Cary Grant and Irene Dunne charm in Leo McCarey's Oscarwinning screwball comedy In this Oscar®winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne (Love Affair) exude charm, cunning, and artless affection as an urbane couple who, fed up with each other's infidelities, resolve to file for divorce. Try as they each might to move on, the mischievous Jerry can't help but meddle in Lucy's ill matched engagement to a cornfed Oklahoma businessman (His Girl Friday's Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey (Make Way for Tomorrow), a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, The Awful Truth is a warm but unsparing comedy about two people whose flaws only make them more irresistible. Features: New 4K digital restoration, with uncompressed monaural soundtrack New interview with critic Gary Giddins about director Leo McCarey New video essay by film critic David Cairns on actor Cary Grant's performance Illustrated 1978 audio interview with actor Irene Dunne Lux Radio Theatre adaptation of the film from 1939, starring actor Claudette Colbert and Grant PLUS: An essay by film critic Molly Haskell
Brennan and Dale are live-at-home grown-ups who become step-brothers overnight and struggle to deal with their parents wish for them to leave home and get lives of their own.
John Carpenter's Assault On Precinct 13 is a riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, convicts heading for death row and the cops must now join forces or die. That's the basic plot, but what Carpenter does with it is remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasising low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronising a seemingly harmless ice cream van. It's here, and in other equally memorable scenes, that Carpenter demonstrates his knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favourite status and long-standing critical acclaim. From this Carpenter went on to make the original Halloween, one of the most profitable independent films of all time. --Jeff Shannon, Amazon.com
The Best Picture Oscar in 1949 went to All the King's Men, a hard-hitting political melodrama that will strike any number of eerily familiar chords with audiences weaned on later American politics: from the Kennedys to Nixon, Bill Clinton and beyond, US politicians obviously haven't changed much in the intervening decades. Based on the Pulitzer Prize-winning novel of the same name, this grittily realistic movie charts the rise and fall of Willie Stark (Broderick Crawford in an Oscar-winning role), a hick lawyer whose ideals are inexorably eroded by his relentless pursuit of power. When we first meet him, Stark is the people's champion, a struggling self-taught advocate who isn't afraid to speak out against "graft". Although inspired by the real-life story of Louisiana Governor Huey Pierce Long, All the King's Men also parallels the much later Primary Colors (1998), which is itself a thinly disguised portrait of Bill Clinton's presidential campaign. Like that movie, this one tells the tale from the point of view of a young idealist (John Ireland) who succumbs to the fledgling politician's charm and joins his campaign team. There he meets cynical aide Sadie Burke (Mercedes McCambridge, in another Oscar-winning role) and together they connive at and excuse every increasingly corrupt move made in the name of political expediency, until matters get dangerously out of hand after the governor's son kills his girlfriend in a drunk-driving incident (a spooky premonition of Chappaquidick?). The performances are all top-notch, as is the fast-paced screenplay and direction from Robert Rossen (later director of The Hustler in 1961). Less idealistic than Capra's Mr Smith Goes to Washington, this is a movie ahead of its time which still has plenty to say about the state of modern politics, American or otherwise. --Mark Walker
Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
A lonely orphan's life is transformed by an extraordinary woman who teaches him to conquer grief and discover the magic in nature and himself.
The most viscerally frightening and disturbing homicidal maniac picture since The Silence of the Lambs, Seven is based on an idea that's both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or moulding; the air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer--all the while unaware that he has been closing in on them, as well. Gwyneth Paltrow and Kevin Spacey are also featured, but it is director Fincher and the ominous, overwhelmingly oppressive atmosphere of doom that he creates that are the real stars of the film. It's a terrific date movie--for vampires. --Jim Emerson
Classic rock band Fleetwood Mac are literally one of the most successful rock acts of all time...Tango In The Night the video companion to their 1987 album was filmed at San Francisco's Cow Place in December 1987. After several years of turmoil and hiatuses the album and tour marked a stellar return to form for the band. Twelve tracks comprising: The Chain / Dreams / Seven Wonders / Isn't It Midnight / Standback / World Turning / Little Lies / Gold Dust Woman / Everywhere / Oh
This movie version of Bizet's popular opera Carmen was filmed on location, conveying a kind of atmosphere, a sense of space, movement, and presence that's hard to achieve in a staged performance. It takes the action out of doors for many scenes, with the opening titles superimposed on the bloody conclusion of a bullfight. Elsewhere the changing of the guard, the crowd scenes, the dance number that opens Act 2, and the panoramic scenery of the smugglers' mountain hideout all benefit from the freedom granted by movie cameras. It's an exciting Carmen, too, with a young-looking Placido Domingo in top form for a role he has sung hundreds of times. For Julia Migenes, though, it was her first performance in a role she would have trouble performing in an opera house. Her voice does not fit easily into Carmen's range, and she spent months training it, very successfully, before singing the role in a recording studio where the soundtrack was taped before the film was shot. Casting her in the role was a gamble, but it worked; she is a convincing actress. Unlike most opera-house performances this movie version uses the opera's original opera comique form with some spoken dialogue rather than recitatives.--Joe McLellan, Amazon.com
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's murderous reign in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
East Of Ipswich
Young Candy is a college girl who seeks truth and meaning in life encountering a variety of kookie characters and humorous sexual situations in the process... Based on Terry Southern's satirical novel a sendup of Voltaire's 'Candide'.
The Man The Woman The Mother. Middle aged all-round good guy Danny (John Candy) is in love for the first time - with Theresa (Ally Sheedy). But as their love blossoms his overbearing mother the fiery Rose Muldoon (Maureen O'Hara) plots to stop her ""baby"" flying the nest and uses every trick possible to keep Danny tied firmly to her apron strings with hilarious results!
This Nicholas Nickleby is not one of Hollywood's condensed versions, it's the Royal Shakespeare Company's epic eight-and-a-half-hour adaptation of the life and times of the eponymous school-teacher. The 1982 production (originally staged in two parts) won worldwide acclaim and was such a success that Britain's then-newest TV station, Channel 4, launched a joint venture with independent production company Primetime to bring Nicholas Nickleby to a television audience. The result is this wonderfully theatrical version, filmed at the Old Vic and starring much of the original stage cast. It manages to stay true to Trevor Nunn's original artistic vision of Dickens's damning incitement of England's educational system. The ensemble cast are superb: Roger Rees as Nicholas is a bright-eyed idealist, every inch the young romantic hero whose principles are often his downfall, but ultimately his salvation; Fulton Mackay's twisted, embittered Squeers is every inch the Dickensian villain; and David Threlfall is transformed as Smike, Squeers' piteously subjugated, crippled servant and gives the most moving performances of his career. This enthralling TV adaptation recreates the magic of the stage version for all those who were unable to catch it on its pitifully short run. It doesn't pull any punches as the humour and inspiring storyline are tempered with real dark and tragic episodes. Forget the Hollywood fluff, this is the version you should watch if you want a faithful retelling of Dickens's story. --Kristen Bowditch
"INCLUDES THEATRICAL FILM PLUS EXTENDED VERSION WITH 18 MINUTES OF ADDITIONAL FOOTAGE Academy Awardwinners Denzel Washington and Russell Crowe team with director Ridley Scott (Gladiator) in this powerful, epic story. Armed with ruthless tactics and a strict sense of honour, crime boss Frank Lucas (Washington) rules Harlem's chaotic drug underworld. When outcast cop Richie Roberts (Crowe) sets out to bring down Lucas's multi-million dollar empire, it plunges both men into a legendary confrontation.Disc One4K ULTRA HD MOVIE BLU-RAY MOVIE + BONUS FEATURES FOR THE ULTIMATE MOVIE WATCHING EXPERIENCE, THIS DISC FEATURES:4X sharper picture than HDHDR (High Dynamic Range) for brilliant brights and deepest darksImmersive Audio for a multi-dimensional sound experienceFeature Commentary with director Ridley Scott and writter Steven ZaillianDisc TwoBlu-Ray Movie + Bonus FeaturesFeature Commentary with director Ridley Scott and Writer Steven ZaillianDeleted ScenesThe Bet Special: The Making of Amcerican GangsterDateline NBC: American Gangster First LookHip-Hop Infusion Featuring Common and T.I.Fallen Empire: Making American GangsterAnd more! "
An undoubted pop culture classic Hawk the Slayer continues to amaze viewers with its fearless combination of swords and sorcery bloodthirsty revenge and brotherly violence – all topped off with a disco-style soundtrack! Starring Jack Palance John Terry and a host of British character actors Hawk the Slayer is presented here for the first time as a new High Definition transfer from the original 35mm cut negative in its original theatrical aspect ratio. When his father is mortally wounded at the hands of his brother – the evil wizard Voltan – Hawk is bequeathed a magical sword which responds to his thoughts. Swearing vengeance on his brother he gathers together a trusty band of giants dwarves elves and witches – together these warriors will end Voltan's reign of terror forever or die trying... Bonus Features: Original theatrical trailer Raw textless elements Clapperboard: Revenge by the Sword By the Sword Divided – candid on-location interviews Sharpening the Blade – behind the scenes Image gallery Original script PDF
It's a gorgeous Summer's day and two teams play a cricket game with a difference. It's the annual match between the local mental asylum and the villagers and in the scoring hut patients Crossley and Graves sit side-by-side recording every run over and fallen wicket. To keep themselves entertained Crossley recounts a terrifying story of how he came to possess supernatural powers that enable him to kill with a shout. It was he claims an ancient magic he learnt from spending many years with the Australian Aborigines. Although Graves dismisses the tale as an insane fantasy as the match continues the proceedings take on an emphatically sinister turn...
Ferris Bueller's Day Off:Ferris Bueller. Larger than life. Blessed with a magical sense of serendipity. He's a model for all those who take themselves too seriously. A guy who knows the value of a day off. Ferris Bueller's Day Off chronicles the events in the day of a rather magical young man Ferris (Matthew Broderick). One spring day toward the end of his senior year Ferris gives in to an overwhelming urge to cut school and head for downtown Chicago with his girl (Mia Sar
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