This two-disc Special Edition presents the restored, extended English-language version of Leone's The Good, the Bad and the Ugly, now clocking in at almost three hours (actually 171 minutes on this Region 2 DVD as a result of the faster frames-per-second ratio of the PAL format). It includes some 14 minutes of previously cut scenes, with both Clint Eastwood and Eli Wallach returning to the editing suite in 2003 to add their voices to scenes that had never before been dubbed into English (Wallach's voice is noticeably that of a much older man in these additional sequences). The extra material contains nothing of vital importance, but it's good to have the movie returned to pretty much the way Leone originally wanted it. The anamorphic widescreen picture is now also accompanied by a handsome Dolby 5.1 soundtrack, making this the most complete and satisfactory version so far released. Film historian Richard Schickel provides an authoritative and engaging commentary on Disc 1. On the second disc there are featurettes on Leone's West (20 mins), The Leone Style (24 mins), Reconstructing The Good, the Bad and the Ugly (11 mins) and a documentary about the historical background of the Sibley campaign, The Man Who Lost the Civil War (15 mins). In addition, there's a two-part appreciation of composer Ennio Morricone, Il Maestro, by film-music expert John Burlinghame. Tuco's extended torture scene can be found here, along with a reconstruction of the fragmentary "Socorro Sequence". In short, exemplary bonus features that will satisfy every Leone aficionado. --Mark Walker
Two very different women - Cameron Diaz and Kate Winslet - swap towns after bad bouts of man trouble.
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson
The lives of a single mother and her friends are changed forever after the death of a neighbour which bears all the hallmarks of a racist attack.
Wanted: Dead Or Alive
This new Disney animated feature is set in a mythical South American land and tells of an arrogant emperor who learns a valuable lesson about life when an evil sorceress plots to take over his empire.
Los Angeles is being ripped to shreds by terrorist bombs so the CIA turn to former agent turned bounty hunter Josh Randall (Rutger Hauer). When the terrorist Malak (Gene Simmons) kills two of Randall's close friends he forgoes thoughts of the bounty and the quest becomes driven by revenge.
The Good The Bad And The Ugly Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. The Magnificent Seven Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic 'Seven Samurai'. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Alamo At the Alamo a crumbling adobe mission 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle 'The Alamo' is a visually stunning and historically accurate celebration of courage and honour. John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history.
Santa Claus does not exist. Or does he? For one doubting boy (voice of Daryl Sabara & Tom Hanks) an astonishing event occurs. Late on Christmas Eve night he lies in bed hoping to hear the sound of reindeer bells from Santa's sleigh. When to his surprise a steam engine's roar and whistle can be heard outside his window. The conductor (also voiced of Tom Hanks) invites him on board to take an extraordinary journey to the North Pole with many other pajama-clad children. There he receives an extraordinary gift only those who still believe in Santa can experience.
Two many women ... so little time. Art Dodge (Banderas) would like to break off his engagement with his fiance Betty (Griffith)... Only her mob boss ex-husband makes it impossible for him to say no to the wedding! It's then that Art unexpectedly falls in love with Betty's beautiful sister (Hannah) and becomes entangled in an outrageous charade-he invents his own twin brother so he can date both women at once! The laughs come fast and furious as Art's delirious double life spi
Bobby Deluca is a nice guy in a lot of trouble! He owes money to a couple of bone-breaking loan sharks and is forced by his wife to take a job at a car dealership. Desperate for money Bobby becomes a reluctant car salesman. The dealership is the domain of the legendary silk tongued Reggie. He has trained his diverse team of misfit salesman to sell the hell out of the cars whilst extracting every last penny from the customers. What Bobby and the other salesman don't realize is that Reggie is not only dealing in cars but is also running an illegal drug smuggling operation using the imported vehicles as couriers...
Tamara Jenkins' semi-autobiographical story follows a lower-middle-class teenager (Lyonne) and her neurotic family in 1976 Tinseltown...
In a comfortable Chicago suburb the advantages of life are abundant but when a politically astute Nazi organizer selects Skokie as the site of his next rally feelings run riot. This film drama spans over a year of legal battles and explores the very meaning of freedom in America.
The Guns Of Navarone (Dir. J. Lee Thompson): One of the most exciting action films ever made! It's W.W. II and concealed deep within the solid rock of a cliff impregnable to assault by sea or air are the German Army's mighty guns of Navarone. Because they control a strategic channel in the Aegean Sea it's imperative that the guns are destroyed. A specialised commando team is assembled. Included are mountaineer Keith Mallory explosive expert Corporal Miller Greek resistance fighter Andrea Stravos and British Major Franklin. Led by Mallory the team's goal is to reach Navarone and sabotage the colossal guns. The tense down-to-the-wire ending is spellbinding. The Man Who Would Be King (Dir. John Huston): Two soldiers of fortune in 19th Century India carry out a plan to become rulers in the small isolated land of Kafiristan. The Bridge On The River Kwai (Dir. David Lean): Set in Burma during World War II the story tells of British P.O.Ws who are forced to build a large bridge for the Japanese while a British Commando team is sent to destroy it. Winner of seven Academy Awards. Lord Jim (Dir. Richard Brooks): Peter O'Toole stars in Joseph Conrad's compelling tale of an idealistic Marine officer betrayed by his own overactive imagination. Based on Joseph Conrad's classic novel Jim serves an apprenticeship on a tramp liner and graduates to first officer on a ship which is mercilessly lashed by a hurricane. In a moment of desperation the idealistic Jim abandons the ship and leaves its passengers to their fate. To redeem himself he agrees to take a shipment of dynamite and deliver it to a tribe who are located in uncharted territory.
19 years after President Timothy Keegan was assassinated his brother Nick discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's attempts to control his actions Nick follows the clues that have been handed to him. As he progresses it becomes increasingly difficult to discern the real trails from the dead ends and increasing dangerous as unknown parties try to stop Nick from uncovering the truth...
Movie Movie
The story of Gary Gilmore, a convicted murderer who lobbied for his own execution.
Steve Mcqueen'S Last Movie Shows The Dynamic Talent Of The Late, Great Actor In One Of His Most Memorable Roles: The True Story Of Ralph Papa Thorson, A Modern-Day Bounty Hunter. Thorson'S Exploits Are Detailed As He Pursues A Number Of Fugitives Who Have Skipped Bail. The Chase Comes Full Circle When He Becomes The Quarry Of A Vengeful Psychopath. Mcqueen'S Multi-Dimensional Performance As Thorson, A Man Born In The Wrong Age, Is The Counterpoint To The Explosive Action In The Hunter.New Audio Commentary By Film Historian Jason NeySteve Mcqueen, Man On The Edge: Vintage DocumentaryTv SpotTv TrailerTheatrical TrailerLimited Edition Slipcase On The First 2000 Copies With Unique Artwork.
Due to governmental red tape the patients most in need of care are denied treatment. Two doctors become con artists subverting the government by making all of their patients' ailments appear to be war-related so they receive free health benefits...
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