On the streets of Paris, Rosa la rose' (Marianne Basler, Va savoir) is the belle of Les Halles. With no shortage of clients, she is beloved by her fellow working girls and spoiled by her pimp Gilbert (Jean Sorel, Belle de Jour). For her, this is a charmed life - that is until her 20th birthday arrives. Across the floor, she locks eyes with Julien (Pierre Cosso, An American Werewolf in Paris), a blue-collar worker who sees something deeper beyond her fun-loving façade. Almost Shakespearean in its execution, Paul Vecchiali's underseen drama explores class consciousness and female sexuality with startling precision. Anchored by a magnetic central performance from the then 20-year-old Marianne Basler, Rosa la rose, fille publique is a true hidden gem.LIMITED EDITION BLU-RAY SPECIAL FEATURES2K restoration approved by Paul VecchialiUncompressed mono PCM audioInterview with critic David Jenkins (2025)Archival interview with director Paul Vecchiali (1985)Archival interview with actors Marianne Basler and Jean Sorel (1985)Newly improved English subtitle translationReversible sleeve featuring designs based on original promotional materialsLimited edition booklet featuring archival and new writing by Marina AshiotiLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Celebrated directors from around the world have come together to portray Paris in a way never before imagined.
For the past thirty years, Dr. Jean-Pierre Werner has been working as a general practitioner in the countryside, far away from any other medical facility. When he finds out that he suffers from a serious illness, Werner is left with no choice but to find a replacement, although he considers himself irreplaceable French box-office star François Cluzet (Untouchable) headlines this engaging and compelling drama that takes a realistic look at rural medicine.
A Fistful Of Dollars: - Languages: English (Dolby Digital Mono) ; Subtitles: English Clint Eastwood's stunning Spaghetti Western debut. When the Man With No Name rides into town the rival gangs of the Baxters and the Rojos soon find themselves fighting each other. As the lean cold-eyed cobra-quick gunfighter Clint became the first of the Western's anti-herores. The cynical enigmatic loner with a clouded past is the same character Eastwood fans have been savouring ever since. 'A Fistful Of Dollars' is the western taken to the extreme - with unremitting violence gritty realism and tongue-in-cheek humour. Leone's direction is taut and stylish and the visuals are striking - from the breathtaking panoramas (in Spain) to the extreme close-ups of quivering lips and darting eyes before the shoot-out begins. And all are accentuated by renowned composer Ennio Morricone's quirky haunting score. For A Few Dollars More - Languages: English and French (Dolby Digital Mono) ; Subtitles: English Dutch French Clint Eastwood had proven so successful in his first foray into European Westerns with 'A Fistful Of Dollars' that a follow up sequel was inevitable. Superbly scripted by Luciano Vincenzoni featuring an unforgettable alliance between ruthless gun-slingers to track down the notorious bandit El Indio played by Gian Maria Volonte. The film is also noted for its array of weaponry a veritable arsenal of rifles that became so startingly influential in future westerns. Sergio Leone's direction is both violent and operatic and Ennio Morricone's atmospheric score keeps the tension taut as the action moves from jail breaks and hold ups to spectacular gun battles. The Good The Bad And The Ugly - Languages: English (Dolby Digital Mono) ; Subtitles: English Dutch By far the most ambitious unflinchingly graphic and stylistically influential western ever attempted 'The Good the Bad and the Ugly' is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns for a final appearance as the invincible Man With No Name this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of 0 000 - and letting no one not even warring factions in a civil war stand in their way. From sun-drenched panoramas to bold hard closeups exceptional camera work captures the beauty and cruelty of the barren landscape and the hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before and has never been matched since 'The Good the Bad and the Ugly' shatters the western in true Clint Eastwood style. The complex plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of WW1 to end in a climactic Dance of Death. Arguably the quintessential Italian Western this 1966 film boasts a fine Ennio Morricone score featuring a main theme that reached No.1 in the world's pop charts.
Step into the weird and wonderful world of Peter Strickland with this comprehensive, limited edition, 6 blu-ray disc collection boasting his complete feature filmography to date: Berberian Sound Studio, The Duke of Burgundy, In Fabric, Flux Gourmet, and Strickland's debut film, Katalin Varga, available on Blu-ray for the first time. Also included are more than a dozen short films spanning over 30 years of Strickland's filmmaking career, from his first forays into music videos to a brand-new short film exclusive to this collection. Many of these included shorts have never been seen before, and are newly restored, accompanied by a diary-like exploration featured in the editorial booklet, written by the director himself. Feature FilmsKatalin Varga (2009) Berberian Sound Studio (2012) The Duke of Burgundy (2014)In Fabric (2018) Flux Gourmet (2022)
It has not taken long for Without a Trace to emerge from the shadows of CSI and become a ratings force in its own right. Jerry Bruckheimer produced both series, and both feature the-face-is-familiar character actors with extensive and diverse resumes who have been catapulted to primetime stardom. Jack Malone, head of a crack FBI missing persons unit, is the Australian-born Anthony LaPaglia's breakout role after years of portraying enough Italian mobsters and criminals to populate a season of The Sopranos. LaPaglia was a surprise Golden Globe Award-winner for this inaugural season. Without a Trace is instantly arresting. "The clock is ticking" in each episode, as Malone and company race against time to find a missing person. "After 48 hours," Malone explains to the rookie member of the team in the series pilot, "they're gone." To solve each baffling case, Malone and fellow agents Samantha Spade (Poppy Montgomery), Vivian Johnson (Marianne Jean-Baptiste of Secrets and Lies), Danny Taylor (Enrique Murciano), and new guy Martin Fitzgerald (Eric Close), must work from the inside out. "Once we find out who she is," Malone says of one victim, "odds are we'll find out where she is." Among the inaugural season's most wrenching episodes are "Between the Cracks" and "Hang On to Me," both featuring Charles Dutton in his Emmy Award-winning performance as a father whose son has been missing for five years. The powerful season finale, "Fallout," presented in this four-disc set in a "creator's cut," concerns a man who lost his wife in the 9/11 attacks. The riveting episodes mostly stand alone, but some cases do return to haunt Malone, as witness "In Extremis," a case that ends tragically and leads to an internal investigation that threatens to subvert the close-knit unit in the episode. "Are You Now or Have You Ever Been?" Sharp writing, authentic procedurals, taut direction, and effective use of music make Without a Tracea series worth finding on DVD. --Donald Liebenson
Disenchanted adrenaline junkies Billy (Law) and his girlfriend Jo (Frost) discover their latest thrill: steal expensive cars and ram-raid them into shop windows. However as time passes the rush fades with Jo wanting out of their hectic lifestyle. With newcomer Tommy (Pertwee) on the scene Billy is pushed into taking on ever riskier targets which could spell the end of all... Featuring a hot British cast and some of the best car chases ever filmed in the UK Paul W.S. Anderson
Various owners of a cursed dress pass it from person to person as it destroys their lives. A haunting film by acclaimed director Peter Strickland (Katalin Varga; Berberian Sound Studio; The Duke of Burgundy). Starring Gwendoline Christie and Marianne Jean-Baptiste.
The Man with no Name Trilogy A Fistful of DollarsFor a Few Dollars MoreWhen two rival bounty hunters (Oscar Winner Clint Eastwood and Lee Van Cleef) learn they're both after the same murderous bandit they join forces in hopes of bringing him to justice. But all is not as it seems in the hard-hitting second installment of Sergio Leone's trilogy starring Eastwood as the famed Man With No Name. Special Features: The Christopher Frayling Archives: For a few Dollars More Feature Commentary by Noted Film Historian - Sir Christopher Frayling A New Standard (Frayling on For a Few Dollars More) Back for More (Clint Eastwood remembers For a Few Dollars More) Tre Voci: For a few Dollars More For a Few Dollars More: The Original American Release Version Location Comparisons 12 Radio spots Original Theatrical Trailer The Good the Bad and the Ugly
Sullivan Stapleton and Jaimie Alexander star in this one-hour action thriller from Berlanti Productions (The Flash, Arrow) and writer/executive producer Martin Gero. Stapleton stars as hardened FBI agent Kurt Weller, who is drawn into a complex conspiracy when a mysterious woman, with no memories of her past, is found in Times Square her body completely covered in intricate cryptic tattoos. As Weller and his teammates at the FBI -- Edgar Reade, Tasha Zapata and the tech-savvy Patterson -- begin to investigate the veritable road map of Jane Doe's tattoos, they are drawn into a high-stakes underworld that twists and turns through a labyrinth of secrets and revelations -- with the information exposing a larger conspiracy of crime, while bringing her closer to discovering the truth about her identity.
This is the movie that launched the spaghetti Western and catapulted Clint Eastwood to stardom. Before director Sergio Leone picked him out, Clint had played only a few bit parts in features plus his role as Rowdy Yates in the TV Western series Rawhide. Leone cast him for his stillness and physical presence, famously remarking that when Michelangelo was asked what he had seen in a particular block of marble, he said Moses, but that what he, Leone, saw in Eastwood was just that, a block of marble. Leone also claimed that it was he who gave the character his trademark cigar and poncho, though Eastwood has said he brought his own wardrobe to Italy. Whoever takes credit, A Fistful of Dollars (Per un pugno di dollari in Italian) was an extraordinary success when launched in Italy in 1964. Eastwood had to wait longer for it to be a hit in the USA. The film was based on Kurosawa's 1961 samurai picture Yojimbo, but Leone had forgotten to clear the copyright. Eventually a deal was done, but A Fistful of Dollars was not released in the USA until 1967. It scored an equally resounding success, as did its sequels in the Dollar Trilogy, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character, laconic, amoral, dangerous, as The Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the film's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children (women are virtually absent from the Trilogy). Instead it's every man for himself. Striking too was a new emphasis on violence, with stylised, almost balletic gunfights and baroque touches such as Eastwood's armoured breastplate. The popularity of the Dollars films had a marked influence on the Hollywood Western, for example Sam Peckinpah's The Wild Bunch, but its most enduring legacy is Clint Eastwood himself, still in action at the age of 70. --Edward Buscombe
Between the dystopian paranoia of The Night of the Hunted and the visceral excesses of The Living Dead Girl, director Jean Rollin takes a surreal detour into the Parisian demi-monde with The Escapees (Les Echappées, also known as Les Paumées du petit matin). When two young women, the wayward Michelle (Laurence Dubas) and the withdrawn Marie (Christiane Coppé), escape from an asylum, they find themselves drifting through a nightmarish world of burlesque troupes, lascivious sailors, and hardened criminals. After a violent confrontation, the police close in... With its supporting cast of key collaborators, including actors Brigitte Lahaie (Fascination), Louise Dhor (Requiem for a Vampire), Bernard Papineau (The Night of the Hunted), Jean-Loup Philippe (Lips of Blood), Natalie Perry (The Nude Vampire) and composer Philippe D'Aram (Two Orphan Vampires), The Escapees is at once atypical, yet unmistakeably Rollin. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES New 4K restoration from the original negative by Powerhouse Films Two presentations of the film: Les Ãchappées, Jean Rollin's original version; and Les Paumées du petit matin, the alternative version with re-ordered scenes Original mono audio Audio commentary with film expert Tim Lucas (2024) One Day in Paris (2008): far-reaching interview with Rollin in which he discusses The Escapees and his other films Quant à Louise (2024): regular Rollin collaborators Natalie Perrey and Jean-Pierre Bouyxou remember actress Louise Dhour Previously unseen interview with actor Jean-Loup Phillipe (2024) Critical appreciation by author and musician Stephen Thrower (2024) Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles Limited edition exclusive 80-page book with a new essay by Lucas Balbo, archival writing on the film by Jean Rollin, an archival interview with the director, an archival interview with composer Philippe D'Aram, a tribute to Rollin by fantastique cinema expert Nicolas Stanzick, and full film credits Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US
Carl Scaffner (Steiger) is on the run from Scotland Yard after stealing a massive fortune and fleeing to Mexico. However his fugitive lifestyle is under threat from his his love for a faithful dog... Based on a novel by Graham Greene.
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
Made In USA
Revered misunderstood and oft-discussed Stephen Weeks' rarely seen 1974 dreamlike chiller is the absolute definition of a cult British Horror film. Set in 1920's England it tells of three former public schoolmates Larry Dann (The Bill) Murray Melvin (The Devils) and the enigmatic Vivian Mackerrell (the inspiration for Bruce Robinson' s creation 'Withnail' seen here in his only major screen role) who reunite in a country mansion haunted by the spirit of insane former resident Marianne Faithfull (Girl On A Motorcycle). The haunting transports them to a surreal world of demonic dolls sadistic doctors incest and murder. Hammer fans will see Barbara Shelley (Dracula Prince Of Darkness) and Leigh Lawson (Hammer House Of Horror) among the cast 'cult TV' enthusiasts will recognise Anthony Bate (Tinker Tailor Soldier Spy Beasts) and sitcom lovers will enjoy a cameo from Penelope Keith (The Good Life To The Manor Born).
Advertising golden boy Andrew Quint (Oliver Reed) is fed up with his fabulously successful life and decides to quits his high-fl ying job in order to return to writing for a small, literary magazine. To completely leave his former life behind, he even goes as far as saying good-bye to both his wife and mistresses! But Andrew fi nds, however, that it's not so easy to escape his past... Co-stars Orson Welles, Wendy Craig, Marianne Faithfull, Frank Finlay and Harry Andrews.
They just don't make musicals like this any more. There are some who would be grateful for that--the plot is but a flimsy excuse to string together song and dance numbers. Some of us, however, love big, splashy, overdone musical scenes, of which there are many. Glittering stage numbers showcase a commanding Barbra Streisand as Dolly Levy, a New York matchmaker who can find a mate for anyone. Anyone but herself, that is. Determined to marry wealthy Walter Matthau, she lures him out of Yonkers and sets about wooing him. Don't worry about the lack of a solid story or Gene Kelly's pedestrian direction. Watch instead for the musical numbers and the lavish costumes. Listen to Jerry Herman's score, and dance around the living room when a sequined Streisand arrives in a club as Louis Armstrong strikes up the title tune for her benefit. (Just pull the shades first.) Based on Thornton Wilder's play The Matchmaker, Hello, Dolly! won Academy Awards for best sound, art direction, and musical score. --Rochelle O'Gorman
Glittering stage numbers showcase a commanding Barbra Streisand as Dolly Levy a New York matchmaker who can find a mate for anyone. Anyone but herself that is. Determined to marry wealthy Walter Matthau she lures him out of Yonkers and sets about wooing him.
Various owners of a cursed dress pass it from person to person as it destroys their lives. A haunting film by acclaimed director Peter Strickland (Katalin Varga; Berberian Sound Studio; The Duke of Burgundy). Starring Gwendoline Christie and Marianne Jean-Baptiste.
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