Wicklow was jailed after a killing spree so macabre that he has become one of Britain's most notorious murderers vilified by the popular press and despised by fellow inmates. His notoriety is compounded by the fact that detectives investigating his crimes have never found the body of his last victim. However no one is safe with Wicklow behind bars
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright, Amazon.com
Consciously crafted by director George Stevens as a piece of American myth making, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters". While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvellous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, an amazing child performer; his parting scene with Shane is guaranteed to draw tears from even the most stony-hearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton
Director John Sturges turns the west upside down in this rip-roaring Western comedy about the year Denver was nearly devastated by a drought (of whiskey) and had to have forty wagonloads imported through very harsh (and very thirsty) territory!
For a limited time only, Universal Pictures are re-releasing five of their most beloved Cinema Classics in cinemas around the UK. The following films will be released: Spartacus, Blues Brothers, Scar Face, The Thing and Animal House.
The complete three-part BBC drama set amidst the lesbian subculture of 1890s England. The series follows heroine Nan Astley (Rachael Stirling), who meets and falls for male impersonator Kitty Butler (Keeley Hawes). Nan moves to London and begins an affair with Kitty while also joining her music hall act. When she discovers an unwelcome truth Nan begins a voyage into the capital's sexual underworld which eventually sees her become destitute and forced to make some important decisions about the future of her relationships.
Ramona And Beezus follows the misadventures of young grade schooler Ramona Quimby from Beverly Cleary's popular children's book series.
This dynamic and tightly scripted drama centres on the search for the perpetrators of a multi-million-pound gold bullion robbery; Peter Vaughan stars as the C.I.D. officer doggedly tracking down all those who hold clues to the identity of the mastermind behind the raid. Vaughan's strong performance is supported by some of the key dramatic actors of the late `60s, including Joss Ackland, Alfred Lynch, George Cole, Bernard Hepton, George Innes, Roy Dotrice and Peter Bowles.
Opposites attract in Fools Rush In, a conventional but refreshingly unpredictable romantic comedy. New York nightclub designer (Matthew Perry, from television's Friends) is in Las Vegas to supervise the construction of a new project when he meets a fiery Mexican beauty (Salma Hayek). It's lust at first sight, and their one-night stand takes an unexpected turn when she shows up three months later to announce that she's pregnant. They're determined to do right for each other, so they get married in a Vegas chapel with an Elvis impersonator as their witness. Then comes the hard part--trying to figure out if they're actually compatible. The plot complications are mostly familiar, but Perry and Hayek throw some bright sparks as their initial bliss turns to more realistic concerns for family and future. Along the way there's some sharp dialogue and a few good laughs to give this all-too-human comedy an enjoyable spin. --Jeff Shannon, Amazon.com
Hell hath no fury like a telekinetic teen! Welcome to Bates High School. The lesson for today: Stay on Rachel Lang's good side because this outcast teen has a fiery temper that can't be controlled. Joining her in the halls are Jason London (Dazed And Confused) Dylan Bruno (Saving Private Ryan) J. Smith-Cameron (In & Out) Zachery Ty Bryan (Home Improvement) and Amy Irving (Carrie) for ""an explosion of supernatural violence"" (Variety) that will keep you on the edge of your seat t
Elvis Presley's performing career, punctuated by its extra-musical achievement as the first global satellite broadcast devoted to a single entertainer. Both the broadcast and its companion album captured the King in his most grandiose persona, fuelled by Hollywood scale and Vegas glitz, as a caped pop superhero.He may have looked trim, but posthumous accounts (especially Peter Guralnick's Careless Love: The Unmaking of Elvis Presley, the second volume in his definitive biography) confirm what a second look suggests--on this evening, Elvis was alternately overwhelmed and distracted, bravura renditions of signature songs (most triumphantly, the "American Trilogy" medley originated by Mickey Newbury) offset by less-focused readings. Fans may still savour a generous and diverse song list, but viewed beside Presley's earlier, more consistent performances (including a rehearsal the previous night, since released as The Alternate Aloha Concert), this legendary concert anticipates Presley's imminent decline.In this remastered version, three songs have been deleted due to music clearance issues, while four songs taped after the actual show have been inserted. A fifth bonus track, "No More," makes its first appearance on video. --Sam Sutherland
Double Oscar-winner Kevin Spacey directs and stars in this biopic of popular crooner Bobby Darin.
An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... A whimsical and charming British film 'Passport To Pimlico' is one of the finest examples of the classic Ealing comedies.
Clockers: Strike who is the hardest-working drug dealer on the street. Time is beginning to run out for him when a deal with an evil drug boss results in the death of a rival dealer... Jungle Fever: A black architect begins an affair with his Italian secretary which lands them both in isolation from their respective communities. Do The Right Thing: On one block in the Brooklyn district of Bedford-Stuyvesant the story follows the events which take place on one very hot summer day. Events which would normally go un-noticed but because of the fierce heat are magnified to dangerous proportions revealing the under-belly of racism.
"Me And You And Everyone We Know" is a poetic and penetrating observation of how people struggle to connect with one another.
Advertised in 1970 as "the first electric Western", Zachariah is an endearingly pretentious effort that prefigures such genre oddities as Jodorowsky's El Topo and Alex Cox's Straight to Hell. The story is the archetypal one about two friends who become gunslingers and must inevitably face off against each other in the finale, but it's treated here as if it Meant Something Deeper--which means that after enjoying 75 minutes of violence we can all agree that peace and love and harmony is on the whole better for children and other living things. Curly haired farmboy Zachariah (John Rubinstein) and eternally grinning apprentice blacksmith Matthew (Don Johnson) are the fast friends who run away from home to join up with a gang of outlaws known as the Crackers (played by hippie folk-rock collective Country Joe and the Fish). These apparent 19th-century Westerners tote electric guitars and are given to staging free festival freak-outs at one end of town to distract from the bank robbery at the other. The boys soon hook up with Job Cain (Elvin Jones), an all-in-black master gunfighter who is also an ace drummer (his solo is impressive), but then drift apart as Zachariah has a liaison with Old West madame Belle Starr (Pat Quinn) in a town that consists of fairground-style brightly painted wooden cut out buildings (a gag reused in Blazing Saddles), then gets rid of his outrageous all-white cowboy outfit to settle down on a homestead and grow his own dope and vegetables. Matthew, of course, goes for the black leather look after outdrawing Cain, and comes a gunning for the only man who might be faster than him, but the hippie-era message is once these kids have killed everyone else they can still make peace with each other and the desert or something, man. Aside from a Beatle-haired teenage Johnson making a fool of himself by over-emoting to contrast with Rubinstein's non-performance, the film offers a lot of beautiful "acid Western" scenery and excellent prog rock and bluegrass music from the James Gang, White Lightnin' and the New York Rock Ensemble. Comedy troupe the Firesign Theatre (huge on album in 1970) provided the script, which explains satirical touches like the horse-and-buggy salesman (Dick Van Patten) spieling like a used car dealer and the madame's claim to have had affairs with gunslingers from Billy the Kid to Marshal McLuhan. The DVD extras are skimpy, but the print quality is outstanding. --Kim Newman
Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh
Forensic pathologist Dr Sam Ryan (Amanda Burton) has an all-embracing passionate notion of justice. Driven almost obsessional her crusade and tenacity sometimes leads her to conduct her own enquires outside the laboratory uncovering new evidence that dramatically alters the course of police investigations. This can lead to trouble - both in her personal and professional lives but to Sam each dead body deserves nothing but the truth.... Episodes Comprise: 1. Blood Sweat and Tears 2. Cease Upon The Midnight 3. Only The Lonely 4. Friends Like These
When there's murder on the streets everyone is a suspect. A gritty realistic adaptation of Richard Price's best-selling novel director Spike Lee examines the violent world of urban drug dealing through the eyes of Strike (Mekhi Phifer) a 19-year-old ""clocker "" short for round-the-clock pusher. Strike agrees to kill a fellow employee of his boss Rodney Little (Delroy Lindo) an influential popular drug lord. But when the hit goes down it is Strike's moral law-abiding brother V
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