Martin Clunes stars in a TV adaptation of the classic story about a shy and dedicated teacher, Charles Edward Chipping, who finds love while walking in the alps. The unconvential Katherine Bridges (Victoria Hamilton) shakes up Chipping's mundane life and brings him great happiness; but due to an unforseen tragedy, the couple's life together is to be short lived. James Hilton's novel was previously adapted as an Oscar-winning classic starring Robert Donat and Greer Garson in 1939, and as a 196...
"2012" is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
""Run Jedi run! You have only prolonged the inevitable."" All five 12-minute chapters of Volume 2 are included in this release chronicling Anakin's rise to Jedi Knight; as well as General Grievous' daring attack against the Republic capital leading directly into the events of Star Wars: Episode III Revenge of the Sith. As the Republic desperately fights back against the Separatist forces Anakin Skywalker is promoted to the status of Jedi Knight forgoing the
David Lightman (Matthew Broderick) is a young computer whizz who hacks into what he believes is a new line of video games, little knowing that it is in fact NORAD, America's defence program. He inadvertently creates a hostile global situation, placing the world on the brink of nuclear war. Together with his girlfriend Jennifer (Ally Sheedy) and a misanthropic computer expert (John Wood), David must fight to prevent an atomic meltdown.
British intelligence officer Richard Burton poses as a high-ranking Nazi who leads a ragtag group of POWs on an impossible mission in this exciting World War II desert adventure. Based on the real life battle of Tobruk this action-crammed drama has Burton and his 'army' battling Nazi Panzer Divisions destroying fuel dumps and making a suicidal assault on Rommel's infamous gun emplacement that has the potential to destroy the British fleet...
A young girl's love for a tiny puppy named Clifford makes the dog grow to an enormous size.
Strap on your pantaloons and prepare to travel with Jim Hawkins and Blind Pew to one of the most famous fictional islands in history, Treasure Island. Walt Disney's 1950 adaptation of Robert Louis Stevenson's swashbuckling masterpiece has held up extremely well, with action and characterisations that feel freshly minted (although it's unlikely that the Mouse of today would sanction the high level of booze flowing throughout the picture). Great fun, with nary a wasted frame and, in the character of Robert Newton's much-imitated Long John, one of cinema's most boisterously crowd-pleasing villains ever. (Proving that you can't keep a good--er, bad man down, Newton would return with director Byron Haskins for the enjoyable sequel, Long John Silver.) Watching this classic is like having a flashback to some perfect Technicolor childhood. --Andrew Wright
A warm, funny, feel-good series about a family's adventures on a gorgeous Greek island when they uproot from their English home in the hope of a better life. Based on Gerald Durrell's much-loved Corfu trilogy of novels, The Durrells sees impoverished but sparky widow Louisa Durrell make the radical decision to seek out a new destiny for her family when her options in late 1930s England seem to be limited to struggling on or marrying a wealthy but dreary older man. Concerned that the lives of her four ˜children', ranging in age from 11 to 21, are heading down the wrong track, she relocates her reluctant brood to a dilapidated house in the Greek sun. This beautifully-shot series follows the family as they adjust to their new life, face a whole new set of challenges and meet new friends, rivals, lovers and animals.
Dutiful cavalry officer Nathan Brittles (John Wayne) is reluctant to retire in the face of an imminent Native American uprising. His last official task is to escort the commander's wife and her niece to the Sudrow's Wells stagecoach stop but it proves to be a journey fraught with danger. This film the second in John Ford's cavalry trilogy is a masterpiece of the cinema and is acclaimed as one of the greatest Westerns ever made.
Based on the best-selling anthologies of Victorian and Edwardian detective fi ction, The Rivals of Sherlock Holmes features the world-famous consulting detective's fictional rivals in the fog-shrouded crime capital of London. Set in the three decades before the Great War, each story dealt with an individual and perplexing case (and a different detective). This top-flight, BAFTA-winning series attracted an incredible array of talent, including John Neville, Robert Stephens, Peter Vaughan, Roy Dotrice, Donald Pleasence, Ronald Hines, Peter Barkworth and Donald Sinden. This set contains the 13 high quality episodes that made up the complete first series
Matthew Broderick (Ferris Bueller’s Day Off ) and Ally Sheedy (The Breakfast Club) star in this compelling drama filled with action, suspense and high-tech adventures! Featuring superb performances by Dabney Coleman and Barry Corbin, WarGames is brilliant...funny...and provocative (New York) - a fast-paced cyber-thriller. Computer hacker David Lightman (Broderick) can bypass the most advanced security systems, break the most intricate secret codes and master even the most difficult computer games. But when he unwittingly taps into the Defence Department's war computer, he initiates a confrontation of global proportions - World War III! Together with his girlfriend (Sheedy) and a wizardly computer genius, David must race against time to outwit his opponent...and prevent a nuclear Armageddon.
All ten episodes of the award-winning mini-series based on the real-life experiences of American paratroopers who fought in Europe during the Second World War. From their training in Camp Toccoa, Georgia, through their landing in Normandy as part of the D-Day offensive, their participation in the Battle of the Bulge, and all the way up to the final surrender of the German forces, the series follows the adventures of Easy Company, a unit noted for its skill and bravery, but which also suffered a high number of casualties in its journey across Europe. Each episode also features excerpts from actual interviews with surviving members of the company.
Bernardo Bertolucci does the nearly impossible with this sweeping, grand epic that tells a very personal tale. The story is a dramatic history of Pu Yi, the last of the emperors of China. It follows his life from its elite beginnings in the Forbidden City, where he was crowned at age three and worshipped by half a billion people. He was later forced to abdicate and, unable to fend for himself in the outside world, became a dissolute and exploited shell of a man. He died in obscurity, living as a peasant in the People's Republic. We never really warm up to John Lone in the title role, but The Last Emperor focuses more on visuals than characterisation anyway. Filmed in the Forbidden City, it is spectacularly beautiful, filling the screen with saturated colours and exquisite detail. It won nine Academy Awards, including Best Picture and Best Director. --Rochelle O'Gorman
After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker
The UV copy is only available in the UK and Ireland. The Mechanic thought he'd escaped his former deadly life and disappeared. But now somebody's found him, and kidnapped the woman he loves. Neither one of them will get out alive unless he completes a diabolical list of assassinations of the most dangerous men in the world. Mechanic 2: Resurrection, starring Jason Statham, Jessica Alba, Tommy Lee Jones and Michelle Yeoh.
After a slow beginning, in which the complex tangle of relationships is initially confusing, this BBC adaptation of Jane Austen's last novel, Persuasion, develops into an elegant romantic comedy. Austin combines a subtle dissection of the folly of class with a slow-burning, intensely passionate love story. Anne Elliot (Amanda Root) has loved Captain Wentworth (Ciaran Hinds) ever since she was persuaded to reject him years before. Now he has returned from the Napoleonic wars, but will love be allowed to blossom? Especially when Anne is surrounded by the selfish, petty-minded Mary, misguided by Lady Russell, and burdened by a father obsessed with fairness of countenance above all other considerations. Excepting a basic booklet, on-screen character biographies and a Dolby Digital soundtrack, there is nothing to distinguish this DVD from the video version. The picture is very good, but showing some grain, not exceptional, so unless you have a large television there is little advantage over tape. In any format, what makes this adaptation work is the sharp screenplay by Nick Dear and the naturalistic style of director Roger Mitchell (who joined the A-list with Notting Hill, 1999), together eliciting fine performances from the ensemble cast. Less flamboyant than Pride and Prejudice (1995), this is a civilised treat. --Gary S Dalkin
John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner. Written by John Lee Mahin and Martin Rackin this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war and a powerful action-packed drama. Based on an actual Civil War incident The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who force their way deep into Sou
First screened on BBC2 in 1978, at a time when the standing of The Beatles was at its lowest, The Rutles--All You Need is Cash is the original and (pace This is Spinal Tap) best "rockumentary" spoof. Codirector Eric Idle was then enjoying success with Rutland Weekend Television, while his script displays the same feeling for the inane non-sequitur evident in his Monty Python work. The band's progress from "penniless, untalented nobodies" to "rich, untalented somebodies" is vividly brought to life--with dialogue adapted from actual Beatles interviews and newsreels, and a roster of songs sounding uncannily close to Beatles originals thanks to "Nasty" Neil Innes' genius for pastiche. Interviews with a suitably primed Mick Jagger and Paul Simon give added realism, as do cameos from George Harrison (one-time Beach Boy Rikki Fataar plays his Rutles double Stig) and Stones guitarist Ron Wood. Dan Ackroyd and John Belushi make characterful, pre-Blues Brothers appearances. On the DVD: The Rutles--All You Need is Cash has come up well in this DVD transfer. The fullscreen 4:3 ratio picture and mono sound wear their age well, enhanced by the extra scenes included. There's further interview material with Jagger and Simon, and a specially recorded, though wholly unfunny, DVD introduction from Idle, who also contributes a running commentary. All in all, this is an ideal way to get to know, or renew acquaintance with, a film that brings the swinging 60s back down to earth. --Richard Whitehouse
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Written and produced by John Hughes this madcap slapstick adventure features an all-star supporting cast including Catherine O'Hara and John Heard as Kevin's parents Joe Pesci and Daniel Stem as the burglars and John Candy as the Polka King of the Midwest.
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