Plenty of musical fun with all your Balamory friends! Broken Down Bus: It is snowing in Balamory and Edie goes missing but Spencer is relying on her to transport the steel band instruments to the Day Centre. Can PC Plum find her before the concert? Marching Band: Suzie Sweet is set to head the Balamory marching band and she needs to find her rhythm. Penny and Spencer give her some advice but it's Josie who gets her marching in time to the music and ready to lead the
This winning 1987 epic written and directed by John Boorman (Deliverance, The General) serves as a picaresque and semi-autobiographical remembrance of a boy's coming of age during the Second World War. Exhibiting a defiant and humorous take on life during the London blitz, the family of the young boy at the center of the story (Sebastian Rice-Edwards) are a close-knit and resilient bunch, undeterred in the face of the war and revelling in each other's company even as they hide from the incessant bombing. To be sure, there are some poignant moments in this childhood reminiscence, such as when the boy's older sister (Sammi Davis) falls in love with a Canadian, becomes pregnant, and marries him, only to see him taken away by the military police. And the boy's mother (Sarah Miles) serves as a strong influence in the his life as she leads her family through this tumultuous time. The majestic sweep of the film is contrasted with so many comic moments as the people in town go about the mundane details of their daily lives yet also engage in the most absurd rituals in dealing with the onslaught of German artillery - from taking the air raids for granted to wearing gas masks at school. Boorman doesn't dwell on the horrors of war; instead he celebrates the richness and resilience of the people he remembers so fondly. An adventurous and nostalgic slice of life, Hope and Glory is a superb and memorable film. --Robert Lane
David Lean's masterpiece based on Charles Dickins' timeless novel about Pip, a blacksmith's apprentice who suddenly comes into great fortunes.
In Final Destination 5, Death is just as omnipresent as ever, and is unleashed after one man's premonition saves a group of co-workers from a terrifying suspension bridge collapse.
The third series of Coupling, first aired in 2002, takes fans of the BBC's comedy of sex, manners and modern relationships into new realms of engaging surrealism, leaving those irritating comparisons with Friends trailing in its wake. The men are constantly in pursuit of a basic grasp of the "emotional things" that make women behave the way they do. The women analyse everything to death. But thanks to Steve Moffat's scripts, tighter and quirkier than ever, these characters are living, breathing human beings rather than cynical ciphers for comedy stereotypes. The performances are as strong as you'd expect from an established team, with actors such as Jack Davenport (the ever-perplexed Steve), Ben Miles (unreconstructed chauvinist Patrick), Sally Alexander (dryly intelligent Susan) and Kate Isitt (neurotic Sally) wearing their roles like second skins. But in the surreal stakes, it's Richard Coyle as Jeff, wondering aloud what happens to jelly after women have finished wrestling in it, and Gina Bellman as Jane, musing on the importance of a first snog in identifying what men like to eat, who really raise the laughter levels. All things considered, this is superior comedy for all thirtysomethings--genuine and putative. --Piers Ford
Divergent is a thrilling action-adventure set in a future world where people are divided into distinct factions based on their personalities.
The true story of the people who refused to say McSorry, and in doing so, changed the world.
"Mum & Dad", the impressive debut feature by writer-director Steven Sheil, is one of the most disturbing Brit-shockers to emerge in memory.
Michael Kitchen heads a strong cast in this BAFTA-award-winning two-part drama, based on the true story of a solicitor who in 1922 found himself at the centre of one of Britain's most notorious murder trials. Also starring Sarah Miles, David Thewlis, Lesley Sharp and Don Henderson, Dandelion Dead is directed by award-winning director Mike Hodges.Herbert Rowse Armstrong, mild-mannered solicitor and magistrate's clerk, is a respected citizen of the peaceful market town of Hay-on-Wye. He has the love of his three children and a deep pride in both his life and his garden.But Herbert is a man at war on three fronts. He fights set-piece battles against his domineering, unstable wife and is in conflict with a pushy rival solicitor; he is also waging a war of attrition against the dandelions that have colonised his beloved lawn. Against the latter, Herbert's principal weapon is arsenic could that also be the solution to his other problems..?
Peter Sellers, Margaret Rutherford, Virginia McKenna and Bill Travers star in Basil Dearden's heartwarming comedy The Smallest Show on Earth. This gently whimsical elegy to the golden age of cinema co-stars Bernard Miles, Leslie Phillips and Sid James and is presented here as a brand-new High Definition transfer from the original film elements in its original theatrical aspect ratio. Overjoyed to learn that they've inherited a cinema in the north of England, Matt and Jean Spenser are subsequently shattered to find it's less of a grand picture palace and more of a fleapit (with three equally decrepit employees). Can the couple make a go of it or will they be forced to sell up and watch the Bijou Kinema be redeveloped into a car park? Special Features: Image gallery PDF material
"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honoured of American filmmakers. In this late film from a long career, Ford looks at the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. The Man Who Shot Liberty Valance may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
With The Searchers John Wayne and director John Ford forged an indelible saga of the frontier and the men and women who challenged it. Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made.
Two's Company. Three's a crowd. So what do you do with six? Who do you know who is over thirty sort-of-single and has a satisfying regular sex-life? Anyone? Being single isn't easy. But at least you've got your friends. But what happens when one of your friends falls in love with one of your friends' friends? This funny up-front series about love and lust amongst thirtysomethings centres around Susan and Steve - two lively sexy funny people who get together and start going out. Featuring series 1 to 4 of the hit BBC sitcom!
Rev is a contemporary sitcom about the enormous daily frustrations and moral conflicts of the Rev Andrew Smallbone (played by Tom Hollander). He's a Church of England vicar newly promoted from a sleepy rural parish to the busy socially-divided world of St Botolph's in Kennington South London. It's a very modern world he has no experience of... And it shows.
Dark Star is absurd, surreal and very funny. John Carpenter once described it as "Waiting for Godot in space." (It's also, surely, one of the primary inspirations for Red Dwarf.) Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. The story concerns the Dark Star's crew who are on a 20-year mission to destroy unstable planets and make way for future colonisation. The smart bombs they use to effect this zoom off cheerfully to do their duty. But unlike Star Trek, in which order prevails, the nerves of this crew are becoming increasingly frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff," says Commander Doolittle when presented with the possibility of alien life. "Find me something I can blow up." When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's story "Kaleidoscope", has the remaining crew drifting away from each other in space, each to a suitably absurd end. --Jim Gay
Adapted from Robin Maugham's short story, 1963 drama The Servant marked the first of three collaborations between director Joseph Losey and celebrated playwright Harold Pinter. Experienced manservant Barrett (Dirk Bogarde) starts working for foppish aristocrat Tony (James Fox) in his smart new townhouse. Much to the annoyance of Tony's girlfriend (Wendy Craig), Barrett slowly initiates himself into the house and begins to manipulate his master. Nominated for five BAFTA's and winning three, including best actor for Dirk Bogarde, The Servant is notable for its ambitious technique and its willingness to engage with what were, at the time, issues never before seen in British cinema. Special Features: James Fox Interviewed by Richard Ayoade Interview with Wendy Craig Interview with Sarah Miles Audio Interview with Douglas Slocombe (Director of Photography) Harold Pinter Tempo Interview Joseph Losey Talks About The Servant Stills Gallery Trailer
A fictional tale of English gangsters, inspired by the actual murder of three men killed in a Range Rover in Essex.
Coupling Season 4: feel free to insert your own "four-play" joke, or for that matter, your own "insert" joke. Sex is still topic 1 for the intertwined group of "exes and best friends", but in this pivotal season there are momentous "relationship issues" that will upend all their lives (insert your own "upend" joke while you're at it). Susan is pregnant, inspiring in Steve nightmares about his own execution and unflattering comparisons of the birth process to John Hurt's iconic gut-busting scene in Alien. Missing in action is the Kramer-esque Jeff (although he makes something of a return in the season finale). Joining the ensemble is Oliver, who is more in the Chandler mode as a lovable loser with the ladies. These inevitable comparisons to "Sein-Friends" are no doubt heresy to Coupling's most devoted viewers. Indeed, this series does benefit from creator and sole writer Steven Moffat's comic voice and vision. He provides his ever-game cast some witty, funny-‘cause-it's-true dialogue, as in Oliver's observation that "Tea isn't compatible with porn". This Britcom is also less inhibited in language and sexual situations than its American counterparts. In the cleverly-constructed opening episode, in which the same "9-1/2 Minutes" are witnessed from three different perspectives, Sally and Jane can do what was left to the imagination when Monica and Rachel offered to make out in front of Joey and Chandler. The birth of Susan and Steven's baby ends the six-episode season on a satisfying and surprisingly moving grace note. A bonus disc takes viewers behind the scenes with segments devoted to bloopers and interviews with cast and crew. --Donald Liebenson
Hitchcock's most notorious work remains terrifying after all these years, digitally presented, this reissue marks this milestone work's 50th Anniversary.
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