The true story of an unassuming band leader and trombonist Glenn Miller (played by James Stewart) who got his first break playing his own arrangement of 'Everybody Loves My Baby' at an audition. He never looked back. He married his childhood sweetheart and everything he played became an instant hit...songs like 'Moonlight Serenade' 'String of Pearls' and 'Tuxedo Junction'. Hollywood beckoned and success piled upon success. But then came World War II. A war from which Glenn Miller never returned. He was on his way to Paris to entertain the American Forces when his plane disappeared. But the show had to go on...and Glenn Miller became a legend. The film features all of Glenn Miller's hits and there are many guest performances who make this film an all time classic. Winner of an Oscar for Best Sound in 1955.
For anyone who's ever won. For anyone who's ever lost. And for anyone who's still in there trying.... When a secretary's idea is stolen by her boss she seizes the opportunity to steal it back. Her boss breaks her leg in a skiing accident and the daring secretary decides to take her office her apartment and even her wardrobe! it's make or break time...
During the German occupation of Rome in 1943 an athletic Irish priest Monsignor Hugh O'Flaherty (Gregory Peck) devotes all the time he can spare from his work at the Vatican to hiding Allied POWs from the Nazis. Col. Herbert Kappler (Christopher Plummer) Rome's chief Gestapo Officer suspects O'Flaherty of hiding escapees but can do little about it because of the priest's Vatican diplomatic immunity. But when he unearths proof of O'Flaherty's complicity he orders that the priest be
Scorsese's classic tale based on the true life rise and fall of a small time gangster gets the two disc 'Special Edition' treatment with many new & exclusive DVD extras.
From David Simon creator and co-writer of HBO's triple Emmy-winning mini-series 'The Corner' this unvarnished highly realistic HBO series follows a single sprawling drug and murder investigation in Baltimore. Told from the point of view of both the police and their targets the series captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn. Episodes comprise: 1. The Target 2.
A proud mom of three decides to set her daughter up with the perfect man, to prevent her youngest from making the same mistakes she did.
Meryl Streep leads an all-star cast in the feature-film adaptation of the beloved musical bringing the timeless lyrics and melodies of iconic super group ABBA to audiences everywhere.
Curb Your Enthusiasm is the brainchild of star-creator Larry David, who cocreated Seinfeld and was the basis for the easily rattled George Costanza. Like George, David has a tendency to speak too much, blow things out of proportion, and, most often, fail in the end (and often liking it that way). David's new show is also like its predecessor; it's about "nothing" except following the day-to-day ramblings of a sometime writer and comic (this time in LA). Eternal questions stemming from universal daily dilemmas are honed to perfect comedic absurdity. A notable exception is that the show is only scripted by plot; much of the action is improvised. The first season starts with a one-hour mockumentary following David's return to stand-up for the first time in years. The other 10 episodes follow a more traditional sit-com setup. David plays "himself" (as does his friend, Richard Lewis) although his manager and wife are played by comedians Jeff Garlin and Cheryl Hines. Although this first season is a comedic gem, one can't take more than an episode or two at a time--it's caustic, biting comedy. The episodes are often built like a house of cards, which the irritable David will surely collapse by the end. --Doug Thomas
MGM's bold idea to remake George Cukor's Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names--and some bits of dialogue--all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart's former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding. Sure, High Society lacks the original's witty satire, sarcasm and character complexity; but it's assuredly paced and wonderfully acted, and contains enough romantic chemistry to keep the plot engaging. And then there's the music. Unlike the grandiose production numbers of many 40s and 50s musicals, High Society's musical sequences are considerably low-key and intimate, focusing on Porter's lyrical content and the style in which it's delivered by the charismatic performers. Armstrong kicks the film off in telling style: he sings the title track, a calypso tune outlining the plot like a Greek chorus--not as an elaborately choreographed song-and-dance number, but instead stuffed claustrophobically in the back of a limousine with his jazz band. Other musical standouts include Sinatra and Crosby playfully tossing barbs during "Well, Did You Evah?"; Crosby and Armstrong teaming up for an energetic clash of styles in "Now You Has Jazz"; the two soaring, archetypal ballads by the leads--Crosby's "I Love You, Samantha" and Sinatra's superior "You're Sensational"; and, finally, the satirical Sinatra/Holm duet, "Who Wants to Be a Millionaire?", the closest High Society ever comes to social or class-commentary. --Dave McCoy, Amazon.com
When legions of monstrous creatures known as Kaiju started rising from the sea a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju a special type of weapon was devised: massive robots called Jaegers which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenceless in the face of the relentless Kaiju. On the verge of defeat the forces defending mankind have no choice but to turn to two unlikely heroes - a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi) - who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together they stand as mankind's last hope against the mounting apocalypse. Special Features: Blooper Reel The Wall of Life/Rations Excuse Me Theft Catch You in the Drift Dad Audio Commentary by Guillermo Del Toro
This slightly more cohesive follow-up to The Addams Family has the same director, Barry Sonnenfeld (Men in Black), but a better story line. Joan Cusack plays a busty gold digger who ingratiates herself into the Addams home and convinces Uncle Fester (Christopher Lloyd) that she wants to marry him. Besides Lloyd, the cast includes Anjelica Huston and Raul Julia, ideal as those Brontëan lovers, Morticia and Gomez. But Christina Ricci again walks away with the best moments as the chilly Wednesday Addams, making life miserable for two camp counsellors (Peter MacNicol and Christine Baranski) who want her to fit in with other kids. --Tom Keogh, Amazon.com
Thelma and Louise is as extraordinary and admirable a film in retrospect as it was when it was first shown. Nothing has dated about its tale of two waitresses who decide that being outlaws and eventual death on their own terms is better than putting up with any more nonsense from husbands, boyfriends, rapists and offensive strangers. Ridley Scott's direction is almost impeccable; Callie Khourie's script is intelligent, without being patronising, about the lives of blue-collar women; and the central performances from Geena Davis and Susan Sarandon are finely judged in the way they show hidden capacities in two ordinary people gradually opening up. The secondary performances are remarkable as well, most notably Harvey Keitel as the policeman with a heart who tries and fails to save them, and Brad Pitt as the beautiful boy whose casual thievishness dooms them even further. On the DVD: Thelma and Louise comes to DVD in its original widescreen ratio of 2.35:1 and with high quality Dolby 5.1 sound that brings out fine details of the Country score and the atmospheric noises of fast cars and lonely places. This special edition also comes with two commentaries, one in which Ridley Scott discusses his conception of the film in painstaking detail, and a delightful one in which Khourie, Davis and Sarandon charmingly bitch their way through the whole film. There is more of this in the excellent making-of documentary, "The Last Journey", which includes a subtly different alternate ending, as well as a comprehensive set of deleted scenes, notably a more tender alternate version of the Davis/Pitt love scene. --Roz Kaveney
In the future intelligence is extinct From Mike Judge one of the creative minds behind Beavis and Butt-Head King Of The Hill and Office Space comes an outrageous sci-fi comedy that'll make you think twice about the future of mankind. Meet Joe Bowers (Luke Wilson). He's not the sharpest tool in the shed. But when a government hibernation experiment goes awry Bowers awakens in the year 2505 to find a society so dumbed-down by mass commercialism and mindless TV programming that he's become the smartest guy on the planet. Now it's up to an average Joe to get human evolution back on track! Filled with razor-sharp sarcasm and outrageous sight gags Idiocracy will make you laugh out loud whether you're an absolute genius or a complete idiot!
Rediscover Narnia with a brand new adventure! While back home in England Edmund Lucy and their cousin Eustace are pulled into a magical painting transporting them back to Narnia for their next great quest. Reunited with King Caspian aboard the mighty royal ship the Dawn Treader Lucy Edmund and Eustace set sail toward the islands of the East battling slave traders violent storms sea serpents and other new dangers at every turn. Despite these perilous obstacles they stay the course in hopes of vanquishing the evil mist before Narnia is lost forever.
The last days of Hitler and the Third Reich are examined in this German drama.
Amy Adams is a young woman plans to propose to her boyfriend on Leap Day, an Irish tradition which occurs every time February 29 rolls around. However she faces a major setback when bad weather threatens to derail her planned trip to Dublin.
Enjoy four volumes of your favourite magical episodes!
Set in the quasi-mystical rain forests of South America 'The Mission' presents each man with his greatest challenge. The priest (Irons) has come to spread the word of God amongst the Guarani Indians; the mercenary (De Niro) has come to enslave them. With the passing of time their destinies become entwined...
From The Terminator to Titanic, you can always rely on writer-director James Cameron to show you something you've never seen on the big screen before. The guy may not consistently pen the most scintillating dialogue in the world (and, especially in this movie, he doesn't seem to have a particularly high regard for women), but as a director of kinetic, push-the-envelope action sequences, he is in a class by himself. In True Lies, the highlight is a breathtaking third-act jet and car chase through the Florida Keys. Arnold Schwarzenegger plays a covert intelligence agent whose wife of 15 years (Jamie Lee Curtis) finally finds out that he's not really a computer salesman and who becomes mixed up in a case involving nuclear arms smuggling. Tom Arnold is surprisingly funny and engaging as Schwarzenegger's longtime spy partner, and Bill Paxton is a smarmy used-car salesman whom Arnold thinks is having an affair with his wife. Purely in terms of spectacular action and high-tech hardware, True Lies is a blast. --Jim Emerson, Amazon.com
...or how I flew from London to Paris in 25 hours 11 minutes! This extraordinary comic version of the historic 1910 London-to-Paris air race features the greatest aviators from around the world. They all come together when a stuffy but very rich newspaper publisher decides to sponsor an airplane race across the English Channel offering 10 000 pounds to the winner.... The escapades between the American British French German Italian and Japanese teams result in the most daring and hilarious in-flight acrobatic stunts ever caught on film!
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