David Tennant is back in his role as the Doctor in the fourth series of the hit sci-fi show! Award-winning comedienne Catherine Tate returns as the Doctor's new companion reviving her role as Donna Noble. Also on hand to help the Doctor are some familiar faces as he has the New Dalek Empire to stop! Episodes Comprise: 1. Partners in Crime 2. The Fires of Pompeii 3. Planet of the Ood 4. The Sontaran Stratagem 5. The Poison Sky 6. The Doctor's Daughter 7. The Unicorn and the Wasp 8. Silence in the Library 9. Forest of the Dead 10. Midnight 11. Turn Left 12. The Stolen Earth 13. Journey's End
This is the twilight world of half-truths and half-lives where the obsessive apparatus of state security interlocks with sinister and furtive forces from big business. It is the hidden battleground where private grief and individual suffering and death are dwarfed by the struggle for absolute power and the nightmare of nuclear catastrophe. Part One - 'Into The Shadows': His investigation into his daughter's murder reveals to Ronald Craven her involvement in nuclear power politics terrorism and death. Despite the agonies of his grief Craven finds himself drawn into Emma's secret world. Part Two - 'Northmoor': Craven and renegade US agent Jedburgh pursue their mission to discover the deadly secret of an underworld nuclear facility and begin a desperate race to avert catastrophe with mysterious wisdom of GAIA.
Brian De Palma's 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double or Raising Cain) for the heck of it. The far-fetched story featuresNicolasCage as a crooked police detective attending a championship boxing match at which the Secretary of Defence is assassinated. The unfortunate Secretary's right-hand man (Gary Sinise) happens to be Cage's old friend, a fact that complicates the cop's efforts to reconstruct the crime from conflicting accounts--a directorial strategy bearing similarities to Kurosawa's Rashomon. The outrageousness of the scenario essentially gives DePalma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view--based on the contradictory statements of witnesses--also give De Palma licence to get creative with camera angles and scene rearrangements. The script bogs down in the third act but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it's style over substance in Snake Eyes but what style you're talking about.--Tom Keogh
John Travolta stars as Jack Stanton a presidential hopeful whose campaign is challenged by dual dilemmas: how to squelch a scandal involving the candidate's alleged sex with an underage girl and how to handle information that could potentially ruin Stanton's opponent (superbly played by Larry Hagman). Stanton's wife (Emma Thompson) stands by her man despite awareness of his infidelities but his loyal campaign planners (played by Billy Bob Thornton Maura Tierney and promising newc
It all started one night at McCool's: three unsuspecting men and one woman with a dream are brought together by lust, mayhem, DVDs, and the finer points of home decorating. Starring Liv TYler, Matt Dillon, John Goodman and Paul Reiser.
Based on Ludovic Kennedy's investigative book '10 Rillington Place' is the true and horrifying story of English mass murderer John Christie (chillingly played by Richard Attenborough). When Timothy Evans (John Hurt) his wife Beryl (Judy Geeson) and their young daughter movie into Christie's house they unknowingly sign their death warrants. Christie offers to help Beryl have an abortion and uses this opportunity as he has already done with previous victims to strangle and rape
Brilliant inventor Robert Sommerby is head of a research establishment engaged in a very special secret project: the development of robots. Far from the crude, lumbering, steel-clawed automatons of sci-fi films, Robert's robots are humanoid in appearance and ultra-sophisticated in design, with highly developed electronic brains, fast reflexes and smooth, natural movement. Naturally, there are personality clashes; Eric is Robert's most advanced robot, who thinks humans are quite disgusting with their revolting habits like eating, while K.T. (aka Katie) is big, strong, and very stupid - he has a tendency to walk right through doors and is generally kept away from guests. The eccentric Robert encounters all sorts of problems - not least, the devious activities of Marken, head of an acquisitive electronics company, and his seedy private eye, Gimble, who will try anything to discover Robert's secret project. But he has his doting Aunt Millie and lovely fiancée Angela to help out, and he's just about tolerated by at least some of his robots - who are fair-minded enough to concede that he is, after all, only human.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. However a yankee takes pity upon him and sets up an escape; unfortunately for all concerned the escape is foiled and all the captured officers are sentenced to execution. Enter Shirley and ""Bojangles"" Robinson to beg President Lincoln to intercede.
In his first starring role, Sir Ian McKellen (Lord of the Rings, Gods and Monsters) gives a sensational performance as D.H. Lawrence in the impressively mounted and acted biopic (Variety) Priest of Love. After the English government burns copies of The Rainbow, Lawrence continues through his exodus around the world, joined by his combative wife Frieda (Janet Suzman). From his destructive sojourn to the American Southwest, to an earth-shaking visit to Oaxaca, and finishing with his erotic adventures in Italy, Priest of Love provides a colorful and insightful portrait of Lawrence's life and art. Featuring an excellent supporting cast of Ava Gardner, Penelope Keith and John Gielgud. Special Features: An extensive feature on Christopher Miles' early career Christopher Miles: Priest of Love and D.H. Lawrence featurette The Way We Got it Together: A Documentary on the Making of the Film Interviews with Ian McKellen and Christopher Miles Deleted Scenes with Director's Commentary Trailers
No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker
Sandra Bullock is an FBI agent who goes undercover as Miss New Jersey at a national beauty pageant after a terrorist group threatens to bomb the event.
It's a plot! To make the world die laughing! Russian Lt. Rozanov (Arkin) and his crew hit the beaches of Massachusetts unaware of the panic they're about to start. Despite the Russians' harmless intentions the folks in town think a full-scale Soviet invasion has been launched! What's worse their police chief (Keith) has left his hysterical assistant (Winters) in charge and the one man who knows the truth (Reiner) is only stirring up more chaos!
Woody Allen's latest movie is a mock documentary about a talented but unlikeable jazz guitarist from the 1930s, played by Sean Penn.
Blues Brothers/Blues Brothers 2000
American sportsman Johnny Regan (Robert Stack, Written on the Wind) goes to a bullfight while holidaying in Mexico and witnesses the great matador Manolo Estrada (Gilbert Roland, She Done Him Wrong) in action. The two men meet later that evening, and Johnny becomes entranced by Anita (Joy Page, Casablanca), a friend of Manolo's. Impressed by the world of bullfighting, and seeking to impress Anita, Johnny becomes Manolo's pupil so that he, too, may become a champion torero. Produced by John Wayne, and based in part on Budd Boetticher's experiences as a novice bullfighter, Bullfighter and the Lady was initially released in a shorter 87-minute cut, reputedly edited by John Ford. In 1986, with the aid of Boetticher and Stack, the complete 124-minute version was restored, revealing the film to be a true masterpiece. Both cuts are presented on this edition, alongside Boetticher's final work as a director, the 1985 documentary My Kingdom For which is part autobiography, part history of the bullfighting art of rejoneo.
The mercurially talented comedian Tony Hancock returns to DVD with more from his epoch-making comedy series Hancock's Half Hour. Containing all 10 episodes from the fifth series originally broadcast in 1959.
Professional serial killer hunter Creighton Duke sets out to catch Jason with the help of a young couple whose daughter is set to be the next victim... This was the movie that paved the way for the battle between Hollywood horror heavyweights Jason Voorhees and Freddy Krueger...
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
An advertising executive who just wants to fly home to spend Thanksgiving with his family is stuck with a loud but loveable salesman during an unbelievable succession of blizzards, transfers, strikes and delays.Two businessmen travelling from New York to Chicago get sidetracked in a public transportation nightmare. Neal is a stuffy ad executive who doesn't get along with people like the portly, gregarious salesman who sits next to him on the plane to Chicago.But when their flight is rerouted, the unlikely duo becomes entangled in a series of hilarious misadventures as they attempt to get home before Thanksgiving. They have to deal with sleazy motels, run-down rent-a-cars and... more crazy cabbies. It's enough to make them swear off travel forever!
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