Here's a film that only a Steven Seagal fan could love. Fire Down Below not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who's using abandoned mines to dump toxic waste. Along with an ecological message, Seagal serves up several broken limbs, cracked skulls, and bloody noses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff Shannon
For everyone who rolled their eyes even as they were secretly digging 2009's G.I. Joe: The Rise of Cobra as a guilty pleasure (not to mention giving it big box-office clout), this rejiggered sequel will probably prove irresistible. Hasbro and Hollywood have successfully created a franchise based on toy action figures that were introduced almost 50 years ago, now featuring all the guns, glory, and apocalyptic politics of the modern age. Along with that come the heights of preposterous circumstances and childish fantasy that any $200-plus million action movie requires. The video game quality and action figure/comic book childishness notwithstanding, G.I. Joe: Retaliation is anything but childlike with its incalculable body count, physical carnage, and extreme fetishisation of violence and techno armaments. Feeling cocky from their vanquishing the evil Cobra organisation in the first movie, the Joes are all the more ready to save the world from itself, making clandestine forays into North Korea and Pakistan with deadly precision. (The dizzying assault on a Pakistani weapons base is genuinely spectacular.) What they don't know is that Cobra has been lying in wait, and that the free world's Commander in Chief (Jonathan Pryce, having a fine time) is being impersonated by the nefarious Cobra operative Zartan (Arnold Vosloo). In the guise of a benevolent leader seeking world nuclear disarmament, "President" Zartan discredits and wipes out all but three of the Joe force. Fortunately Dwayne Johnson is among them, and every moviegoer knows he's pretty much an army of one. The script is so whiz-bang fast and full of impossibly extravagant CGI-enhanced eye-poppery that any synopsis would be akin to, well, 10-year-olds smashing three-inch action figures into each other and making up a narrative to go along with their guttural sound effects. And isn't that a pretty good description of escapism? Mention must be made of an incredible sustained set piece staged on sheer Himalayan cliffs where sword-wielding ninjas soar on ropes in an elaborate choreography that is as inventive as it is thrilling. The finale explodes at historic Fort Sumter, of all places, where the faceless Cobra Commander showdowns with the revivified Joes during "The President's" bogus disarmament summit. The cast is adequate in portraying good or bad real-life action figures with funny names and unbreakable bodies. Bruce Willis seems very happy chomping in to a glorified cameo as the retired Joe commander. Though the Joes carry the day and glory can be claimed, it should be noted that a sequel is teed up perfectly, especially in light of the fact that Cobra pretty much succeeds in its world-domination plan by obliterating the whole of London and its eight million inhabitants. It is the most extreme of money shots, rendered with loving detail; but don't worry, kids, it's only a movie. --Ted Fry
Both Jane Fonda and Jon Voight won Oscars for their performances in Coming Home, a profoundly moving 1978 flick dealing with the aftereffects of the Vietnam War. Fonda, feeling isolated while her hawkish husband (Bruce Dern) is away in Vietnam, follows a friend's example and volunteers at a veteran's hospital. There she is reacquainted with Voight, an old friend who has returned from the war as a paraplegic. Lonely and disconnected from her husband, Fonda finds love--and fulfilling sex--with Voight. The sex scenes, very steamy for the time, are still provocative. This mature love story is about expanding your horizons, and is both moving and thoughtful. Director Hal Ashby (Harold and Maude) does succumb to melodrama on occasion, but these are forgivable slips. --Rochelle O'Gorman, Amazon.com
Bruce Willis is Eddie ""The Hawk"" Hawkins the world's most famous cat burglar who after 10 years in prison is ready to go straight - but its not going be easy for the Hawk. The mob and the CIA have conspired to blackmail Eddie and his partner (Danny Aiello) into stealing three da Vinci masterpieces from the most heavily guarded museums in the world. Sounds simple right? WRONG! While trying to steal the goods Hawk falls in love with a beautiful but schizophrenic nun (Andi MacDowell) and is relentlessly pursued by the greedy and powerful Minerva and Darwin Mayflower (Sandra Bernhard and Richard E Grant) who want the artworks as part of their twisted plot to ruin the world's economy...
The UV copy is only available in the UK and Ireland. Co-directors Frank Miller and Robert Rodriguez reunite to bring Miller's visually stunning Sin City graphic novels back to the screen in 3D in FRANK MILLER'S SIN CITY: A DAME TO KILL FOR. In a town where justice doesn't prevail, the desperate want vengeance and ruthless murderers find themselves with vigilantes on their heels. Their paths cross in Sin City's famous Kadie's Club Pecos. The film opens with fan-favorite Just Another Saturday Night, when Marv (Mickey Rourke) finds himself in the center of carnage as he tries to remember the preceding events. The Long, Bad Night tells the tale of Johnny, a cocky young gambler (Joseph Gordon-Levitt) taking his chances with the biggest villain in Sin City, Senator Roark (Powers Boothe). The central story, Miller's acclaimed A Dame To Kill For, features Dwight McCarthy (Josh Brolin) in his final confrontation with the woman of his dreams and nightmares, Ava Lord (Eva Green). Nancy's Last Dance follows Nancy Callahan (Jessica Alba) in the wake of John Hartigan's (Bruce Willis) selfless suicide. Driven insane by grief and rage, she will stop at nothing to get revenge.
One of the most celebrated outrageous and original horror films of all time Stuart Gordon's Re-Animator is a darkly comic tale that 'upped the 80's gore ante at a time when blood was already flowing freely' (Total Film). Brilliant if somewhat deranged medical student Herbert West arrives at Miskatonic Medical school and immediately sneers at his professor's outdated views of death. West has his own outlandish theories and has concocted a serum that will bring the dead back to life. Roping in fellow student Dan Cain their shocking experiments work all too well with horrific and very messy results.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
Zoya's journey begins in Russia at the turn of the 20th Century when her royal upbringing is brought to a tragic end as her parents are killed in the revolution. She escapes with her life and is forced to flee to Paris with her Grandmother. Penniless and alone Zoya finds life hard for many years until she meets a handsome American soldier. Against her grandmother's wishes she marries him and moves to New York...
Welcome to a place where being normal is really quite strange. Based on the best-selling book series from Charlaine Harris (the author behind True Blood), comes a journey into a remote Texas town where no one is who they seem. From vampires and witches to psychics, angels, and assassins, Midnight is a mysterious safe haven for those who are different. As the town members fight off outside pressures from rowdy biker gangs, ever-suspicious cops, supernatural entities, and their own dangerous pasts, they band together and form a strong and unlikely family. BONUS FEATURES: DELETED SCENES GAG REEL
The story behind literary persona JT LeRoy, the fictional writer created by American author Laura Albert.
The only Deanna Durbin film made in colour Can't Help Singing was a spectacular musical triumph nominated for two Academy Awards and a real favourite with her fans. Featuring four great songs from Deanna Durbin - ""Can't Help Singing"" ""Any Moment Now"" ""More and More"" and ""Cal-i-for-ni-ay"" Can't Help Singing captures Deanna at her musical best.
If you're a fan of brooding comic-book anti-heroes, got a nihilistic jolt from The Crow (1994) and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so that even its derivative elements (and there are quite a few) acquire their own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (Blade Runner is considered a classic, after all), it's painfully clear that Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plussets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia. --Jeff Shannon
Fourteen-year-old Leo Beiderman (Elijah Wood) did not expect to make an earth-shattering discovery when he joined his high school astronomy club. He didn't expect to make any discoveries at all; he simply hoped that classmate Sarah Hotchner (Leelee Sobieski) would discover him. Yet a photograph he takes through his small telescope makes him co-discoverer of Comet Wolf-Beiderman...a comet that scientists determine is on a fatal collision course with the Earth. What would you do if you
Featuring three episodes starring Bruce Willis and Cybill Shepherd: ""Pilot"" ""The Lady in the Iron Mask"" and ""A Womb with a View"".
Annette Bening stars as a West End diva in this tale of amorous folly and revenge set in the world of the London stage in the late 1930's.
If the idea of an Oprah Winfrey-produced film detailing the last days of a dying man and his inspirational effect on those left behind sounds a little cloying, Tuesdays with Morrie will be a rather pleasant surprise. While the presentation of this true story is certainly very American in tone, and it was obviously made for television (the points where it faded to commercial breaks are clear), it's still a surprisingly satisfying piece of work. The credit for that can firmly be laid at the door of Jack Lemmon, appearing in what was to be his last film. He excels as the terminally ill college professor Morrie Schwartz, determined to use his passing as a medium for teaching others about life. Still showing signs of the spark that made the movies of his heyday so memorable, Lemmon is also capable of bringing a magnificent pathos to the role. Co-star Hank Azaria is a more-than-equal foil, instilling his character with a growing awareness of self that blossoms before the viewer. Yes, at times it is a little too schmaltzy for its own good, but Tuesdays with Morrie is a film capable of visiting emotional extremes with ease. On the DVD: A very scanty package, with the usual scene access and Dolby Digital stereo accompanied by a text-only resume of the movie and the briefest of biographies of its cast--in Lemmon's case a massively ineffectual effort.--Phil Udell
Philip Seymour Hoffman stars in this look at US literary legend Truman Capote.
In Hellfighters, the legendary embodiment of no-nonsense stoicism, John Wayne, plays heroic firefighter Chance Buckman who combats oil-field blazes across the world. Based on the exploits of Red Adair (who acted as technical adviser on the film), this explosive actioner is directed with solid efficiency by Andrew V McLaglen (The Wild Geese, North Sea Hijack). Special Features: High Definition remaster Original 6-track stereo presented as 5.1 surround audio Optional stereo audio Audio commentary with film historians Michael F Blake, C Courtney Joyner, and Constantine Nasr (2021) The BFI Interview with Andrew V McLaglen (1999): archival audio recording of the director in conversation with David Lewin at the National Film Theatre Tom Vincent on Andrew V McLaglen (2021): career-spanning appraisal by the film archivist Newsreel footage of Red Adair fighting blazes in the Sahara and the North Sea Super 8 version: original cut-down home-cinema presentation Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Andrew Nette, archival articles on the film and the events that inspired it, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies All extras subject to change
Following on from Marty Wilde's gold album in March this year and his sell-out UK tour this DVD was shot on the last night at The London Palladium May 27th 2007. It features special guests Hank Marvin Jet Harris Brian Bennett Bruce Welch and Kim and Roxanne Wilde. Tracklisting: DVD 1: 1. Endless Sleep 2. Little Girl 3. Rubber Ball 4. Nut Rocker 5. Sea of Love 6. Six Five Special 7. Freight Train (featuring Roxanne Wilde) 8. Puttin' on the Style 9. So Sad (To Watch Good Love Go Bad) (duet with Roxanne Wilde) 10. Scarlett O'Hara (performed by Jet Harris with The Wildcats) 11. Theme For Something Really Important (performed by Jet Harris with The Wildcats) 12. Diamonds (performed by Jet Harris with the Wildcats) 13. Like I've Never Been Gone 14. I Will 15. I'd Never Find Another You 16. Halfway To Paradise 17. Apron Strings 18. Do You Wanna Dance 19. Kids in America (featuring Kim Wilde) 20. Interval 21. Jezebel 22. Danny 23. It Doesn't Matter Anymore 24. Bad Boy (featuring original Wildcats Brian Bennett Brian 'Licorice' Locking and Big Jim Sullivan) 25. Tomorrow's Clown 26. Jesamine 27. Here Comes That Feeling (featuring Roxanne Wilde) 28. Something Stupid (duet with Roxanne Wilde) 29. Nights in White Satin (duet with Justin Hayward) 30. Only Sixteen 31. I Remember You 32. Summer Holiday (featuring Brian Bennett and Bruce Welch) 33. Move It (featuring Brian Bennett Hank Marvin and Bruce Welch) 34. Donna 35. A Teenager in Love 36. Sorry Seems To Be The Hardest Word (duet with Kim Wilde) 37. Are you Lonesome Tonight 38. Roll Over Beethoven DVD 2: Features interviews and photo gallery
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