As the plague tears through medieval Europe, a knight (Max von Sydow), returning from the crusades, challenges Death to a game of chess in order to postpone his demise. An allegorical masterpiece asking big questions about faith and superstition, Ingmar Bergman's iconic The Seventh Seal remains one of cinema's most important and influential films. Presented here for the first time on 4K Ultra HD the BFI's first ever UHD release experience Bergman's timeless classic like never before. Special Features Presented on 4K UHD Blu-ray and High Definition Blu-ray Audio commentary on The Seventh Seal by film critic and editor-in-chief of Diabolique magazine, Kat Ellinger Other extras TBC
The ups and downs of Flo Ziegfeld who produced ever more bigger and spectacular shows and revues throughout his life...
Ingmar Bergmans Cries and Whispers is a brilliant and at times shockingly traumatic piece of chamber cinema. It also represented a renaissance for Bergman, whose previous few films had flopped commercially. Set in a large house with interiors done out entirely in a disquieting red and against a soundtrack of ticking and barely audible chatter, the film features three of Bergmans female stalwarts. Harriet Andersson plays Agnes--a thirtysomething woman dying of cancer--Ingrid Thulin plays her sister Karin--non-tactile and caught in a marriage with a man she finds physically repulsive--and Liv Ulmann is the almost childishly sensual second sister Maria. Kari Sylwan, meanwhile, stars as the earth-motherly maid Anna, whose cradling of the dying Agnes against her naked bosom is one of the centrepieces of the movie. Much of what transpires here can be construed as fantasy sequence, including one extraordinary incident in which Thulin cuts her vagina with broken glass and smears the blood over herself, in order to avoid sex with her husband. Agnes unbearable cries of anguish in her death throes, however, are all too real. Many familiar Bergman themes are explored in Cries And Whispers--mortality, the existence of God (here doubted by a Pastor) and the space between people. However, they are set against a singular, blood-red, dreamlike ambience that is irresistible. This is Bergman at his finest. On the DVD: the dominant red backdrops of the movie are richly enhanced in this edition. Text-only extras include notes from Bergmans own memoirs. In a lengthy extract here, he reveals that he had considered Mix Farrow for the part of one of the sisters. Philip Stricks additional notes add further context and background--it seems that the films success in America was due to its distribution by, of all people, Roger Corman. --David Stubbs
Ainsley Harriott goes back to his roots to uncover the best kept secrets of Caribbean cooking in the ultimate feel good food adventure! The Caribbean the first place that many of us think of when imagining a dream holiday. Sandy beaches, crystal clear seas and a laid back vibe. But there's also a diverse and rich food heritage that make the islands a fascinating destination for a travelling chef. So Ainsley is off to explore his own Jamaican roots, but then further, to Trinidad, Tobago, Grenada, Barbados, St Lucia, Dominica and Antigua, where he'll find global influences blended with the incredible local flavours and ingredients of the region. Sun, sea and simply delicious food!
In 1960s suburbia Allen Quimp (Paul Guilfoyle) makes up a little white lie and tells his wife (Sigourney Weaver) that he is a spy The CIA soon become interested in him and send him and his wife to Cuba to overthrow Castro!
Tony Webster (Academy Award® winner Jim Broadbent*, Paddington, Bridget Jones' Baby) divorced and retired, leads a reclusive and relatively quiet life. One day, he learns that the mother of his university girlfriend, Veronica (Freya Mavor, Sunshine on Leith), left in her will a diary kept by his best friend who dated Veronica after she and Tony parted ways. Tony's quest to recover the diary, now in the possession of an older but equally as mysterious Veronica (Academy Award® nominee Charlotte Rampling**, 45 Years), forces him to revisit his flawed recollections of his friends and of his younger self. As he digs deeper into his past, it all starts to come back; the first love, the broken heart, the deceit, the regrets, the guilt... Can Tony bear to face the truth and take responsibility for the devastating consequences of actions he took so long ago?
In the city of London where crime never sleeps the team are faced with their toughest challenges yet as the acclaimed Law & Order UK returns for Series 2. The Crown Prosecution Service are still reeling in the aftermath of the previous series' heart-wrenching finale but there's little time for contemplation as a raft of new cases quickly pile up. Bradley Walsh (Coronation Street) Jamie Bamber (Battlestar Galactica) and Harriet Walter (Atonement) battle at keeping the streets free of crime delivering criminals into the capable hands of CPS stalwarts Ben Daniels (The State Within) Freema Agyeman (Dr Who) and Bill Paterson (Little Dorrit). Episodes Comprise: 1. Samaritan 2. Hidden 3. Community Service 4. Sacrifice 5. Love & Loss 6. Honour Bound
Law And Order: UK - Series 1
In this wonderfully witty adaptation of George Orwell's novel Gordon (Grant) and Rosemary (Bonham Carter) may be a middle class 1930s couple but they've got some very modern ideas. Eccentric Gordon whose budding poetry skills have led him into thinking he might just be a literary genius decides to give up his nice job as an advertising copy writer in a bid to embrace poverty and his art. However long-suffering girlfriend Rosemary has to work hard to keep her career (and their unco
Golden Globe & Emmy winner Elisabeth Moss stars in a terrifying modern tale of obsession, inspired by Universal's classic monster character. Available exclusively to the Home Entertainment release, this is the uncut version of the film which was not shown in cinemas or At Home On Demand. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister, their childhood friend and his teenage daughter. But when Cecilia's abusive ex commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia's sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. Bonus Features Uncut Feature Commentary with writer/ director Leigh Whannell Deleted Scenes Moss Manifested Director's Journey with Leigh Whannell The Players Timeless Terror
A year after the explosive events of last season, England finds itself embroiled in a devastating civil war, with the powerful, neo-fascist Raven Union, led by Lord Harwood (Jason Flemyng) threatening to control the entire country. North London remains one of the few resistance holdouts remaining. It's here in the West End Neutral Zone, that we find Alfred Pennyworth (Jack Bannon). After years in the British Army, his training with the SAS has taught him to be a cynical optimist - expecting the worst, but knowing that he can handle it. Now running The Delaney, a black-market Soho club that welcomes everyone, regardless of their politics, Alfred, with his SAS mates, Bazza (Hainsley Lloyd Bennett) and Daveboy (Ryan Fletcher), is now in search of a way out... before London, and his country, burns itself to the ground. And he's got his eye on America.
Mindhorn is a must-see British comedy from co-writers and stars Julian Barratt (The Mighty Boosh) and Simon Farnaby (Star Wars: Rogue One), with a supporting cast that includes Andrea Riseborough, Essie Davis and Steve Coogan. Washed-up actor Richard Thorncroft (Julian Barratt, The Mighty Boosh) is given the chance to revive his flagging career by returning to the role which made him famous: Mindhorn, a genetically modified detective whose eye was replaced by a super-advanced optical lie detector, allowing him to literally see the truth. Decades later, when a deranged Manx criminal demands only to speak to Detective Mindhorn, Thorncroft returns to the scene of his greatest triumph for one last chance to reignite his glory days and professional credibility.
Peter Barkworth (Where Eagles Dare) and Harriet Walter (The Sense of an Ending) star in Peter Ransley's twisting BAFTA-nominated drama, set at the height of The Troubles. Geoffrey Carr (Barkworth), a major player in the emerging computer industry, is newly married to the impetuous Frances (Walter), a much younger woman with a wilful daughter from a previous marriage. He'll go to any lengths to make her happy, and stretches his finances to buy a crumbling Georgian estate in County Wicklow where Frances spent part of her childhood. Aside from commitments on the new house, Geoffrey's continuing control of the company depends on an uncertain research deal with a visiting Japanese consortium. Frank Crossan (Derek Thompson) is an Irish Republican hitman on the run from British authorities in the North, and from his own commanders. Seeking refuge with old flame Kate (Aingeal Grehan), he hatches a plan to kidnap a wealthy Brit for a hefty ransom to fund a major arms deal. The two worlds collide when Frances and daughter Clare are brutally snatched and removed to a bleak hideaway. Geoffrey's immediate impulse is to cave in to the kidnappers demands but nothing is straightforward when a personal crisis plays out against the forces of political intrigue, high finance, and the full glare of the media. First broadcast in 1985, the series is written by Peter Ransley (Fingersmith, Fallen Angel) and directed by Peter Smith (No Surrender, A Perfect Spy), with a haunting soundtrack by David Earl and the RTE Concert Orchestra. In a rare acting role, a pre-teen Susanna Reid (Good Morning Britain) plays Clare, and the cast also includes Simon Jones (The Hitchhiker's Guide to the Galaxy, Brideshead Revisited) and Adrian Dunbar (The Crying Game, Line of Duty).
Jet Li stars in this science fiction tale about a killer travelling through parallel universes, killing other versions of himself to gain power.
After their roaring success in 'Top Hat' and 'Swing Time' 'Shall We Dance' is another classic Rogers/Astaire partnership. With the superbly exhilarating dance to 'They Can't Take That Away From Me' and 'Change Partners' the film also features one of the best known and fondly remembered dance routines ever performed by in 'Let's Call the Whole Thing Off' all on roller-skate!
British intelligence officer is sent to investigate an anonymous letter sent to the foreign secretary accusing a key officer of communist affiliation. When the officer commits suicide the investigator suspects murder and presses his inquiry. The culprit is finally exposed in a surprise climax.
Released in 1953, Summer with Monika, an early Ingmar Bergman-directed melodrama, did much to establish the reputation of Swedish cinema, and perhaps Swedish women in general, as leading the vanguard in sexual liberation. The film attracted the wrath of the censors and one scene of lovemaking had to be cut. While subsequent generations will look at the film and wonder whatever the fuss was about, it retains a vivid and frolicsome sensuality, before submitting to the inevitable, Bergmanesque bleakness. The film tells the story of a young couple, Harry (Lars Ekborg) and Monika (18-year-old Harriet Andersson, with whom Bergman would fall in love) stuck in lousy jobs in Stockholm. Harry is beset by parental responsibility--his mother died young and his father is ill--while Monika is fed up with her drunken, violent father. They escape in a motorboat and to spend a blissful summer on an island in the archipelago. Once Monika gets pregnant and they're forced to steal food, however, the idyll concludes and they return to Stockholm, where the relationship disintegrates. You realise that Monika, from a large and fractious family, yearns for escapism, while Harry, who has never known true family life, longs for domestic stability. It is he who is left holding the baby. But Bergman does not quite condemn Monika, giving her one of his best scenes: in a cafe, estranged from Harry, chatting up a stranger, she stares unwaveringly and directly to camera, as if defying us to judge her. Visually ravishing, this film would have a deep impact on French New Wave cinema. On the DVD: Summer with Monika on disc offers a fine restoration of the original film, and includes notes from Phillip Strick who points out that the film is in part hymn of praise to Stockholm's beauty and was influenced by the documentary "City Symphonies" made during World War II. --David Stubbs
The complete sixth series of mirthful mismanagement mishaps from the hapless Gordon Brittas! After being crushed to death at the end of the last series Gordon Brittas spent a short time in Heaven which only served to annoy St Peter so much that he sent him back to earth to finish his mission. Gordon has spent the last six months being rebuilt in a Swiss clinic and returns to Whitbury Leisure Centre fighting fit after training runs in the Alps. Unfortunately in true Brittas fashio
In the Flesh is set in a small village in the North of England post-zombie uprising as rehabilitated zombies are reintroduced back into society. Now known as PDS Sufferers (Partially Deceased Syndrome) they have been caught treated and armed with their flesh cover-up and special contact lenses are returning to their friends and families who previously thought them dead. The series follows our hero Kieren Walker a 17 year old who committed suicide four years' ago when his best mate Rick died serving in Afghanistan. He's now returning to a village where he always felt like an outsider and a family who never got to say goodbye. We follow Kieren as he struggles to cope with fitting back in with the guilt of what he did in his untreated state and the sudden reappearance of Rick a fellow PDS Sufferer. The boy that Kieren thought was dead is alive and the boy Rick thought was alive is dead.
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