Audry (Adrienne Shelly) is a Long Island teenager beset with worries - college, parents, nuclear war and frustrated by small town life. When mysterious Josh (Robert Burke) arrives and goes to work as a mechanic for Audrey's father, she feels overwhelmingly attracted to him, despite town rumours that he's a murderer.
Earning a nomination at the Academy Awards for Best Animated Short Film in 1998 this collection of nine animated tales is cleverly and faithfully adapted from one of the most audacious and astonishing works in English literature. Via cel animation clay animation and impressionistic drawings the viewer is transported on a vivid journey to medieval times taking in chivalry love lust the Black Death rape deception and chickens. Introducing a group of men and women from various st
In this horror sequel a young film student makes a movie about urban legends, only to find her friends and crew start dying...
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Six classic films from six iconic directors including Anatomy Of A Murder, Oliver!, Taxi Driver, Stripes, Sense And Sensibility (1995), and The Social Network. Experience these essential films from Columbia Pictures like never before, now fully remastered and debuting on 4K Ultra HD. With films driven by bold and impassioned characters and with stories deftly told by master filmmakers and with hours of special features and an exclusive 80-page book with unique insights and production detail about each of the included films this second volume of the Columbia Classics 4K Ultra HD Collection is truly the best way to watch these treasured cinematic favourites! Includes filmmaker & historian commentaries, anniversary reunions, documentaries, deleted scenes, archival featurettes and much more! Also includes an exclusive Blu-ray⢠bonus disc featuring a curated collection of 20 short films from the Columbia Pictures library.
A sophisticated supernatural Hollywood comedy whose influence continues to be felt, Here Comes Mr. Jordan stars the eminently versatile Robert Montgomery as a working-class boxer and amateur aviator whose plane crashes in a freak accident. He finds himself in heaven but is told, by a wry angel named Mr. Jordan (Claude Rains), that his death was a clerical error, and that he can return to earth by entering the body of a corrupt (and about-to-be-murdered) bankerwhose soul could use a transplant. Having inspired a sequel with Rita Hayworth and two remakes (the first starring Warren Beatty and the second Chris Rock), Alexander Hall's effervescent Here Comes Mr. Jordan is comic perfection. Special Features: New 2K digital restoration, with uncompressed monaural soundtrack New conversation between critic Michael Sragow and independent filmmaker Michael Schlesinger Audio interview from 1991 in which actor Elizabeth Montgomery discusses her father, actor Robert Montgomery Lux Radio Theatre adaptation of Here Comes Mr. Jordan from 1942 starring Cary Grant, Claude Rains, Evelyn Keyes, and James Gleason Trailer PLUS: An essay by critic Farran Smith Nehme Click Images to Enlarge
There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadows, between science and superstition. And it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call...The Twilight Zone.Those were the first words that echoed when The Twilight Zone first aired in 1959. Its episodes featured stories of the bizarre and unexplained, blended with humour and often with an unexpected twist to the tale. Created by the legendary Rod Serling, its eclectic mix of fantasy and sci-fi has helped to define it as one of television's most original and celebrated series. Season 2 features some of The Twilight Zone's most famous episodes including Nick Of Time starring the young William Shatner and Long Distance Call with Bill Mumy (Lost In Space).Released digitally remastered for the first time in the UK, this 5 disc set contains all 29 episodes from the second season as well as special features.Disc 1:King Nine Will Not ReturnThe Man in the BottleNervous Man in a Four Dollar RoomA Thing About MachinesThe Howling ManEye of the BeholderDisc 2:Nick of TimeThe Lateness of the HourThe Trouble With TempletonA Most Unusual CameraThe Night of the MeekDustDisc 3:Back ThereThe Whole TruthThe InvadersA Penny For Your ThoughtsTwenty TwoThe Odyssey of Flight 33Disc 4:Mr. Dingle, The StrongStaticThe Prime MoverLong Distance CallA Hundred Yards Over the RimThe Rip Van Winkle CaperDisc 5:The SilenceShadow PlayThe Mind and the MatterWill the Real Martian Please Stand Up?The Obsolete Man
An angry young Marlon Brando scorches the screen as The Wild One in this powerful '50s cult classic. Brando plays Johnny the leader of a vicious biker gang that involves a small sleepy California town. The leather-jacketed young biker seems hell-bent on destruction until he falls for Kathie (Mary Murphy) a ""good-girl"" whose father happens to be a cop. Unfortunately for Johnny his one shot at redemption is threatened by a psychotic rival Chino (Lee Marvin) plus the hos
One movie. Infinite possibilities! Controversial genre-defying documentary feature using groundbreaking visual effects and animation to explore the notion of quantum reality. Marlee Matlin stars as Amanda a young woman whose unexpected trip into the fabric of reality forces her to reconsider life the universe and everything. Disc 1 - What the Bleep!? Ultra-Extended Quantum Rabbit Hole Part One (150 mins) : 1. Start 2. The BIG Questions 3. Science vs Religion 4. A Scientific Explanation For Spirituality 5. The Nature Of Perception 6. The Senses 7. Quantum Physics 8. Entanglement 9. Empty Space 10. Time 11. The Double-Split Experiment 12. The Observor 13. Particles 14. Down The Rabbit Hole 15. The Mind-Matter Intention 16. The Global Consciousness Project 17. Creating Our Own Reality 18. Entangled Minds Experiment Disc 2 - What the Bleep!? Ultra-Extended Quantum Rabbit Hole Part Two (150 mins) : 1.Creating Your Own Reality 2. What Is Consciousness 3. Religion 4. The Quantum Brain 5. Favorite Rabbit Holes 6. Personality & Identity 7. Changing Behaviour 8. Addictions 9. Insight 10. Sex 11. The Mind Creates Our Body 12. The Battle To Move Outside The Box 13. The Human Drama 14. A New Paradigm 15. Surrendering To A Greater Order 16. Extending Boundaries 17. We Are All Connected 18. Consequences Of Thought 19. What The Bleep!? Conference Santa Monica C.A Feb 2005 20. End Credits Disc 3 - What the Bleep!? Down The Rabbit Hole (theatrical version): 1. Start 2. Science vs Religion 3. Quantum Mechanics vs Classical Mechanics 4. Strange Facts 5. The Observor 6. Entanglement 7. Intention As The Creator Of Our Reality 8. What Is Consciousness? 9. The Brain 10. Emotions 11. Our Mind Creates Our Body 12. The Path Of Enlightenment 13. The Scientists 14. End Credits Disc 4 - What the Bleep!? Down The Rabbit Hole: Scientist Interviews Part One (150 mins): David Albert Ph.D - Quantum Physics Consciousness Science Joseph Dispenza D.C - The Brain / Quantum Physics & The Observor / Creating Your Day Dr. Masaru Emoto - Water Amit Goswami Ph.D - Quantum Physics & Consciousness / Which came first...the chicken or the egg? / Why do we all feel separate? John Hagelin Ph.D - Consciousness & Superstring Unified Field Theory / How is knowledge lost? / The Observor Stuart Hammeroff MD - Time & Consciousness / Creating your own reality / Classical & Quantum Physics JZ Knight - Creating Reality Miceal Ledwith Ph.D - God Science & Religion Marlee Maitlin - The BLEEP Lynn McTaggert - Quantum Physics / What does this mean to me? Disc 5 - What the Bleep!? Down The Rabbit Hole: Scientist Interviews Part Two (150 mins): Daniel Monti M.D - The Mind-Body Connection / The Effects of thought on the body Andrew Newberg M.D - God Reality and Everything in-between / Mystical experiences and reality Candace Pert Ph.D - The Columbus Story / Miraculous Healings Dean Radin Ph.D - The ""Stupidity Hypothesis"" / Quantum Physics / Mind Matter interface Ramtha - Who or what is He? / Emotional Addictions / Why we are here? Jeffrey Satinover M.D - Quantum Physics & Spirituality / Entanglement - the other side of the coin Fred Alan Wolf Ph.D - ""Poppin the Quiff"" / Quantum
Released to mark the 40th anniversary of her death in 1962, The Diamond Collection brings together all of Marilyn Monroe's films for 20th Century Fox. This handsome box set stands as a salutary reminder of the considerable achievements of an actress who still reigns supreme as the greatest screen goddess of them all. The uninitiated might be surprised at the versatility of someone whose legend is founded so much on her image as a sex symbol. In particular, her touching performance as the abused second-rate bar singer Cherie in Bus Stop (1956) is a rounded study of a woman still capable of dreaming when life has done everything to dull her. The box set as a whole offers plenty of evidence that while she certainly specialised in a unique and complex variation on the blonde bombshell stereotype--embodied in her timeless performances as Lorelei Lee (Gentlemen Prefer Blondes) and short-sighted Pola in How to Marry a Millionaire, both 1953--she could certainly diversify. The documentary, Marilyn Monroe: The Final Days, provides a sympathetic take on the troubles and behaviour which led to her being sacked from her final picture, Something's Got to Give. The presentation of the restored footage from that movie is less successful, though, as the glimpses of Monroe's incandescent screen presence, belying her illness and depression, leave a palpable sadness in their wake. Better by far to focus on her earlier work. Whatever the role, her luminous beauty and statuesque figure, combined with an unselfconsciously joyful sexuality and an on-screen vulnerability, were always at their best under the careful guidance of directors like Billy Wilder and Otto Preminger. These qualities continue to give her an enduring appeal. On the DVD: The Diamond Collection has been digitally restored using, for the most part, the original negatives, making this a sumptuous package for any Monroe fan. Niagara and Gentlemen Prefer Blondes are both presented in standard 4:3 ratio but the rest--filmed in Cinemascope and presented here in letterbox format--are certainly better-served by widescreen viewing. The colours, like Monroe, come alive. The sound quality is crisp and Monroe's singing--she had limited but genuine musical talent--has polished up well. Multiple extras include before-and-after restoration comparisons, trailers from various countries, stills and posters, and newsreel footage. Eleven discs of Marilyn in one box, this is a veritable feast indeed. --Piers Ford
An unusual adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One of the real stars of the picture is the gorgeous three-strip Technicolor photography by George J.Folsey. The West has rarely looked more colorful.
The Story Of The Blues traces the four principal traditions of blues music: Blues Form - Country Blues - Urban Blues - Electric Blues and it's significant contribution to the development of jazz rock music and country and western music.
The story highlights an investigation which unleashes the evil in the basement of the world's most haunted house. A magazine writer's investigation into a s''ance turns to horror when an abandoned well beneath the basement floor turns out to be the gateway to Hell.
Michael Redgrave and Robert Morley head a stellar cast in this marvellous comedy of skulduggery and deception from Ealing Studios lynchpin Charles Crichton and Oscar-winning screenwriter T.E.B. Clarke - best known as the team behind The Lavender Hill Mob. Law and Disorder is presented here in a brand-new transfer from the original elements in its as-exhibited theatrical aspect ratio. Percy Brand's growing son Colin thinks his father is a clergyman when Percy's real vocation is that of confidence trickster - his frequent spells 'inside' explained away as missionary trips abroad. When Colin studies law and eventually becomes a judge's marshal his father feels bound to retire to a fishing village. But he cannot keep away from his life of crime and in no time at all he's getting involved in the local squire's brandy smuggling activities... Special Features: Original Theatrical Trailer Image gallery Script and Promotional PDFs
A classic of shock cinema, Wes Craven's tale follows a family vacation which turns into a holiday from hell.
With its clearcut "play within a play" narrative and simple contrasts between the human and spirit worlds, A Midsummer Night's Dream has long been a popular introduction to Shakespeare, and Adrian Noble's 1994 RSC production reinforces why. It's a colourful and physical presentation (the latter explains the PG rating), portraying character confrontations with often reckless abandon. The ploy of giving the whole play the appearance of a child's dream is a neat touch that doesn't quite work, as the child himself, Osheen Jones, can have only a minimal amount to do on stage. Casting the main actors in dual roles works well. Alex Jennings is secure as Theseus and Oberon, but Lindsay Duncan all but steals the show as Hippolyta and Titania; her amorous encounter with Bottom, given with gusto by Desmond Barrit, has a lewd quality that Elizabethan audiences might have appreciated. Despite his dreadful 1980s hairdo, Barry Lynch is animated as Puck, while Emily Raymond's plaintive Helena is the pick of the lovers. Howard Blake turns in a sensitive and atmospheric score. On the DVD: The 16:9 anamorphic picture reproduces excellently in the widescreen format, Dolby Surround sound vividly conveying the spatial realism of Noble's staging. No subtitles, which could be a drawback, but the 12 access points divide the 99-minute production into educational-sized chunks. Sensibly edited, and imaginatively directed, this production ought to have wide appeal. --Richard Whitehouse
Clockwise is a light-hearted farce that works because John Cleese is so effective as the tightly wound, punctilious headmaster whose well-organised life unravels in a series of disasters on his journey to a conference. Cleese is a master of fussy, fastidious characters in exasperating situations, bottling up his frustration under good manners and sardonic comments until he finally blows, but hes also startlingly vulnerable as he systematically loses all sense of himself. Dressed in monks robes and stranded on a lonely country road, he looks down at his naked wrist and sighs, "Ive even lost the time". Michael Fryan (the playwright of Noises Off) doesnt really have much of a story behind the situations, but he provides plenty of complications, and Cleese holds the film together with his brittle manner, single-minded drive, and hilarious headmasters condescending haughtiness. While it will seem slight to many, Cleese fans will love it.--Sean Axmaker, Amazon.com
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
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