A team set off for the summit of Makalu in Nepal the world's fifth highest mountain. A gruelling record of astonishing triumph over relentless adversity. Guy Cotter is an expert high-altitude mountaineer with two Everest climbs under his belt. Takashi Ozaki is a veteran mountaineer with a successful Everest summit but he hasn't climbed at altitude for 15 years. Although Bryan Moore is an expert alpine climber he has never been above 22 000 feet (6705 metres) - experiencing the t
A high-profile action/exploitation thriller set in the late 20th century, The Siege is really a fantasy that extrapolates from major terrorist bombings, such as the one at the World Trade Centre. Denzel Washington is FBI special agent Hubbard, "Hub" to his friends, whose anti-terrorist task force must track down the terrorist cells responsible for a spate of bombings in New York. His partner is an FBI agent of Arabian extraction (played convincingly by Tony Shalhoub), proving not all Arabs are bad guys--a point the film should be lauded for making again and again. Thrown into the mix is a CIA spy (played almost kittenish at times by Annette Bening), whose ties to the terrorists appear to be at the centre of the conflicts. When the bombings escalate out of control, the President institutes martial law, sending in General Devereaux (played with impenetrable countenance by Bruce Willis) with tanks and troops to ferret out the terrorists. Echoes of Japanese-Americans in internment camps ring out as Arabs, including the son of the Arab-American FBI agent, are herded into a stadium. Periodic audio-montages of "man in the street" sentiments anchor the material in the present and show how serious and relevant the material is. But finally what we have is a taut and entertaining popcorn movie, giving itself the humanistic nod when it can. --Jim Gay, Amazon.com
Philip Seymour Hoffman stars in this look at US literary legend Truman Capote.
The original 7 Up, broadcast in 1964 as a World in Action special, featured children from widely different social backgrounds sharing their hopes and dreams for the future. Inspired by World in Action founder editor Tim Hewat's passionate interest in both the Jesuit saying: Give me the child until he is seven and I will show you the man and his anger at Britain's rigid class system, this unique, groundbreaking series set out to discover how far the children's lives were pre-determined by their background. Director Michael Apted has returned every seven years to chart the group's progress, documenting the participants as they have become adults and entered middle-age, dealing with everything life has thrown at them in between; the very first example of a programme recording real people living real lives, this ground-breaking series has won an array of awards. Now, as the group reach retirement age, the series is back to discover what has been happening in their lives. Across three programmes, 63 Up reveals more life-changing decisions, more shocking announcements and joy and tears in equal measure.
Middle-aged cattle baron, George Washington McLintock (John Wayne) has his hands full. He's the most successful rancher in town but things on his homestead are far from rosy; he's got government officials underfoot, new farmers moving onto inadequate land and Native Americans who are being driven onto reservations. Add to that his estranged wife Katherine (Maureen O' Hara). She walked out on him two years earlier without any explanation and has now returned with divorce papers in hand. But McLintock is determined to rekindle her affections. Can an old cowboy change his ways and win her back?
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn't have it any other way. He's seeking atonement for centuries of human carnage, which is why he's instructed Purgatory's vampire residents to slather on SPF 100 sunblock, pursue daytime activities and drink only synthetic blood. But some vampires don't agree with Mardulak they want the real thing and if that means wooden bullets flying in a vampire civil war, so be it! This wild horror-comedy also stars Bruce Campbell, Maxwell Caulfield, M. Emmet Walsh, and John Ireland. Special Features Audio Commentary with Director Anthony Hickox and Director of Photography Levie Isaacks Isolated Score Selections and Audio Interviews with Music Historian Randall Larson and Producer Jefferson Richard Wild Weird West An Interview with Director Anthony Hickox Bloodsuckers from Purgatory - An Interview with Special Make-up Effects Creator Tony Gardner Memories of Moab An Interview with Actor Bruce Campbell A Vampire Reformed An Interview with Actor David Carradine A True Character An Interview with Actor M. Emmet Walsh Theatrical Trailer Still Gallery
We don't have time for subtle," says Brendan Fraser, the star of The Mummy Returns, neatly encapsulating the relentless pace and hammerheaded tone of the film. As is the way of sequels here we have more, more, more of the same formula: more explosions, more action and more mind-numbingly endless CGI effects. Once again borrowing shamelessly from the Indiana Jones series, The Mummy Returns, like its predecessor, has boundless energy but lacks the stylish verve and charm of Spielberg's trilogy. All the original cast are reunited, this time joined by WWF star the Rock in a cameo role designed to plug his spin-off vehicle, The Scorpion King, and young actor Freddie Boath who plays an English eight-year-old in the 1930s whose dialogue borrows from Bart Simpson ("Get a room" and "My dad's gonna kick your arse" are two of his choice phrases). Other cinematic thefts include a Jurassic Park-style creatures-in-the-long-grass sequence and a lengthy triple-threat finale along the lines of Return of the Jedi. Still, despite the wearying relentlessness of its computer-generated effects, endless chases and fights, this is undeniably fun popcorn fodder and provides some memorable scenes along the way, notably Rachel Weisz and Patricia Velasquez battling it out for the affections of nasty old Imhotep.On the DVD: This two-disc "Special Edition" is a treat for fans of the franchise. The first disc has an anamorphic widescreen print of the movie in its 2.35:1 CinemaScope ratio, and a choice of Dolby 5.1 or DTS for the headache-inducing soundtrack. There's a decent commentary from the director and producer, plus a couple of DVD-ROM features. Disc 2 has all the usual stuff, including a 20-minute "making-of" documentary, a five-minute interview with the Rock about The Scorpion King, plus an exclusive trailer for it that is unsurprisingly reminiscent of Conan the Barbarian. There are also some detailed special effects breakdowns of key sequences, a blooper reel of outtakes and a virtual tour of the Universal theme park attraction "The Mummy Returns Chamber of Doom". Sundry trailers, production notes, a music video and an "Egyptology 201" text feature round out a well-loaded second disc. --Mark Walker
Alfred Hitchcock's final film Family Plot is understated comic fun that mixes suspense with deft humour, thanks to a solid cast. The plot centres on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine
The Scarlet Pimpernel (1934): Adaptation of the novel by Baroness Orczy about a dashing dandy of the English court with a dual identity trying to defend the innocent aristocrats from the violent French Republicans. Great swashbuckling entertainment for the whole family. The Return Of The Scarlet Pimpernel (1937): The French revolutionary Robespierre vows to get revenge on the Scarlet Pimpernel who has been helping the aristocracy escape from the dreaded guillotine. To do so Robespierre kidnaps the Pimpernel's wife and takes her to France. Unfortunately he is not clever enough for the roguish hero and he soon frees her. Together they return to England.
In Alexander Payne's "Nebraska" a father and son steer the American road comedy into a vanishing Midwest on the trail of a dubious fortune - and in search of an understanding of each other that once seemed impossible.
B-movie mavens turned A-list genre fiends Robert Rodriguez and Quentin Tarantino teamed up in 1996 to take vampire gothic south of the border into spaghetti Western territory for the gory cult film From Dusk Till Dawn. The high-concept mix of southwestern criminals versus supernatural nasties proved too irresistible for either of the video-hound creators to allow it to remain dead (or undead, as the case may be), so they plotted and produced a pair of direct-to-video sequels. Tarantino takes a story credit on the first, a heist film coscripted and directed by Scott Speigel. A Mexican bank robbery helmed by drawling criminal Robert Patrick (Terminator 2) turns into a literal bloodbath when his crew are turned into hungry bloodsuckers. Speigel, a buddy of Sam Raimi, tops both Tarantino and Rodriguez for sheer cinematic acrobatics, putting his camera in the most absurd places (even from inside the mouth of a vampire chomping down on a victim) and driving the film with adrenaline-charged overkill, but despite some clever scenes and a hilarious Psycho spoof, From Dusk Till Dawn 2--Texas Blood Money turns into another aggressively trashy latex-mask and rubber-bat gorefest as cops and robbers team up against the fanged gang. Bo Hopkins costars as the police detective dogging Patrick's trail. Bruce Campbell and Tiffani-Amber Thiessen make cameos in the jokey opening sequence and Speigel and fellow director Kevin Smith briefly appear as vampire bait. Bartender Danny Trejo is the only returning cast member. --Sean Axmaker
A Hollywood superstar dog forms a friendship with a bright but rebellious 12-year-old in this family comedy.
Bob Williams is a survivor. He supplements his dole by becoming embroiled in whatever scam is on offer from rustling sheep to rotting drains. But now life has dealt him a bitter blow. His van has been stolen and his daughter Colleen is approaching her first communion. She needs the traditional white dress shoes veil and gloves. Where on earth is the money going to come from? Raining Stones is a funny and essentially human story of survival in the nineties and people's aspirations for a better way of life.
A Nightmare on Elm Street 2: Freddy's Revenge was a quick follow-up no one was exactly happy with. However this deserves some credit for trying to extend rather than repeat the original storyline. As opposed to the resourceful heroines of all the other Elm Street films, this is the one about the troubled male teenager worried that Freddy is out to possess his body and make his way back to reality. It's shot through with a heavy handed gay subtext, with male bodies ogled and sliced (for a change), stuck with a few truly ridiculous moments (the exploding budgie) and lapses into incoherence, but it opens with a great school bus sequence and makes the most of the infernal boiler room of Freddy's soul. With Clu Gulager and Hope Lange. Directed by Jack Sholder (The Hidden). -- Kim Newman
It's 10pm the night before Walnut Lakes neighbourhood supermarket closes its doors forever. The owners and night crew have a long shift ahead of them - longer than they think. Weird things start happening. The phone lines are cut, and the night crew start dying, one by one, in the most gruesome ways imaginable.
Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York's power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honour his friend and save the woman who might be his own salvation.
An Oscar winning biopic about Aileen Wuornos, a highway prostitute who was executed for killing seven men in the state of Florida during the 1980s.
Former French Policeman Xavier Lombard exiled in disgrace and currently living in London makes a living as a private investigator and takes up a seemingly routine case of finding a rich family's missing drug addict son Leon. What begins as a straight forward missing persons case for Lombard becomes a personal quest to uncover the truth about Leon's involvement in a child smuggling ring. Lombard undertakes to bring the guilty to justice and his journey takes him to Mexico from where the elusive Austrian runs his empire. A taut compelling and uncompromising thriller charting one man's fight to end the suffering.
TBC
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