In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as The Hangman, will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town's new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who's taking care of Minnie's while she's visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all
Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre's most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt).In Behind the Mask, the dastardly Dr X' murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family's secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband's life.This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival short films, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units.INDICATOR LIMITED EDITION 3 x BLU-RAY BOX SET SPECIAL FEATURESHigh Definition remasters of Behind the Mask, Black Moon, Air Hawks, Island of Doomed Men, Cry of the Werewolf, and The Soul of a MonsterTinted and black-and-white presentations of Black MoonOriginal mono audioAudio commentary with filmmaker and film historian Daniel Kremer on Behind the Mask (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on Black Moon (2024)Audio commentary with film historian Jeremy Arnold on Air Hawks (2024)Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson on Island of Doomed Men (2024)Audio commentary with academic and curator Eloise Ross on Cry of the Werewolf (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on The Soul of a Monster (2024)Sheldon Hall on Jack Holt (2024): the author and academic assesses the forgotten star of Behind the Mask and Black MoonJonathan Rigby on Peter Lorre (2024): the author of American Gothic: Six Decades of Classic Horror Cinema looks at the iconic performerTom Vincent on Burnett Guffey (2024): the archivist provides an overview of the prolific cinematographer's award-winning careerThe BEHP Interview with Constance Cummings (1997): archival audio recording of the Behind the Mask actor in conversation with Roy FowlerNew York to Berlin in Twenty-Six Hours (1933): documentary short on the exploits of aviator Wiley Post, who plays himself in Air HawksDon't Kill Your Friends (1943): World War II short film featuring Cry of the Werewolf star Nina FochImage galleries: promotional and publicity materialsNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive 120-page book with new essays by Bethan Roberts, Ellen Wright, Sergio Angelini, Paul Duane, Tim Snelson, and Jeff Billington; archival profiles of actors Boris Karloff, Fay Wray, and Rochelle Hudson; archival reports on the death of Air Hawks actor Wiley Post; extracts from Cry of the Werewolf's pressbook; a new piece on actor Rose Hobart's blacklisting; new writing on the short films; and film creditsWorld and UK premieres on Blu-rayLimited edition box set of 6,000 individually numbered units for the UKAll extras subject to change
Every episode from the hard-hitting ITV drama series depicting the trials and triumphs of prison inmates and officers in the notorious women's prison of HMP Larkhall. The initial inhabitants of Larkhall's 'G' Wing, overseen by Wing Governor Helen Stewart (Simone Lahbib), include Nikki Wade (Mandana Jones), a woman serving time for murdering a policeman who assaulted her girlfriend. The unusual relationship that develops between Helen and Nikki highlights the complexities of prison life and the unique and intense environment of Larkhall.
Peter Jackson revisits the classic creature feature for this spectacular remake.
Twenty-five years after the original series of murders in Woodsboro, a new killer emerges, and Sidney Prescott must return to uncover the truth. Returning cast Members See the original Scream (1996) cast returning to reprise their roles: Neve Campbell As Sidney Prescott Courteney Cox As Gale Weathers David Arquette As Dewey Riley New Cast Members Meet some of the new faces joining the cast for Scream 2022: Jack Quaid As Richie Kirsch - Best known for portraying Hughie in Prime Video's The Boys Dylan Minette As Wes Hicks - Best known for playing the lead character Clay Jensen in 13 Reason Why
Movies don't come any bigger than Peter Jackson's King Kong, a three-hour remake of the 1933 classic that marries breathtaking visual prowess with a surprising emotional depth. Expanding on the original story of the blonde beauty and the beast who falls for her, Jackson creates a movie spectacle that matches his Lord of the Rings films and even at times evokes their fantasy world while celebrating the glory of '30s Hollywood. Naomi Watts stars as Ann Darrow, a vaudeville actress down on her luck in Depression-era New York until manic filmmaker Carl Denham (a game but miscast Jack Black) entices her with a lead role. Dazzled by the genius of screenwriter Jack Driscoll (Adrien Brody), Ann boards the tramp steamer S.S. Venture, which she--and most of the wary crew--believes is headed for Singapore. Denham, however, is in search of the mythic Skull Island, hoping to capture its wonders on film and make a fortune. What he didn't count on were some scary natives who find that the comely Darrow looks like prime sacrifice material for a mysterious giant creature.... There's no point in rehashing the entire plot, as every movie aficionado is more than familiar with the trajectory of King Kong; the challenge facing Jackson, his screenwriters, and the phenomenal visual-effects team was to breathe new life into an old, familiar story. To that degree, they achieve what could be best called a qualified success. Though they've assembled a crackerjack supporting cast, including Thomas Kretschmann as the Venture's hard-bitten captain and young Jamie Bell as a plucky crewman, the first third of the movie is rather labored, with too much minute detail given over to sumptuous re-creations of '30s New York and the unexciting initial leg of the Venture's sea voyage. However, once the film finds its way to Skull Island (which bears more than a passing resemblance to LOTR's Mordor), Kong turns into a dazzling movie triumph, by turns terrifying and awe-inspiring. The choreography and execution of the action set pieces--including one involving Kong and a trio of Tyrannosaurus Rexes, as well as another that could be charitably described as a bug-phobic's nightmare--is nothing short of landmark filmmaking, and a certain Mr. Spielberg should watch his back, as Kong trumps most anything that has come before it. Despite the visual challenges of King Kong, the movie's most difficult hurdle is the budding romance between Ann and her simian soulmate. Happily, this is where Jackson unqualifiedly triumphs, as this unorthodox love story is tenderly and humorously drawn, by turns sympathetic and wondrous. Watts, whose accessibility balances out her almost otherworldly loveliness, works wonders with mere glances, and Andy Serkis, who digitally embodies Kong here much as he did Gollum in the LOTR films, breathes vibrant life into the giant star of the film without ever overplaying any emotions. The final, tragic act of the film, set mostly atop the Empire State Building, is where Kong earns its place in movie history as a work that celebrates both the technical and emotional heights that film can reach. --Mark Englehart, Amazon.com
The Awful Truth (Dir. Leo McCarey 1937): Love is a comic battlefield especially when presided over by two superbly-matched sparring partners Cary Grant and Irene Dunne. A classic screwball Hollywood romp! Bringing Up Baby (Dir. Howard Hawks 1938): A dog belonging to an eccentric heiress (Hepburn) steals a dinosaur bone from David (Grant) an absent-minded Zoology professor. David follows the heiress to her home and all hell breaks loose when he loses his pet leopard
The first theatrical film from the popular television series became the surprise hit of the 1998 holiday box-office crunch, trouncing the highly competitive kids market. The key ingredient to the Rugrats' success is the writing. Venturing into their first theatrical movie, the pals--including the intrepid nappie-wearing Tommy Pickles, the nervous Chuckie, the twins Lil and Phil, and the wonderfully prissy Angelica--garble English into funny prose ("I want those fugitives back in custard-y!") and use movie references in their fantasy life. The opening here is a dead-on spoof of Raiders of the Lost Ark. The big news for the movie is that Tommy gets a new baby brother, named Dylan (or Dil for short). The rest of the film has no real plot but is a series of adventures, as the clan gets lost in the forest riding an inventive Reptar wagon that is the 1990s equivalent of the car in Chitty Chitty Bang Bang. Parents search for the kids, the kids learn new lessons and everyone goes home happy. The Rugrats Movie is not as wildly appealing as A Bug's Life but is far goofier and wackier with its animation. There's also a tremendous sense of joy that is often missing from cartoons these days and the songs used in the film--from such diverse musicians as Busta Rhymes, Iggy Pop, Lisa Loeb, Lou Rawls, Beck and Devo--add to the fun. It's an acquired taste, but the creators' first efforts to take the 10-minute TV sketches into an 80-minute feature pay off. --Doug Thomas
Reprising his role in R.C. Sherriff's West End stage hit Ralph Richardson stars as a staid London bank clerk whose inexplicable amnesia leaves him without an alibi in the aftermath of a murder; Jack Hawkins stars as his doctor and Margaret Leighton his equally perplexed wife. This 1952 suspense feature saw Richardson heading an outstanding cast as well as taking on the mantle of director for the first and only time in his career with Guy Hamilton (best known for Goldfinger and Diamonds Are Forever) as assistant director; the result is a taut compelling and very human drama that retains a gripping sense of mystery right up to its conclusion. Home at Seven is presented here in a brand-new transfer from the original film elements. When David Preston returns home at seven his distraught wife tells him that he did not come home at seven - or at any other time - the previous evening. In fact he has no idea where he could have been; he recalls nothing between the time he left the bank on Monday and his arrival home that following evening. His doctor is inclined at first to treat it lightly but everything changes when it emerges that during Preston's 'lost day' a murder and robbery have taken place... Special Features: Image Gallery Promotional Material PDFs
The Tenant Of Wildfell Hall (Dir. Mike Barker 1996): ""I wished to tell the truth for truth always conveys its own morality."" This is the fantastic BBC adaptation of Anne Bronte's novel The Tenant of Wildfell Hall When Helen Graham becomes the new tenant of the dark decaying Wildfell Halt her independent spirit and radical views set her apart from the staid rural community around her. Gilbert Markham a young farmer finds himself powerfully drawn to her and a series of dramatic events brings them closer together. But the enigmatic Mrs Graham's unconventional life and behaviour disguise a hidden past with many secrets secrets the world of Victorian England would rather bury forever... Jane Eyre (Dir. Julian Amyes 1983): The stunning BBC production of Charlotte Bronte's inspiring story is available for the first time on DVD. Jane Eyre (Zelah Clarke) is a mistreated orphan who learns to survive by relying on her independence and intelligence. Her first job in the outside world is governess to the ward of Mr. Rochester (Timothy Dalton) a man of many secrets and mercurial moods. The tentative trust between them slowly develops into romance but their hopes for happiness will soon be jeopardized by a terrible secret. Wuthering Heights (Dir. Peter Hammond 1978): Wuthering Heights is Emily Bronte's classic tale of all-consuming love. When Mr. Earnshaw encounters Heathcliff a ragamuffin orphan he kindly brings the boy into his home and makes him part of the family. And from the start Heathcliff falls hopelessly in love with the daughter of the house the beautiful headstrong Catherine. She adores him too but when a wealthy neighbour woos her Catherine's material instincts get the better of her and she agrees to marry the man. However Catherine discovers that she cannot forget Heathcliff so easily... and that not even death can make them part...
Desecrated graves, dead bodies dug up and left arranged in show-homes... Every time, the same ritual: a woman, a man, a teenager, who weren't related but who form a macabre family. Amid the bodies a photo of Paul Maisonneuve is placed, a Crime Squad legend in the North of France, now retired but forced to return to duty. Who is digging up the bodies? Who is leaving them in these show-homes and why? Young female detective Sandra Winckler, in charge of the case, must work with Paul to find out who is behind these disturbing human tableaus. During her investigation, she will have to delve into Paul's past, always sensing that he is hiding something. Because that's where the truth must lie: somewhere in Paul's past. For the detective and the ex-cop, life will never be the same... For in the shadows is a man who will stop at nothing to satisfy his thirst for a long and drawn-out revenge...
Exclusive Art By Matt FergusonThe year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time?An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life.Special FeaturesNew 4k Transfer From Original Film ElementsNew Feature-Length Storyboards, including deleted, alternate and extended sequencesNew Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others!Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan BluFeaturettesAnimated StoryboardsTrailers and TV Spots
Exclusive Art By Matt Ferguson The year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time? An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life. Special Features New 4k Transfer From Original Film Elements New Feature-Length Storyboards, including deleted, alternate and extended sequences New Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others! Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu Featurettes Animated Storyboards Trailers and TV Spots
The third series of Coupling, first aired in 2002, takes fans of the BBC's comedy of sex, manners and modern relationships into new realms of engaging surrealism, leaving those irritating comparisons with Friends trailing in its wake. The men are constantly in pursuit of a basic grasp of the "emotional things" that make women behave the way they do. The women analyse everything to death. But thanks to Steve Moffat's scripts, tighter and quirkier than ever, these characters are living, breathing human beings rather than cynical ciphers for comedy stereotypes. The performances are as strong as you'd expect from an established team, with actors such as Jack Davenport (the ever-perplexed Steve), Ben Miles (unreconstructed chauvinist Patrick), Sally Alexander (dryly intelligent Susan) and Kate Isitt (neurotic Sally) wearing their roles like second skins. But in the surreal stakes, it's Richard Coyle as Jeff, wondering aloud what happens to jelly after women have finished wrestling in it, and Gina Bellman as Jane, musing on the importance of a first snog in identifying what men like to eat, who really raise the laughter levels. All things considered, this is superior comedy for all thirtysomethings--genuine and putative. --Piers Ford
A teenager from an abusive household discovers he can teleport from one place to another. He uses this ability to search for the man he believes is responsible for the death of his mother.
Jimmy has a magic flute that can talk and play tunes on its own. One day he is kidnapped by Witchiepoo the witch and taken to Living Island. Fortunately the island's mayor a six foot dragon named H. R. Pufnstuf and his deputies Kling and Klang rescue him and it's then that his adventures really begin. This release features the complete 17 episode series of Sid and Marty Krofft's much loved and phenomenally successful TV show. Episode titles: The Magic Path The Wheely Bir
Two's Company. Three's a crowd. So what do you do with six? Who do you know who is over thirty sort-of-single and has a satisfying regular sex-life? Anyone? Being single isn't easy. But at least you've got your friends. But what happens when one of your friends falls in love with one of your friends' friends? This funny up-front series about love and lust amongst thirtysomethings centres around Susan and Steve - two lively sexy funny people who get together and start going out. Featuring series 1 to 4 of the hit BBC sitcom!
Coupling Season 4: feel free to insert your own "four-play" joke, or for that matter, your own "insert" joke. Sex is still topic 1 for the intertwined group of "exes and best friends", but in this pivotal season there are momentous "relationship issues" that will upend all their lives (insert your own "upend" joke while you're at it). Susan is pregnant, inspiring in Steve nightmares about his own execution and unflattering comparisons of the birth process to John Hurt's iconic gut-busting scene in Alien. Missing in action is the Kramer-esque Jeff (although he makes something of a return in the season finale). Joining the ensemble is Oliver, who is more in the Chandler mode as a lovable loser with the ladies. These inevitable comparisons to "Sein-Friends" are no doubt heresy to Coupling's most devoted viewers. Indeed, this series does benefit from creator and sole writer Steven Moffat's comic voice and vision. He provides his ever-game cast some witty, funny-cause-it's-true dialogue, as in Oliver's observation that "Tea isn't compatible with porn". This Britcom is also less inhibited in language and sexual situations than its American counterparts. In the cleverly-constructed opening episode, in which the same "9-1/2 Minutes" are witnessed from three different perspectives, Sally and Jane can do what was left to the imagination when Monica and Rachel offered to make out in front of Joey and Chandler. The birth of Susan and Steven's baby ends the six-episode season on a satisfying and surprisingly moving grace note. A bonus disc takes viewers behind the scenes with segments devoted to bloopers and interviews with cast and crew. --Donald Liebenson
The Autobots, led by the heroic Optimus Prime, prepare to make a daring attempt to retake their planet from the evil forces of Megatron and the Decepticons. Unknown to both sides, a menacing force is heading their way Unicron. The only hope of stopping Unicfron lies within the Matrix of Leadership and the Autobot who can rise up and use its power to light their darkest hour. Will the Autobots be able to save their native planet from destruction or will the Decepticons reign supreme?
Experience the exhilarating adventure from the director of Mr. and Mrs. Smith and The Bourne Identity now in eye-popping 3D. David Rice (Hayden Christensen) is a Jumper - a genetic anomaly with the power to instantly teleport anywhere in the world. When he discovers others like himself David is thrust into an ancient war that threatens the very survival of his own kind.
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