any moment. When an infernal Norse demon called BLACK SU...
Are you game? Japan's number one extreme reality show is having its first all-American special! Six lucky contestants chosen from thousands of applicants will have the chance to win millions of dollars and all they have to do is stay alive!
At the end of civilization, zombies greatly outnumber people and every day is a fight to see tomorrow. Just when he is about to give up this fight, rugged wanderer John Knox winds up being saved by a ragtag group of survivors. Just as he is getting comfortable with his new family in the wasteland, a war party of maniacal raiders assaults the camp, and they kidnap Sarah Knox's love interest. It's up to Knox and the few who escaped the attack to gather what resources they can (including zombies...
You are about to experience a fantasy quit unlike anything you've ever seen or felt before - a fantasy built from the very stuff of your own mind. Tender Loving Care is not just a finely crafted suspense story; it's an exploration into the innermost perceptions opinions and attitudes. The unfolding story is shaped and changed by your responses to it so that no two people will experience Tender Loving Care in the same way.
Have you ever consumed so much alcohol and drugs that you forgot what you did last night? Hollywood superstar Matty (Matthew Modine) does it all the time. He's got everything - fame money gorgeous women fast cars and even faster friends. But when Matty's strung out there's nothing he wouldn't do for kicks... even commit murder! Assisting Matty on his modern descent into hell are nightclub owner Micky (Dennis Hopper) girlfriend Annie (Beatrice Dalle) and starring in her first feature film role Supermodel Claudia Schiffer as his lover Susan. Let maverick director Abel Ferrara plunge your senses into the compulsive world of excess.
Seven months have passed since the dead took over. Cities have been abandoned. Society is trying to create order from the chaos. Both the military and hunting groups made up of ordinary citizens have taken on the task of fighting the undead hordes in a war aptly referred to as the 'War on Dead'.Jillian Hurst, a former news writer and amateur documentarian, has set out to make a propaganda film to support the W.O.D. She joins up with a pack of renegade hunters known infamously as 'the DeadHeads'. The moral dynamics and hardships of fighting in a war against the flesh eating undead are told from several different perspectives. Made up of Christians, atheists and men and women of varying ages, the disparate band of anti-heroes seek to cleanse the landscape of the undead, with each DeadHead motivated by their own personal agenda. Everyday brings the possibility of death and horror, but also offers new bonds that redefine family and friendship.
In Nude for Satan, director Luigi Batzella deftly combines weirdly stylised horror and out-and-out exploitation (scenes of bondage, torture, unmotivated sex and an orgy are sprinkled throughout) for a film dripping in eerie mood and nightmare imagery. Two strangers who wreck their cars on a rural highway during a storm take refuge in a mansion. A doctor (James Harris), who has left an unconscious woman, Susan (the striking Rita Calderoni), in his car walks in to discover depravities behind every door when Susan suddenly appears, dressed in a flowing gown and acting as if they were old friends. The next morning, Susan wakes up in his car and enters the mansion to find a leering aristocrat, his snaggle-toothed servant, and the doctor dressed as a count and acting like a decadent dilettante. It's as if the two exist in parallel universes, confronted with ghost versions of one another in a portal to the past controlled by a devilish hedonist. The doppelganger story of split psyches doesn't always make sense, and a few clumsily executed scenes are laughably silly (a hoary papier mâché and pipe-cleaner spider is the worst offender), but the handsome production is unexpectedly compelling and unsettling. --Sean Axmaker
When Howard Johns is accidentally released from Cresthaven mental hospital he returns to Barrington College the scene 20 years before of the brutal and vicious murders of a number of young and beautiful girls. Dr Joan Gilmore a psychiatrist follows him terrified that the horrific crimes of 20 years before will be re-enacted. Sucked into a vortex of horror Joan fights for her sanity and her life.
Sex so hot, it's deadly", announces the tagline for Sexual Malice. Originally screened in 1994, this is a quintessential late-night TV movie. The well-worn plot concerns relationships inside and outside of marriage, with a twist obvious enough for the non-rocket scientists among us to have twigged well before the denouement. As for the sex scenes--there's little here that errs on the outré side of Dirty Dancing (interestingly enough, there's a secondary role for one Don Swayze), and the visuals are stylishly, almost tastefully done--Ashley Irwin's coffee-table funk adding the right musical enhancement. As the upwardly mobile accountant Christine Chandler, Diane Barton gives a creditable portrayal of a woman caught between the routine of marriage to the predictable Richard (stolidly dependable Edward Albert) and the excitement of an illicit affair with the passably seductive Quinn, played with a certain edge by Doug Jeffrey. The two subplots are wafer thin in narrative terms, but those who enjoy bump-and-grind under piers and in changing rooms will certainly stay the course. On the DVD: Sexual Malice comes to DVD in a 4:3 full frame print that's nonetheless a classy looking effort, and the stereo soundtrack is similarly pristine. There are detailed filmographies, a well-reproduced but oddly random photo gallery, and a trailer that manages to summarise a completely different scenario. As its closing voice-over proclaims, "Caught between a boring husband and a dangerous lover, a passionate woman can commit just about anything". Now you know.--Richard Whitehouse
A series of murders take place in a remote European village which the locals believe to be the work of vampires and which the police dismiss as nonsense. The murders coincide with the arrival of the beautiful Luisa Karlstein (Britt Nichols) who has been summoned by the imminent death of her mother Baroness Karlstein who tells her daughter the family secret that they are all vampires! Loosely based on the classic Sheridan le Fenu short story Carmilla Franco's tale of lesbianism and vampirism is it must be said a disjointed and hotch-potch affair filmed almost back-toback with the Erotic Rites of Frankenstein. Yet despite its flaws it maintains enough of Franco's classic languid and dreamlike otherworldliness to include it among Franco's classic titles.
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