Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
Artie (Billy Crystal) and Diane (Bette Midler) realise that they're the "other grandparents"--the ones their three grandkids barely know and dread seeing. So when they have a chance to take care of Harper (Bailee Madison), Turner (Joshua Rush), and Barker (Kyle Harrison Breitkopf), Diane jumps at it, dragging a reluctant Artie along. Naturally, their old-school approach to parenting clashes with the anxious, helicopter-parenting of their daughter Alice (Marisa Tomei) and her husband Phil (Tom Everett Scott). Which will win out? There's really no suspense--contemporary parenting is an easy target and every time Artie complains about how the kids are indulged, random strangers applaud him. However, as Artie's parenting technique yoyos between threats and bribery, movie audiences may find themselves on Alice's side. Parental Guidance is a flimsy movie built around cartoonish kids with cliché problems and jokes about poop and getting hit in the crotch. The plot eventually gets stuck in a mire of nostalgia and vanity (did Midler really have to have a musical number?). But along the way there are moments between kids and grandparents--and between parents and grandparents--that are genuinely sweet. Midler is just coasting through this, but Crystal, who remains a talented and charismatic actor, puts his heart into it. --Bret Fetzer
Club Dread (Dir. Jay Chandrasekhar 2004): When a serial killer interrupts the fun at the swanky Coconut Pete's Coconut Beach Resort a hedonistic island paradise for swingers - it's up to the club's staff to stop the violence. If not at least hide it! Super Troopers (Dir. Jay Chandrasekhar 2002): Captain O'Hagen tries in vain to control the imaginations and hormones of his bumbling team of five Vermont Highway Patrolmen. But when the opportunity to solve a real crime rolls their way the formerly inept Super Troopers pounce into action to become highway heroes. Freddy Got Fingered (Dir. Tom Green 2001): Outrageous MTV star Tom Green blows away the boundaries of good taste again - violating so many sacred cows (not to mention horses elephants and deers) it makes 'Freddy Got Fingered' a must-see comedy. Anything goes when wannabe animator Gord Brody leaves the safety of his parents' basement to make it big in Hollywood and meet the paraplegic nymphomaniac of his dreams. With lots of hilarious scenes - and so many reasons to be offended - it's no wonder people can't stop talking about 'Freddy Got Fingered'.
A true high point in 70s Italian thriller cinema this inspired remake of Hitchcocks Strangers on a Train from director Maurizio Lucidi is able to push the concept of the original movie into something far more unbearably tense and deliciously twisted. Stefano (Thomas Milian; Traffic Amistad JFK) needs to sort out his troublesome wife who is seriously cramping his future plans. A chance meeting with a wealthy Count Matteo (Pierre Clemente) leads to an extraordinary plan where both will do each other a murderous favour to free them from the people who ail them. The problem is Stefano treats this as a joke whilst Matteo is deadly serious and what he does drives Stefano to the edge of sanity in a gripping race against time! Shot in a mist-wreathed eerily beautiful Venice this near dream-like melding of thriller with baroque giallo overtones has remained until now a criminally hidden psychological gem.
Once upon a time screenwriter Keith Michaels (Hugh Grant) was on top of the world - a Golden Globe Award and a hit movie to his name a beautiful wife and son and a seemingly inexhaustible supply of sexy British wit and charm. But that was fifteen years ago: now he's divorced approaching fifty hasn't written a hit film in years and is going broke. Luckily his agent has a gig for him - albeit far away from Hollywood. A university in upstate New York is looking for a writer-in-residence to teach a course on screenwriting and with an empty wallet as his motivation Keith can't say no. In bucolic Binghamton he quickly discovers that his celebrity status hasn't faded and he finds himself in a compromising position with a star-struck pupil Karen (Bella Heathcote) who is enrolled in his class and his other students seem naïve and simple. Hoping to give minimal attention to his duties and focus on writing a new script Keith inadvertently gets off on the wrong foot with a ranking faculty member (Allison Janney) a humourless Jane Austen scholar; though he does quickly befriend two eccentric faculty colleagues who promise to show him the ropes (Chris Elliott J.K. Simmons). Keith's attitude begins to turn when he meets Holly (Marisa Tomei) a single mom working two jobs to earn her bachelor's degree. Though Holly has a new boyfriend - and Keith isn't very savvy about covering up his romance with Karen - the two find themselves connected by their mutual need for a second chance. When one of his pupils comes up with a screenplay that Keith knows will sell he sees an opportunity to get out of teaching and go back to living the good life. But he's also discovered that teaching has given him that second chance at becoming a better man - and finds himself equally tempted to stay and see where his new talents take him.
The suave psychedelic-era thief called Diabolik (John Philip Law) can't get enough of life's good - or glittery - things. Not when there are currency shipments to steal from under the noses of snooty government officials and priceless jewels to lift from the boudoirs of the superrich. The elusive scoundrel finds plenty of ways to live up to his name in this tongue-in-cheek live-action caper inspired by Europe's popular Diabolik comics. He clambers up walls zaps a press conference w
A male Parisian driving school owner who complains of feeling run down goes to see his doctor and is pronounced four months pregnant... A delightful French farce from Jacques Demy starring the luminescent Catherine Deneuve.
When Harry Met Sally: Brimming over with style intelligence and flashing wit this splendid irresistible film from director Rob Reiner is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan Billy Crystal Carrie Fisher and Bruno Kirby exceptional music from Harry Connick Jr. and an Oscar-nominated screenplay by Nora Ephron When Harry Met Sally is an explosively funny commentary on friendships courtship - and other hardships - of the modern age. Will sex ruin a perfect relationship between a man and a woman? That's what Harry (Crystal) and Sally (Ryan) debate during their trip from Chicago to New York. And eleven years later they're sill no closer to finding the answer. Will these two best friends ever accept that they're meant for each other... or will they continue to deny the attraction that's existed since the first moment when Harry met Sally? Moonstruck: Fall under the delightful spell of Moonstruck the mesmerising romantic comedy from director Norman Jewison and Oscar Winner John Patrick Shanley Academy Award winners Cher Nicolas Cage and Olympia Dukakis excel in this explosively funny tale which also features flawless performances by Danny Aiello Vincent Gardenia and John Mahoney. Cher is devastatingly funny sinuous and beautiful as Loretta an unlucky-in-love Italian widow who finds romance through the intervention of the Manhattan moon. With her wedding to a close friend just weeks away she meets - and falls hopelessly in love with - his younger brother (Cage)! Her dilemma - and her equally passionate and hilariously eccentric family - make for an unforgettable film you'll find beguiling enchanting and irresistible. Untamed Heart: Marisa Tomei and Christian Slater deliver brilliant performances in this touchingly honest and beautifully crafted modern-day romance. Co-starring Rosie Perez (White Men Can't Jump) who leads her own unique brand of energy and talent. Tomei portrays Caroline a diner waitress who is consistently (and miserably) unlucky in love. Slater is Adam the diner's reclusive busboy who harbors a secret crush on Caroline yet is too shy to speak to her. But all that changes one cold night when Caroline finds herself in a life-threatening situation on her walk home and Adam appears out of the shadows to rescue her. Intrigued by her unlikely knight in shining armor Caroline tenderly breaks through to his lonely world. Together the two forge a bond of trust and understanding that ultimately blossoms into one of cinema's most unforgettable love stories.
1970s Italian crime thriller. The film follows four psychotic criminals, led by the mad Nanni Vitale (Helmut Berger), as they break out of prison and embark upon a wild spree of robbery and murder while dedicated Commissioner Giuilo Santini (Richard Harrison) tries to put a stop to their sadistic crusade.
A young pathology med student suspects that the spirit of a dead cadaver in the hospital morgue where she works is killing off all those who handle or desecrate the body.
Love has left the marriage of Zandalee (Erika Anderson) and Thierry (Judge Reinhold) so Zandalee finds ecstacy in the arms of Johnny (Nicolas Cage) her husband's boyhood friend. Once aroused her longings cannot be satisfied until her obsessive need for passion overwhelms the three in a dark triangle of desire and death...
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers Renzo and Luciana marry but must hide it from her employer; plus they need a room of their own. A billboard of Anita Ekberg provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call- girls make the front page decides to work to prove her independence but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each women take charge but not always happily.
Henry Petosa and Freddy Ace are identical twins living in the fictional city of Empire with no knowledge of each other, having been separated at birth and given up for adoption. Henry is a shy mechanic living in a slum who loves Beverly, his best friend's sister, and also baby-sits for his neighbour Rosie, a prostitute. Freddy, a driver for the gangster Mr. Paris, is slick and self-confident, married to the materialistic Sharon. One day, Sonya, who works in a morgue, comes across a letter indicating that the twins are actually the offspring of European nobility and owed a large sum of inheritance money. She decides track them down and as their two worlds collide, the twins lives will never be the same again.
Chaplin, Sir Richard Attenborough's biographical film of the life and times of the famous comic, is a little thin as a narrative, but it is so charmingly creative and ultimately moving that it's hard to worry about the deficits. Robert Downey Jr does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over the years of triumph, defeat, scandal, official persecution, exile and inner peace. A huge cast portray the allies, friends, lovers and enemies in Chaplin's life, including Moira Kelly as his final, long-time wife Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh, Amazon.com
With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life - her son.
Yolanda sings in a seedy nightclub. When her boyfriend dies of an overdose, she fears the police and seeks refuge in a convent that saves women from the streets. These off-beat nuns include a heroin using abbess who loves Yolanda, one who writes romance novels under a pseudonym, another raising a tiger in the convent yard, and one who designs fabulous fashions and is in love with the local priest. They plan an evening extravaganza starring Yolanda to celebrate the abbess's birthday and to convince their wealthy patron not to abandon them.
From the Oscar Winning Director of 'Moonstruck' comes a star studded irresistibly romantic comedy about a once-in-a-lifetime date with destiny. Faith (Marisa Tomei) is looking for her soul mate but he's not the man she's about to marry! She's known his name - Damon Bradley - since childhood but that's all the Ouija board ever told her. Now following a slim lead and with her best friend Kate (Bonnie Hunt) in tow Faith takes off to Italy in a last-ditch attempt to find her destiny. Here she stumbles into Peter (Robert Downey Jr.) who doesn't need a Ouija Board to tell him that Faith is his soul mate. The only trouble is his name doesn't fit the bill - and Faith is determined that her romantic quest must continue. From the stunning Adriatic to the cliffs of the Amalfi Coast Faith chases her destiny and Peter chases Faith ever hopeful that her Mr Wrong can eventually become Mr Right.
Happy Gilmore: Adam Sandler stars in this hilarious comedy that scores a hole in one for gut-busting wit and outrageous slapstick. Happy a raucous hockey player turned golfer sends the sedate sport into overdrive after he becomes a media sensation with his outlandish antics on the links. It's par for the course entertainment co-starring Christopher McDonald Carl Weathers and Kevin Nealon. Anger Management: Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad! Mr Deeds: Small town guy Longfellow Deeds (Adam Sandler) inherits a $40 billion fortune from his deceased uncle. He promptly moves to the big city where he meets Babe Bennett (Winona Ryder) a tabloid reporter who poses as a small town girl to uncover an expos on Mr Deeds. Conniving opportunists attempt to get their hands on his money while Deeds' sincere naivet has Babe falling in love with him. Ultimately Deeds comes to find that money truly has the power to change things but it doesn't necessarily need to change him...
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