Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
A young man picks up a random call on his mobile phone only to find a kidnapped woman on the other end begging for help.
Former "Saturday Night Live" star David Spade stars as Joe Dirt, an idiot who works as an oil weller who is on the search for his parents who abandoned him when he was a baby at the grand canyon.
Double Oscar-winner Kevin Spacey directs and stars in this biopic of popular crooner Bobby Darin.
If the idea of an Oprah Winfrey-produced film detailing the last days of a dying man and his inspirational effect on those left behind sounds a little cloying, Tuesdays with Morrie will be a rather pleasant surprise. While the presentation of this true story is certainly very American in tone, and it was obviously made for television (the points where it faded to commercial breaks are clear), it's still a surprisingly satisfying piece of work. The credit for that can firmly be laid at the door of Jack Lemmon, appearing in what was to be his last film. He excels as the terminally ill college professor Morrie Schwartz, determined to use his passing as a medium for teaching others about life. Still showing signs of the spark that made the movies of his heyday so memorable, Lemmon is also capable of bringing a magnificent pathos to the role. Co-star Hank Azaria is a more-than-equal foil, instilling his character with a growing awareness of self that blossoms before the viewer. Yes, at times it is a little too schmaltzy for its own good, but Tuesdays with Morrie is a film capable of visiting emotional extremes with ease. On the DVD: A very scanty package, with the usual scene access and Dolby Digital stereo accompanied by a text-only resume of the movie and the briefest of biographies of its cast--in Lemmon's case a massively ineffectual effort.--Phil Udell
It's been a hell of a day on the highway - leaving two FBI agents with a string of vicious murders to consider, and three witness stories to figure out. And they soon discover that uncovering 'the truth' can come at a very big cost.
What Planet Are You From? stars Garry Shandling whose hilarious TV series The Larry Sanders Show offered him a great vehicle to show his comic performance abilities; you could scarcely tell the difference between his smile and his grimace--he always looked as if Hollywood was giving him a bad case of gas. However in this shockingly unfunny film, which Shandling co-wrote, one can only imagine that the other writers severely diluted Shandling's original intentions--the wince, his only expression, seems real. Worse, you'll share his dismay. Shandling stars as an alien from a sterile race of clones who is sent to Earth to procreate with an Earth woman--exactly why this is necessary is left fuzzy. Ostensibly, given the title, this should lead to a raucous satire of dating mores. Instead, our space invader quickly takes up with a recovering alcoholic played by Annette Bening, and we chart their stridently bumpy but predictable relationship. Greg Kinnear co-stars as a slimy co-worker; Linda Fiorentino plays Kinnear's man-eating wife; John Goodman portrays an FAA official who's onto Shandling's secret; and Ben Kingsley appears as the humourless leader of the alien planet. The single recurring joke involves the alien's genitalia and its propensity, when excited, to buzz loudly, which it does at least 10 or 15 times--afterit ceases to be remotely amusing. Shandling plays his character as so stunningly obtuse that whenever he manages a genuinely clever line it practically seems out of character; the rest of the talented cast flounders, similarly lost. Director Mike Nichols has staged painfully awkward scenes with Elan in the (distant) past--think The Graduate or Carnal Knowledge--but What Planet Are You From? simply sits there, flailing desperately, seemingly aware of its own crushing tedium. Large chunks of the film appear to have been left on the editing room floor; it's hard to imagine material even more comically futile than what appears onscreen. --David Kronke, Amazon.com
Ben Affleck is a man who switches plane tickets with another who dies in a plane crash. A year later he seeks out the widow (Gwyneth Paltrow) and begins to fall in love with her..
Two prisoners escape from jail and end up causing a car accident where the only survivor is a little baby. Upon rescuing the child these simple rednecks embark on parenthood in a journey of robbery blackmail and nappies.
Anywhere But Here (Dir. Wayne Wang 2000): Adele is a flashy flirtatious dreamer. Her daughter Ann is a quiet no-nonsense realist. On the surface they're like oil and water but deep down they're two of a kind. ""Susan Sarandon makes magic"" (Chicago Tribune) and ""Natalie Portman soars"" (NY-1) in this funny and touching story about a mother who knows best...and a daughter who knows better! Where The Heart Is (Dir. Matt Williams 2000): Ashley Judd and Natalie Portman
Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm he wasn't quite perfect. The inventor's sudden death left him unfinished with sharp spears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.From Tim Burton the director of Charlie and the Chocolate Factory and Mars Attacks comes an unforgettable fairy tale about a most unusual character. Starring Johnny Depp Winona Ryder Dianne Wiest and Vincent Price as the Inventor.
From the producer of the classic Don Juan De Marco comes a comedy that asks: if love is the answer could you rephrase the question?! Ben Bingham (Richard E. Grant) has slipped into the complacency of a daily routine unlike his vibrant wife Amanda (Carrie-Anne Moss). When she finally leaves him Ben is at a loss. He refuses to get out of his pyjamas until his popular 17 year-old son Justin (Johnny Pacar) takes over. He updates Ben's 'look' and pushes him out into the social scene. Before Ben knows what is happening he is the most popular single man in town pursued by his nurse his trainer and karaoke singing twins. Things change when Justin falls in love for the first time and Ben is forced to refocus recapture his humanity his heart and most importantly his wife ... who is now with another man. Starring Richard E. Grant (Withnail & I Jack & Sarah Bright Young Things) Carrie-Anne Moss (The Matrix) Jenna Elfman (Dharma & Greg) and Janeane Garofalo (24 The Truth About Cats & Dogs Reality Bites) Love Hurts is a painfully romantic comedy
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