From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.
The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)
Shelagh Delaney's play 'A Taste of Honey' had already played in the West End and on Broadway when Tony Richardson made his film adaptation shot on location in Salford and Blackpool. Rita Tushingham made her indelible screen debut as Jo a young girl who falls pregnant after leaving home and her floozie of a mother - a revelatory performance by Dora Bryan. Jo befriends Geoff (Murray Melvin) a gentle kind-hearted gay man and they move in together like two children playing house for a while finding an innocent but fragile happiness. Richardson always skilled with actors draws fine performances from his entire cast and 'A Taste of Honey' remains an outstanding example of the British New Wave shot by its star cinematographer Walter Lassally.
Shackleton is not a biopic of the great Anglo-Irish explorer but a dramatisation of the failed trans-Antarctic expedition of 1914-16. As written and directed by Charles (Longtitude) Sturridge the production, filmed on real ice floes in Greenland, stays remarkably close to the facts, capturing the look of the surviving expedition photos of Frank Hurley (collected in the book South With Endurance) with great fidelity. Kenneth Branagh makes no attempt at an authentic accent but otherwise gives a powerful impression of a most commanding personality. When the expedition ship Endurance became locked in the Antarctic ice Shackleton vowed to bring every man home alive, and against virtually impossible odds, including a 700-mile journey in an open boat through some of the worst seas in the world, he did just that. This superlative mini-series realises the story with production values and cinematography which would not disgrace a big-budget feature (Hurley's own 1919 documentary film can be seen on video in South). Intense physical drama, strong performances and Adrian Johnston's fine score combine here to deeply moving effect, marred only a little by a rushed conclusion. With Roland Huntford, author of the definitive Shackleton biography, as production advisor, this easily stands as the benchmark for all future comparable films. --Gary S Dalkin
True Believer is an effective mystery by thrillmeister director Joseph Ruben (Sleeping with the Enemy), that allows star James Woods to do some real acting as he conveys his character's denial and sense of disappointment in himself. Eddie Dodd (Woods) is a former '60s radical lawyer who now spends his time cynically defending drug dealers for the big bucks. But an idealistic young protégé (Robert Downey Jr.) convinces him to take one case from the heart: a young Chinese immigrant unjustly accused in a gang slaying. Woods (complete with add-on ponytail) fairly hums with energy once he gets cooking here. Playing the been-there-done-that mentor--not to mention legal gadfly--gives him plenty of opportunity to run off at the mouth with spicy one-liners and zingers. --Marshall Fine, Amazon.com
Action adventure directed by Douglas Hickox and starring James Coburn and Robert Culp. When a rich industrialist by the name of Bracken (Culp) finds that his wife and children have been kidnapped by terrorists, he has the police try to capture them and rescue his family. But the police fail in every attempt and Bracken's last hope lies in his wife's former husband McCabe (Coburn) who has his own plan of action and recruits a team of professional hang gliders for a daring mountain top rescue.
Nine men who came too late and stayed too long! The year is 1913 just one year short of World War 1. Disguised as U.S. soldiers a gang rides into a Texas border town. Silently they enter and rob the railroad company but an ambush lies in wait. When the gang emerges the company's hired gunmen open fire. Men women and children are caught in the crossfire. The gang escape to their hideout in the desert where they find that the loot for which they fought so hard is worthless. With the railroad company hard on their heels the gang lead by Pike head for the apparent safety of the Mexican revolutionaries and representatives of the ruling Government. As a result of these separate meetings Pike and his gang are forced to re-examine the principles that had until then ruled their lives.
A legendary title from the Video Nasties era, Joseph Ellison's relentlessly bleak and disturbing Don't Go In The House has lost none of its power to shock in the decades since it was first censored by the BBFC and seized by UK authorities. Donny Kohler (The Sopranos' Dan Grimaldi in a gripping central performance), a disturbed loner unhealthily obsessed with fire, comes home from his factory job one day to find his abusive mother has died. Now all alone in the large Gothic mansion he calls home and consumed in an inferno of insanity, he is finally able to fulfil his violent revenge fantasies against her. Soon, any woman unlucky enough to enter is forced to come face to face with the worst fate imaginable in the secret steelclad chamber of death he has built in the house's depths Now fully uncut and making its UK high definition premiere in a brand new 2K restoration, the film that dares to ask What if Norman Bates had a flamethrower? is back in a definitive collectors' edition with both original and extended versions. Limited Edition Contents: Limited edition Ocard featuring newly commissioned artwork by Christopher Shy Reversible sleeve and foldout doublesided poster featuring original and newly commissioned artwork by Christopher Shy Illustrated collectors' booklet featuring new writing on the film by Lindsay Hallam and James Flower Disc One: Brand new 2K restoration from the original negative by Severin Films High Definition (1080p) Bluray⢠presentation of two different versions of the film: the 83minute uncut Theatrical Version, and the 89minute Television Version with additional scenes and alternate footage Original lossless mono audio on both cuts Optional English audio description for the blind on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Brand new commentary on the Theatrical Version by director Joseph Ellison and producer Ellen Hammill Archive commentary on the Theatrical Version by star Dan Grimaldi House Keeping, a brand new featurette by Severin Films interviewing associate producer Matthew Mallinson and cowriter/producer Joe Masefield We Went in the House, a brand new featurette by Severin Films with Michael Gingold revisiting the locations from the film, including the iconic house Playing with Fire, an archive interview with star Dan Grimaldi from 2005 Original theatrical trailers and TV spots Image gallery Disc Two: High Definition (1080p) Bluray presentation of the Extended Version (92 mins) of the film, with the additional scenes from the Television Version reinserted into the uncensored Theatrical Version Original lossless mono audio Optional English audio description for the blind Optional English subtitles for the deaf and hard of hearing Brand new audio commentary on the Extended Version by Stephen Thrower, author of Nightmare USA Minds on Fire, a brand new video essay by David Flint putting the film into context Burn Baby Burn and The Burning Man, two archive interviews with director Joseph Ellison Grindhouse AllStars: Notes From the Sleaze Cinema Underground, a documentary by High Rising Productions from 2017 interviewing exploitation filmmakers Matt Cimber, Joseph Ellison, Roy Frumkes and Jeff Lieberman
In the second hilarious series of Jeeves & Wooster, Pelham Grenville Wodehouse's immortal characters are once again brought to glorious life by Hugh Laurie as the chinless but charming Bertie Wooster and Stephen Fry as his valet and frequent saviour, Jeeves. Superb period detail, performers who seem to have been born for these roles, and a hearty helping of Wodehouse wit make these shows essential viewing for anyone in search of a sophisticated chuckle. All six episodes are included here: "Jeeves Saves the Cow-Creamer", "A Plan for Gussie", "Pearls Mean Tears", "Jeeves in the Country", "Kidnapped!" and "Jeeves the Matchmaker". --Simon Leake
If you know what to look for, you can find almost anything in the personal ads...including the love of your life! Rosanna Arquette (Pulp Fiction) is irresistible and, in her first starring role, pop star Madonna (Evita) gives a marvellously comic performance in this delightfully mad-cap comedy about mistaken identity. Bored New Jersey housewife Roberta (Arquette) fills her days by reading the personal ads and following an ongoing romance between Jim (Robert Joy) and Susan (Madonna), a mysterious drifter who appears to lead the kind of free-spirited life about which Roberta can only dream. And dream she does, until the day she actually shows up at the couple's pre-arrange rendezvous in New York City...and after a bump on the head, a bout of amnesia turns Roberta into Susan and opens the door to intrigue, laughter and love! Product Features Brand new interviews with director susan seidelman, producer sarah pillsbury & author of Madonna: like an icon lucy o'brien. Postcards, booklet & poster Bespoke cover art.
Opera in three acts produced live at the Metropolitan Opera on 7 November 1977.
Pee-Wee's Big Adventure: When Pee-wee Herman's idyllic world is destroyed by the theft of his fire-engine red bicycle, the pre-pubescent adult sets out on a manic cross-country odyssey to recover his most valued possession. Director Tim Burton makes his feature-film debut with this comic masterpiece./p> Beetlejuice: A couple of home-loving ghosts need to be rid of a group of pretentious, trendsetting humans, who have taken over their house and made 'living' extremely difficult. They enlist the aid of a bio-exorcist in the hope that he can scare the unwanted guests away. Batman: After witnessing his parents brutal murder as a child, millionaire-philanthropist Bruce Wayne pledges his life to fighting crime disguised as Batman. His long-time nemesis, the Joker, has sinister plans for the citizens of Gotham City. His greed is matched by his obsession with photojournalist Vicki Vale. But Batman is there to counter the Joker's every move. With the fate of Gotham and Vicki in the balance, will good or evil prevail? Batman Returns: Batman the Caped Crusader is pitted against the demented, ravenous Penguin; a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a 'power' hungry capitalist villain, Max Shreck. As the two criminals plot to gain domination over Gotham City, Batman must plot to stop them. In the highly stylized Batman Returns, Batman is thrown a third enemy, a terrible distraction: the slinky, sharp-clawed Cat Woman./p> Mars Attacks: When a shiny silver flying saucer lands in the Nevada desert, a group of skull-faced Martians exit the gleaming craft. Although they claim to be peaceful, they promptly vaporize a gathering of unfortunate Earthling s, kicking off a bizarre high-tech war with wild special effects. Sweeney Todd: Benjamin Barker (Johnny Depp) is living a simple life with his wife Lucy and his daughter when the lust of a judge (Alan Rickman) throws their lives into chaos. The judge has Barker deported to Australia, and many years later he returns to England with revenge in his heart. Corpse Bride: Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. Charlie & The Chocolate Factory: Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric candy-maker Willy Wonka and Charlie Bucket, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory.
The complete collection of terrifying tales from Brian Clemens' classic series. Famed scriptwriter Brian Clemens is probably best known for his work on 'The Avengers' and 'The Professionals' but arguably the his best work is 'Thriller' a series he made for Lew Grade in the mid 1970s. 'Thriller' is an antholoy series of single plays - some horrific some terrifying - but always with a singular twist in the tale. Highly popular and critically acclaimed in its time 'Thriller' attra
'Asterix and Obelix Take On Caesar' is France's second most successful film of all time and stars internationally renowned actor Gerard Depardieu as Gaulish warrior Obelix alongside Oscar winning Roberto Benigni as the wicked Detritus. Journey back 2000 years as Ancient France is on the brink of complete Roman invasion well almost complete... except for one small village of indomitable Gauls that still holds out against the invaders. It is here that Asterix and his friends are con
They came they saw they changed their minds! A group of disillusioned townsfolk living in the West renounce their settlemen and decide to return to their homes in the East. Hiring a grizzled and eccentric wagonmaster (Candy) they set off on the trail...
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series 'All Creatures Great and Small' continued to satisfy the Herriot hysteria of the British public. Episode titles: 'Tricks Of The Trade' 'Pride Of Possession' 'The Name Of The Game' 'Puppy Love' 'Ways And Means' 'Pups Pigs And Pickle' 'A Dog's Life' 'Merry Gentlemen'.
As rites-of-passage films featuring a young man's sexual initiation in the arms of a beautiful woman go, Class (1983) has plenty going for it, not least its attractive cast: Andrew McCarthy as Jonathan, Rob Lowe as Gatsby-ish best friend Skip and Jacqueline Bisset as the beautiful woman who is old enough to know better and just happens to be Skip's mother. Lewis John Carlino's film has moments of insight, taking a few well-aimed shots at the vaguely sinister network of American public school life. In the first reel it neatly subverts the bullying scenario that threatens when the geekish Jonathan arrives at the school, while offering the briefly intriguing sight of Lowe in scarlet bra and pants. And there's a subplot of deceit and complicity that both strengthens and threatens the friendship that rapidly forms between Skip and Jonathan. In many ways, though, the most interesting element of the picture--Skip's relationship with his dysfunctional family--is left unexplored. Jonathan's deflowering and subsequent interludes are merely titillating. And Bisset's Ellen, a desperately sad character, becomes superfluous once the revelation that she is the "teacher" sets the boys' friendship on the path to fraternal solidarity. On the DVD: Class is presented in widescreen anamorphic format and looks as good as its leading players, although the Dolby Digital mono soundtrack has odd moments of flatness that detract from the cinematic experience. Extras are limited to the cinema trailer that now looks like a red rag to the puritanical objectors who were appalled by the graphic scenes in which Jonathan loses his virginity to the predatory Ellen. --Piers Ford
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