Set Comprises: The Omen (1976): He was born at 6am on the 6th day of the 6th month. The coming of Armageddon the sign of the final confrontation between the forces of good and evil as foretold in the Book of Revelations will begin with the birth of the son of Satan - in human form. The Omen II (1978): After the tragedy that befell his parents Robert and Katherine Thorn Damien is taken in by his caring Aunt and Uncle. However Damien is growing and so too are his mysterious powers - it is time for Damien to find out what his destiny really is... The Omen III (1981): Armageddon has come and the Evil One stands among us. His name is Damien Thorn and the power of evil is no longer in the hands of a child. The final and most terrifying chapter in the Omen Trilogy sees the fate of all mankind hanging in the balance as the battle lines are drawn for the ultimate war between good and evil for the Final Conflict.
* Artwork subject to change
IN WHITEWOOD, TIME STANDS STILL Christopher Lee was already a horror icon when he started filming The City of the Dead in 1959. Having played Frankenstein's Monster, Count Dracula and The Mummy for Hammer, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small New England village Lee plays Professor Driscoll, an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven's Inn, she soon learns that devil worship among the locals hasn't been consigned to the past. Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier's Hamlet to Horrors of the Black Museum), The City of the Dead is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries. SPECIAL EDITION CONTENTS: New 4K digital restoration by the Cohen Film Collection and the BFI High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: An Authorised Screen History, recorded exclusively for this release Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Vic Pratt
Gangster No. 1 is without doubt the most stylish British violent crime thriller from the many produced at the end of the 20th century. For all the pop-video glamour of Guy Ritchie's Lock, Stock, and Two Smoking Barrels and Snatch, neither have anywhere near as much a sense of danger as is shown here. Paul Bettany ignites the screen with a fury that explodes far more than it smoulders beneath his tautly kept temper. The tale concerns his ascent to the titular position of primacy in 1960s London, told in flashback by his present-day self (an equally riveting Malcolm McDowell). A lust for power won't allow anything to stand in either incarnation's way, especially the foppish posturing of established crime boss Freddie Mays (David Thewlis). What distinguishes this from many other tales of greed is that the never-named Gangster actually wants to be Freddie, not simply replace him. Saffron Burrows plays the suffering trophy moll in the middle of this personality clash and provides about the only level head and gentle tongue in what is otherwise a super-violent and super-profane script. This is what The Krays should have been, and therefore not for the squeamish. --Paul Tonks
The first of the horror films producer VAL LEWTON (The Body Snatcher, I Walked with a Zombie) made for RKO Pictures redefined the genre by leaving its most frightening terrors to its audience's imagination. SIMONE SIMON (La bête humaine) stars as a Serbian émigré in Manhattan who believes that, because of an ancient curse, any physical intimacy with the man she loves (KENT SMITH) will turn her into a feline predator. Lewton, a consummate producer-auteur who oversaw every aspect of his projects, found an ideal director in JACQUES TOURNEUR (Out of the Past), a chiaroscuro stylist adept at keeping viewers off-kilter with startling compositions and psychological innuendo. Together, they eschewed the canned effects of earlier monster movies in favour of shocking with subtle shadows and creative audio cues. One of the studio's most successful movies of the 1940s, Cat People raised the creature feature to new heights of sophistication and mystery. SPECIAL EDITION FEATURES: New, restored 2K digital transfer, with uncompressed monaural soundtrack Audio commentary from 2005 featuring film historian Gregory Mank, with excerpts from an audio interview with actor Simone Simon Val Lewton: The Man in the Shadows, a 2008 feature length documentary that explores the life and career of the legendary Hollywood producer Interview with director Jacques Tourneur from 1977 New interview with cinematographer John Bailey about the look of the film Trailer PLUS: An essay by critic Geoffrey O'Brien Click Images to Enlarge
Award-winning filmmaker Kiyoshi Kurosawa delivered one of the finest entries in the J-Horror cycle of films with this moody and spiritually terrifying film that delivers existential dread along with its frights. Setting his story in the burgeoning internet and social media scene in Japan, Kurosawa's dark and apocalyptic film foretells how technology will only serve to isolate us as it grows more important to our lives. A group of young people in Tokyo begin to experience strange phenomena involving missing co-workers and friends, technological breakdown, and a mysterious website which asks the compelling question, Do you want to meet a ghost? After the unexpected suicides of several friends, three strangers set out to explore a city which is growing more empty by the day, and to solve the mystery of what lies within a forbidden room in an abandoned construction site, mysteriously sealed shut with red packing tape. Featuring haunting cinematography by Junichiro Hayashi (Ring, Dark Water), a dark and unsettling tone which lingers long after the movie is over, and an ahead-of-its-time story which anticipates 21st century disconnection and social media malaise, Pulse is one of the greatest and most terrifying achievements in modern Japanese horror, and a dark mirror for our contemporary digital world. SPECIAL EDITION CONTENTS: High Definition digital transfer High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original 5.1 audio (DTS-HD on the Blu-ray) New optional English subtitle translation New interview with writer/director Kiyoshi Kurosawa New interview with cinematographer Junichiro Hayashi The Horror of Isolation: a new video appreciation featuring Adam Wingard & Simon Barrett (Blair Witch, You're Next) Archive Making of' documentary, plus four archive behind-the-scenes featurettes Premiere footage from the Cannes Film Festival Cast and crew introductions from opening day screenings in Tokyo Trailers and TV Spots Reversible sleeve featuring original and newly commissioned artwork by Tommy Pocket
HIGH-DEFINITION BLU-RAY PRESENTATION IN 2.35:1 ASPECT RATIO ORIGINAL MONO 2.0 AUDIO WITH NEW ENGLISH SUBTITLES AUDIO COMMENTARY BY AMBER T. AND JASPER SHARP BRAND NEW FILMED INTRODUCTION BY KEI CHIBA STILLS GALLERY TRAILER
As accomplished as it is superfluous, Willard is a stylish horror film with plenty of style but precious little horror. Genre buffs will appreciate it as a visually superior sequel/remake of its popular 1971 predecessor, giving Crispin Glover a title role perfectly suited to his uniquely odd persona, in the same league as Psycho's Norman Bates. This time, Willard's the psychotically lonely son of the original film's now-deceased protagonist: a milquetoast introvert who befriends an army of obedient rats--lethal allies when Willard's pushed to his emotional breaking point by his abusive boss (R. Lee Ermey). In keeping with his memorably macabre episodes of X-Files, writer-director Glen Morgan excels with dreary atmosphere and mischievously morbid humor (including an ill-fated cat named Scully), and Glover gives his best performance since River's Edge. But even the furry villain Ben--an oversized rat with attitude--is more funny than frightful. With some justification, Glover's fans will appreciate the open door to a sequel. --Jeff Shannon
A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease and seduce him into staying for their night-time soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death", mutters one of them as they await the cabal where he is the guest of honour. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerising fantasy. --Sean Axmaker, Amazon.com
Brick Bardo a traveller from outer space lands on Earth unfortunately for him although being normal sized on his own planet he is now doll sized here on Earth!
Two English girls take a cycling holiday in France. However they become separated on an infamous stretch of road where a mad killer abducts and kills Cathy. Jane meanwhile is left isolated and frightened and doesn't know who to trust.
From master of terror Eli Roth (Hostel Cabin Fever) comes CLOWN a nightmarish reawakening of your BIGGEST childhood fear. It’s Jack's 10th birthday but the clown has cancelled. His dad Kent finds an old clown suit in the attic and saves the party. But after the party is over Kent has a problem… the suit won't come off. What starts as a joke quickly turns into a hellish nightmare. Kent can feel himself changing and his desperate attempts to free himself just leave him in agonising pain. As the suit takes hold of his body Kent slowly endures a brutal and agonising transformation. As he changes an uncontrollable hunger begins to consume him; an overwhelming and insatiable hunger…for children.
James Woods leads a band of ruthless vampire hunters in a blood-soaked battle against the undead. Also starring Sheryl Lee, Daniel Baldwin and Maximillian Schell, Carpenter crafts a tense, brutal and action-packed horror/western crossover. Extras: High Definition remaster 5.1 surround sound track Alternative stereo audio Audio commentary with director John Carpenter The Guardian Interview with John Carpenter - Part One, 1962-1983 (1994, 38 mins): the director discusses his career with Nigel Floyd at the National Film Theatre, London Behind the Scenes (1999, 6 mins): original making of' documentary Cast & Crew Interviews (1999, 9 mins) B-roll Footage (1999, 9 mins) Isolated score: experience John Carpenter's original soundtrack music Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing
Two bungling kidnappers take their victim to a cottage in the woods only to find they aren't the only ones with a heinous crime in mind.
Produced by Eli Roth (The Last Exorcism, Cabin Fever) Two journalists set out to document their friend's search to find his missing sister.
Two beautiful women roam the English countryside, luring men to their estate for orgies of sex and blood. But when a group of campers stumble into the vampires' lair, they find themselves sucked into a vortex of savage lust and forbidden desires.
Made-for-TV Horror/Thriller directed by Griff Furst and starring Kristy Swanson (Flowers in the Attic; Hot Shots; Buffy the Vampire Slayer), D. B. Sweeney (Gardens of Stone; The Cutting Edge; Memphis Belle) & Robert Davi (Die Hard; License to Kill). Summer in the gorgeous swamplands of the Atchafalaya Basin. Lots of beautiful teens are at the beach the weekend before Gator Fest. That night an animal smuggling deal goes wrong and a large sea creature escapes into a swampy backwoods river. As the killings escalate it becomes a race against time to catch the monster and prevent the unwitting folks at the upcoming festival from being torn to shreds by a beast the likes of which no one has ever seen!
Guy Pearce stars in this innovative thriller that begins with a crime and then goes back through time to trace its origins.
After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own? Features: Audio Commentary with Producers Mark Burg, Oren Koules and Peter Block I Speak for the Dead: The Legacy of Saw The Choice is Yours: Exploring the Props
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