Written by the late, great Jimmy Sangster (The Revenge of Frankenstein, Taste of Fear), this supernatural riff on Agatha Christie's And Then There Were None is a gruesome, hugely entertaining chiller. Two American architects (real-life couple Katharine Ross and Sam Elliott, who met on the set of this film) are holidaying in England and find themselves trapped at a country mansion where the various guests become victims in a series of unexplained and increasingly violent deaths. Director Richard Marquand (Return of the Jedi, Jagged Edge), making his feature-film directing debut, deftly balances horror and grisly black humour. The film also boasts sumptuous photography by the great Dick Bush and Alan Hume, a wonderfully eccentric score by Michael J Lewis and a superb supporting cast which includes Charles Gray, Margaret Tyzack, Ian Hogg, John Standing and The Who's Roger Daltrey. Extras: Two presentations of the film: the US theatrical cut, presented in widescreen from a High Definition master (100 mins); the UK theatrical cut, presented open matte from a Standard Definition master (102 mins) Original stereo audio New and exclusive audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television An Editing Legacy (2015, 14 mins): award-winning editor and second unit director Anne V Coates recalls her work on the film The Make-up Effects of The Legacy' (2015, 11 mins): Robin Grantham discusses his specialist make-up creations for the film Ashes and Crashes (2019, 4 mins): interview with second unit director Joe Marks An Extended Legacy (2019, 11 mins): an analysis of the differences between the US and UK cuts Between the Anvil and the Hammer (1973, 27 mins): The Legacy director Richard Marquand's acclaimed documentary short film, made for the Central Office of Information, about the Liverpool police force Original theatrical trailer Image gallery: promotional and publicity material
First ever DVD release of this classic British comedy which has never been seen since its 1950's cinema run. The final film showcase for music hall comedian Frank Randle as an accident-prone Private who cannot even make a cup of tea without making a disaster. However he does succeed in rescuing corporal Diana Dors from the lecherous clutches of his Sergeant Major. This fast moving film features stars of the music hall days such as champion wrestler Jack Pye and introduces the BBC Radio and TV star Winifred Atwell.
Ireland, 1209. A group of monks including a young novice (Tom Holland, Spider-Man: Homecoming, The Lost City of Z) and a mute lay-brother (Jon Bernthal, The Punisher, The Wolf of Wall Street) are tasked with transporting an ancient relic across the wilderness. As the true significance of the relic becomes apparent; their path becomes increasingly fraught with danger. The monks quickly realise that in this wild land of ancient superstitions, the faith that binds them together may ultimately lead to their destruction.
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "A blood-dripping brain transplant turns a maniac into a monster!". Brain of Blood does exactly what it says on the tin. It was made in Hollywood when a Filippino blood movie fell through and the distributor needed a substitute. --Kim Newman
Italian director Franco Zeffirelli stunned the world when he cast two young unknowns to portray the star crossed lovers in 'Romeo and Juliet' but it was a gamble that resulted in one of the most popular motion pictures of the time winning international acclaim and two Academy Awards. Shakespeare's classic romance comes to stunning visual life in a modern young person's interpretation bringing new vitality and a fresh insight to the most durable love story ever written.
A hot and steamy thriller in more ways than one! To Lieutenant Remy McSwain life in New Orleans is all about the 'Big Easy' until a series of gang killings spiral out of control. When a beautiful investigator Ann Osborne arrives from the D.A.'s police corruption task force Remy realises he is caught between truth and lies honour and corruption. Soon he finds himself jailed for attempting bribes and life is far from 'The Big Easy'.
Thick As Thieves: The Complete Series
Bicentennial Man was stung at the 1999 box office, due no doubt in part to poor timing during a backlash against Robin Williams and his treacly performances in two other, then-recent, releases, Jakob the Liar and Patch Adams. But this near-approximation of a science-fiction epic, based on works by Isaac Asimov and directed, with uncharacteristic seriousness of purpose, by Chris Columbus (Mrs Doubtfire), is much better than one would have known from the knee-jerk negativity and box-office indifference. Williams plays Andrew, a robot programmed for domestic chores and sold to an upper-middle-class family, the Martins, in the year 2005. The family patriarch (Sam Neill) recognizes and encourages Andrew's uncommon characteristics, particularly his artistic streak, sensitivity to beauty, humour and independence of spirit. In so doing, he sets Williams's tin man on a two-century journey to become more human than most human beings. As adapted by screenwriter Nicholas Kazan, the movie's scale is novelistic, though Columbus isn't the man to embrace with Spielbergian confidence its sweeping possibilities. Instead, the Home Alone director shakes off his familiar tendencies to pander and matures, finally, as a captivating storyteller. But what really makes this film matter is its undercurrent of deep yearning, the passion of Andrew as a convert to the human race and his willingness to sacrifice all to give and take love. Williams rises to an atypical challenge here as a futuristic Everyman, relying, perhaps for the first time, on his considerable iconic value to make the point that becoming human means becoming more like Robin Williams. Nothing wrong with that. -- Tom Keogh, Amazon.com
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161 a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien a realisation that may compel Ripley to try destroying not only the horrific creature but herself as well.
Based on the classic novel from Victor Hugo this is an epic tale of love honour and obsession against the dramatic background of the French Revolution. Jean Valjean (Depardieu) lives a life on the run his punishment for stealing a loaf of bread when starving. Settling in a remote town he devotes himself to the care of the poor including the poverty stricken Fantine. When she dies her daughter Cosette (Ledoyen) is raised by Valjean but both are haunted by Javert (Malkovich) a
Lance Henriksen (Aliens, Millenium) stars in this heart-poundingly scary fright fest directed by four-time Oscar winner Stan Winston (Creature Creator: Aliens, Jurassic Park & Terminator 2). When a group of rambunctious teenagers inadvertently kill his only son, Ed Harley (Henriksen) seeks the magic of a backwoods witch to bring the child back. But when she tells him the child's death is irrevocable, his grief develops into an all-consuming desire... for revenge! Defying superstition, he and the witch invoke the Pumpkinhead, a monstrously clawed and fanged demon which, once reborn, answers only to Ed's bloodlust. But as the invincible creature wreaks its slow, unspeakable tortures on the teens, Ed confronts a horrifying secret about his connection to the beastand realizes that he must find a way tostop its deadly mission before he becomes one with it forever!
With his ability to blend into any bizarre situation Leonard Zelig played an important part in every major historical event of the twentieth century. But only now can the amazing truth be told in Woody Allen's unique mockumentary about the hilarious exploits of a celebrity non-entity...
The generator and the back-up system fail in the middle of the night and the crew has to crawl through the mile-long labyrinth of service ducts to restart their engines. On the way they learn a few peculiar things about each other. When two realities converge, the Dwarfers then have to face their most terrifying ordeal yet - they meet a real, live human woman.
Join 'The most popular comedy Wales has ever produced' with GRAND SLAM. In 1977 Wales had a rugby team that was second to none. When they went to Paris to take on the French they were full of confidence... The team went with scores of Welsh supporters eager to watch their heroes beat the French on their own turf and make Wales the Grand Slam champions. During the course of the film we discover that `grand slam' can mean different things to different people and that there are challenges that have to be faced off the pitch that are almost more daunting than those facing the players on the pitch. GRAND SLAM stars Windsor Davies as Mog Jones Huw Griffith as Caradog Lloyd Evans and Sharon Morgan as the accommodating French hostess. The film also includes memorable rugby moments featuring legendary players Gerald Davies JPR Williams Gareth Edwards Phil Bennett Terry Cobner and Steve Fenwick.
No relation to the 1992 Clint Eastwood film of almost the same name, 1959's The Unforgiven is based--like John Ford's The Searchers--on a novel by Alan LeMay. Again the story focuses on a frontier family divided by racism. But instead of the complex, endlessly resonant demonology of the Ford picture, here John Huston aims for a pat, civil-rights-era allegory of loving solidarity triumphing over societal prejudice--and, to be sure, some noble but dangerous Kiowas. Burt Lancaster and Audrey Hepburn costar as, respectively, the eldest son of a ranching family and the beloved sister who's not his sister at all, but an Indian. However, the film's dark heart belongs to Joseph Wiseman as an avenging ghost who materialises out of the wind and Lillian Gish as the matriarch who will do whatever she must to protect her clan. --Richard T Jameson
Meeting would-be Soviet defectors interviewing fi lm stars and even becoming a circus clown - it all comes in a day's work for international photojournalist Shirley Logan (Shirley Maclaine - Steel Magnolias Terms of Endearment). Taking on assignments set by her boss 'World Illustrated' magazine's London editor Dennis Croft (John Gregson - Gideon's Way) the indomitable and highly resourceful Shirley meets more than her share of high drama and intrigue - with some impressive location scenery and a few hilarious moments along the way! Shirley's World represents Shirley Maclaine's only venture into the television-series format. A truly international ITC show the special guests featured a number of favourites including Brian Blessed Ron Moody Dandy Nichols Stuart Damon Joss Ackland Cyril Cusack and Bert Kwouk. This release comprises every episode of Shirley's World and is released here for the very first time on DVD.
Translating Rowan Atkinson's Mr Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. The eponymous Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an LA museum, but Bean's famously eccentric behaviour soon causes the poor guy to almost lose his family and job. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh
ALL 20 SEASON SEVEN EPISODES The Chicago Police Department's toughest cops are back on the case in Season Seven of Chicago P.D., the unflinching crime drama from Emmy® Award winning executive producer Dick Wolf. Under the resolute command of Sergeant Hank Voight (Jason Beghe), the elite intelligence unit continues their relentless fight to take down the city's most dangerous criminalseven if it means bending the rules. But just how far is the squad willing to go to achieve justice and protect their own? After taking the fall for Dawson in the Internal Affairs investigation, Ruzek (Patrick John Flueger) has been arrested on charges of misconduct and obstruction. Plus, Voight is liable to draw suspicion in the murder of corrupt Superintendent Brian Kelton, the newly elected mayor with a vendetta against Voight's unit. BONUS FEATURES Chicago Fire Season 8 Crossover Episodes Chicago MED Season 5 Crossover Episode
This heart warming comedy starring John Goodman as the unlikliest king ever.... A freak accident kills off the whole Royal Family and a new heir must be found. The last person anyone expects it to be is lounge singer Ralph Jones who goes from one disaster to another as he reluctantly becomes King Ralph....
Ira Sachs writes and directs this gay-themed domestic drama starring John Lithgow and Alfred Molina. Forced to separate after George (Molina) loses his job teaching music at a nearby Catholic school, the recently married gay couple Ben (Lithgow) and George have trouble adapting to life without the other being nearby at all times. Ben, who moves in with his nephew Elliott (Darren Burrows), his wife Kate (Marisa Tomei) and their teenage son Joey (Charlie Tahan), soon begins to suspect he is overstaying his welcome. Meanwhile, George crashes on the couch of a much-younger gay couple who frequently have lots of visitors.
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