As Guillermo Del Toro films go The Devils Backbone is a defining moment in his career, breaching the gap between International Art House and mainstream Hollywood success, it being his last film before Blade 2. Based within an orphanage during the Spanish Civil War of the 1930s, the film is driven by its characters and, just like his previous films (Cronos and Mimic), it draws on the supernatural to outline and re-define exactly what it is that drives them. Although Del Toro insists that this is not a film about the Civil War, by trapping and threatening its inhabitants the orphanage inevitably becomes a mirror for the events outside. These four walls become a place of protection for boys who have been orphaned during the war, a place for them to lead a relatively normal existence full of school life, bullying and adventure. Their main source of the latter being Santi, a young ghost who haunts the halls looking for revenge for his recent murder. Yet the pivotal character who evokes real fear in the children is not the spirit, but the greedy, selfish Jacinto (Eduardo Noriega), a former orphan, whose experiences have left him with deep emotional scars. With a strong cast and even stronger imagery (created by cinematographer Guillermo Navarro) Del Toro whips up a hauntingly effective film about love, life and the afterlife. On the DVD: entering the extras literally through the keyhole, there are several opportunities to obtain a deeper understanding of this disturbing film. A "Behind the Scenes" featurette includes the casts own character profiles and interpretation of the story, as well as Del Toro explaining his thoughts about the film and how he achieved some shots. Two of the sequences"Aerial Bombardment" and "The Ghost"--can be seen in further technical detail, with film footage and computer animation combined to make a whole scene. A selection of storyboards can also be viewed which run alongside the soundtrack to the scene, with the option to intercut between storyboard and finished film. A theatrical trailer, a picture gallery and written biographies are standard. The film and additional features are in Spanish with English subtitles and menu. With Dolby 5:1 sound and a widescreen picture, the film not only looks and sounds, but also feels fantastically chilling. --Nikki Disney
Scott (Pete Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister (Maude Apatow) heads off to college, Scott is still living with his exhausted ER nurse mother (Marisa Tomei) and spends his days smoking weed, hanging with the guysOscar (Ricky Velez), Igor (Moises Arias) and Richie (Lou Wilson)and secretly hooking up with his childhood friend Kelsey (Bel Powley). But when his mother starts dating a loudmouth firefighter named Ray (Bill Burr), it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life. Bonus Features Feature Commentary with Director/ Co-Writer Judd Apatow and Actor/Co-Writer Pete Davidson Alternate Endings (Which Didn't Work!) Deleted Scenes Gag Reel
A celebration of the most iconic - and much missed - homegrown star of the 21st century, BACK TO BLACK tells the extraordinary tale of Amy Winehouse. Painting a vivid, vibrant picture of the Camden streets she called home and capturing the struggles of global fame, BACK TO BLACK honours Amy's artistry, wit, and honesty, as well as trying to understand her demons. An unflinching look at the modern celebrity machine and a powerful tribute to a once-in-a-generation talent.
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
Superb 1957 film noir starring Tony Curtis. When catholic priest, Father Tomasino is brutally stabbed to death in an alleyway, San Francisco traffic cop, Joe Martini (Tony Curtis), vows to help catch his murderer because the priest had been like a father to him. But when the homicide detective in charge of the case, Lieutenant Kilrain (Ted de Corsia), refuses to let him interfere on their turf, Martini turns in his badge in order to hunt down the killer on his own...
!Having opposite personalities yet sharing odd similarities, Kyouko Hori and Izumi Miyamura quickly become friends and often spend time together in Hori's home. As they both emerge from their shells, they share with each other a side of themselves concealed from the outside world.
An off-the-wall comedy about the antics of a group of US highway patrolmen and their rivalry with the local cops.
The most unlikely pair ever to take on the mob! You'll be rolling in the aisles! Because the law has been unable to rid Miami of the gamblers and bookmakers infesting the city under the leadership of dodgy Parapolis the Greek. The man in charge Admiral O'Connor declares war using Lieutenant Johnny (oh so honest) Firpo (Terence Hill) as his major weapon. Gifted both physically and mentally Johnny has a half brother Charlie (Bud Spencer) formely a brawny gambler working
James Spader is an FBI agent taunted by serial killer Keanu Reeves, a man who sends his adversary a photo of each victim before he kills them, daring his adversary to catch him.
1970s Italian crime thriller. The film follows four psychotic criminals, led by the mad Nanni Vitale (Helmut Berger), as they break out of prison and embark upon a wild spree of robbery and murder while dedicated Commissioner Giuilo Santini (Richard Harrison) tries to put a stop to their sadistic crusade.
Mick Haller (MATTHEW MCCONAUGHEY) is the titular Los Angeles criminal defence attorney who operates solely out of the back of his Lincoln Towncar.
A reinvention of Michael Caine's 1960s classic starring Jude Law as a lothario forced to rethink his carefree lifestyle.
The most celebrated Spanish filmmaker since Luis Buñuel, director, screenwriter, composer and actor Pedro Almodóvar was born in Calzada de Calatrava, La Mancha, in 1951. Aged sixteen, Almodóvar moved to Madrid and purchased his first movie camera and became familiar with what would later drive his formative films: the dramas and miseries of the Spanish middle classes at the beginning of the age of consumerism. The films in this box set include, Dark Habits (1983), What Have I Done to Deserve This? (1984) Law of Desire (1987) and Women on the Verge of a Nervous Breakdown (1988). As well as sealing the collaborations that Almodóvar had made with the actors he met from his days in an independent theatre group (including Carmen Maura), the films from this period also display his acute visual style and recurring thematic obsessions including sexual violence, female masochism and addiction. It was this epoch that also bought the first of numerous Academy Award® nominations for Women on the Verge. Kika (1993) and The Flower of My Secret (1995) continue the director's fascination with strong female protagonists, transgression, pain and regeneration. This stunning collection is a must-have for all fans of Almodóvar - each film has been beautifully restored - showcasing the work of one of the world's most celebrated filmmaker. EXTRAS: DISC 1 DARK HABITS Around Dark Habits Introduction by José Arroyo DISC 2 WHAT HAVE I DONE TO DESERVE THIS? Around What Have I Done to Deserve This? Introduction by José Arroyo Trailer DISC 3 LAW OF DESIRE Around Law of Desire Introduction by José Arroyo Trailer DISC 4 WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN Around Women on the Verge of a Nervous Breakdown Introduction by José Arroyo DISC 5 KIKA Around Kika Introduction by José Arroyo Pedro Almodóvar interview Cast and crew interviews The Characters The Music Trailer DISC 6 THE FLOWER OF MY SECRET Around The Flower of My Secret Introduction by José Arroyo Pedro Almodóvar interview Cast and crew interviews Trailer
Spider-Man: Homecoming A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging superhero. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey Jr.). Peter tries to fall back into his normal daily routine distracted by thoughts of proving himself to be more than just your friendly neighbourhood Spider-Man but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Spider-Man: Into The Spider-Verse Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a ground-breaking visual style that's the first of its kind. The Academy Award(r) Winner for Best Animated Feature Film, SPIDER-MAN: INTO THE SPIDER-VERSE introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask. Spider-Man: Far From Home Following the events of Avengers: Endgame, Peter Parker (Tom Holland) returns in Spider-Man: Far From Home. Our friendly neighbourhood Superhero decides to join his best friends Ned, MJ, and the rest of the gang on a European vacation. However, Peter's plan to leave super heroics behind for a few weeks is quickly scrapped when he begrudgingly agrees to help Nick Fury (Samuel L. Jackson) uncover the mystery of several elemental creature attacks. Spider-Man and Mysterio (Jake Gyllenhaal) join forces to fight the havoc unleashed across the continent but all is not as it seems.
The SitterThe Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry CyrusMumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher calibre of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret Fetzer
Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
What would happen if you ate nothing but fast food for an entire month? Filmmaker Morgan Spurlock finds out by pushing himself to the the limit with a 30-day drive-through diet.
Cinema's enfant terrible Ken Russell's debut feature is an exuberant farce that has become a cult classic since its theatrical release fifty years ago. Featuring early lead roles for James Booth and Roy Kinnear and with script input from Johnny Speight this much sought-after comedy gem is made available here for the first time in a brand-new transfer from the original film elements. Gormleigh-on-Sea is the sort of typical boring English seaside resort where the landladies lock away the jam at 5 o'clock and there's little do except carve your initials on the bus shelters. Then deck-chair attendant Jim has a brain-wave – persuading the Mayor to host a film festival and import a French movie siren. It's not long before the mayors of Gormleigh's rival towns look on with jealous eyes and scheming minds… Special Features: Original theatrical trailer Image gallery Promotional material PDFs
Stephen Dillane is British journalist Michael Henderson who decides to risk everything to help the innocent people of a besieged city. With support from the flamboyant 'star' American journalist Flynn (Woody Harrelson) and an aid worker Nina (Tomei) Henderson embarks on a perilous and terrifying journey to evacuate the city's orphan children to safety. The film is inspired by the true story of ITN news journalist Michael Nicholson who after months of reporting on the siege of Sarajevo smuggled a child out of the war torn city and later adopted her. The film is much more than the story of one man's personal act of compassion it is a harrowing and moving tribute to a city that refused to give in.
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