Vengeful bounty hunter Ben Brigade (Scott) captures the notorious, psychotic outlaw Billy (James Best), to trap the gunman's equally deranged brother Frank (Lee Van Cleef), the man who murdered Brigade's wife. He enlists the help of two other vigilantes (Pernell Roberts and a young James Coburn in an early screen role), but who have plans of their own for Billy... Dense, complex and wonderfully ambiguous, this suspenseful western drama is perhaps the most revered of the Boetticher/Scott collaborations, and has been cited as a major inspiration by filmmakers including Sergio Leone, Clint Eastwood and Martin Scorsese, and by critics as one of the finest American westerns of the 1950s. Extras: 2K restoration from the original negative Original mono audio Audio commentary with writer and film historian Jeremy Arnold The Guardian Interview with Budd Boetticher (1994, 95 mins): an extensive filmed interview conducted by film historian David Meeker at the National Film Theatre, London Martin Scorsese on Ride Lonesome' (2009, 6 mins): the renowned filmmaker discusses the influence of Boetticher's films Playing in the Open (2018, 14 mins): an audiovisual essay by Cristina Ãlvarez López Isolated music and effects track Original theatrical trailer John Sayles trailer commentary (2013, 3 mins): a short critical appreciation Image gallery: promotional stills and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Sidney Lumet's tense thriller based on real events featuring an outstanding Al Pacino as an undercover officer who incurs the wrath of cop colleagues for exposing corruption within the force...
William Thacker (Hugh Grant) is the owner of a bookshop in the heart of Notting Hill. One day by a one-in-a-million chance the worlds most famous actress Anna Scott (Julia Roberts) comes into the shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes - and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W11...
Made to re-launch television's most famous time traveller, Doctor Who: The Movie is an expensive feature-length episode which attempts to continue the classic series and work as a stand-alone film. Transporting the remains of the Master, Sylvester McCoy's Seventh Doctor is diverted to San Francisco in 1999. Regenerating in the form of Paul McGann, the Doctor gains a new companion in heart surgeon Dr Grace Holloway (Daphne Ashbrook) and must stop the Master from destroying the world. All of which might have been fine, had not the most eccentrically British of programmes been almost entirely assimilated by the requirements of American network broadcasting. Matthew Jacobs' screenplay is literally nonsense, dependent on arbitrary, unexplained events while introducing numerous elements that contradict established Doctor Who mythology. The Tardis is re-imagined as a bizarre pre-Raphaelite/Gothic folly, while the Doctor, now half-human, becomes romantically involved with his lady companion. From the West Coast setting to metallic CGI morphing, from the look of Eric Roberts as the Master to a motorcycle/truck freeway chase, director Geoffrey Sax borrows freely from James Cameron's Terminator 2: Judgment Day (1991). Doctor Who fans should feel relieved this travesty was not successful enough to lead to lead to a series, though McGann himself does have the potential to make a fine Doctor. This is the slightly more violent US TV edit, rather than the cut version previously released on video. On the DVD: There are two BBC trailers and a Fox promo "introducing the Doctor" to American audiences. The interview section features Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, director Geoffrey Sax and executive producer Philip Segal, twice. The main interviews are on-set promotional sound-bites. However, Segal's second interview was filmed in 2001 and finds him spending 10 minutes explaining why the programme turned out as it did, and coming very close to apologising for it. He also offers a two-minute tour of the new Tardis set. Alongside a gallery of 50 promotional stills is a four-minute compilation of behind-the-scenes "making of" footage. There are alternative versions of two scenes, though the "Puccini!" scene is so short as to be pointless. As usual with Doctor Who DVDs there are optional production subtitles and these offer a wealth of background information. Four songs used in the film are available as separate audio tracks, and John Debney's musical score can be listened to in isolation. Finally there is a commentary track by Geoffrey Sax, which contains some interesting material but does tend to state the obvious a lot. The sound is very strong stereo and the 4:3 picture is excellent with only the slightest grain. --Gary S Dalkin
One of the best romantic comedies of the 1990s, My Best Friend's Wedding not only gave Julia Roberts a delightful vehicle for her crowd-pleasing comeback, but it further distinguished itself by avoiding the conventional plotting of the genre. Julia plays a prominent Chicago restaurant critic whose best friend (Dermot Mulroney) is a former lover from her college days with whom she'd made a binding pact: if neither of them were married by the age of 28, they'd marry each other. Just when they're about to reach the deadline of their agreement, Mulroney arrives in Chicago to introduce Roberts to his seemingly perfect fiancée (Cameron Diaz) and announce their wedding in just three days. That leaves the shocked Julia with just three short days to sabotage the wedding and marry the man she now realises she's loved all along. With potential heartbreak waiting in the wings, she'll either get what she wants or pay the price for her selfish behaviour, and Ronald Bass's cleverly constructed screenplay keeps us guessing to the very end. Rupert Everett scored rave reviews for his scene-stealing performance as Robert's gay friend who goes along with her scheming (but only so far), and even as she makes her character's needy desperation disarmingly appealing, Roberts wisely allows Diaz to capitalise on her charming time in the spotlight. As the romantic outcome remains uncertain, the viewer is held in a state of giddy suspense, and director PJ Hogan pulls off some hilarious scenes (like a restaurant full of people singing the Dionne Warwick hit "I Say a Little Prayer") that could easily have fallen flat in the hands of a less talented filmmaker. It's no surprise that this was one of the box-office smashes of 1997. --Jeff Shannon
The girls of Kappa House are dying for new pledges. SCREAM QUEENS is a new killer comedy-horror series from award-winning executive producers Ryan Murphy (Glee, American Horror Story), Brad Falchuk (Glee, American Horror Story) and Ian Brennan (Glee).Kappa House, the most sought-after sorority for pledges, is ruled with an iron fist (in a pink glove) by CHANEL OBERLIN (Emma Roberts, American Horror Story: Freak Show, Scream 4). But when anti-Kappa DEAN CATHY MUNSCH (Jamie Lee Curtis, Halloween, A Fish Called Wanda, True Lies) decrees that sorority pledging must be open to all students, and not just the school's silver-spooned elite, all hell is about to break loose, as a devil-clad killer begins wreaking havoc across the campus. An over-the-top, biting satire, SCREAM QUEENS is part black comedy, part slasher flick and a modern take on the classic whodunit, in which every character has a motive for murder... or could easily be the next victim.
Hook is Steven Spielberg's most spectacular film of the 90s. It is also seriously underrated, arguably the equal of ET, (1982) and Close Encounters of the Third Kind, (1977). An unofficial sequel to J.M. Barrie's Peter Pan, Hook adopts the startling premise of what happened after "the boy who never grew up", grew up. Robin Williams, in his career best performance, is the corporate suit forced to remember he once was "The Pan", returning to Neverland to battle nefarious Captain Hook (a splendid Dustin Hoffman), for his children's love. This is a ravishingly beautiful, stunningly designed film, at once highly imaginative and with a genuinely magical atmosphere which ranges from exquisite, delicate fantasy to slapstick tomfoolery. There is fine support from Maggie Smith, Julia Roberts and Bob Hoskins, and John Williams' rapturously romantic score is yet another career high. Slated upon release, and dubbed a flop though it grossed $200 million, Hook reacted against the "greed is good" 80s by upholding family values and responsibility while evoking a genuine sense of wonder. Only the somewhat pantomime final showdown disappoints, but alongside Legend, (1985)and Labyrinth, (1986), Hook is ripe for reassessment as a fantasy classic. The DVD transfer is superb and the disc, though not packed with additional features, has some interesting extras. --Gary S. Dalkin
In Paul W.S. Anderson's Resident Evil: Afterlife, the fourth entry in the seemingly endless action-science fiction horror franchise based on the popular Capcom video game series, plot, dialogue, and character development all remain secondary considerations: What's key here are the set pieces that allow Milla Jovovich to unleash maximum damage to virally infected zombies, villainous henchmen, and just about anyone else who stands in the way of her stopping the shadowy Umbrella Corporation. Jovovich retains the blend of grit and pulchritude that have made her a fanboy favourite (though said viewers may decry the film's bit of shower-scene interruptus), and she's well supported by returning cast members Ali Larter and Boris Kodjoe (Undercovers) and Prison Break's Wentworth Miller, who, as Claire's brother, is back behind bars in a postapocalyptic jail overrun by plague zombies. Those looking for more than what the Resident Evil franchise is designed to provide--souped-up, B-movie thrills--are advised to lower their expectations; franchise devotees should be pleased, especially by the film's final scene, which (naturally) sets up another sequel. --Paul GaitaSpecial Features Filmmaker Commentary Band of Survivors: Casting Afterlife Fighting Back: The Action of Afterlife
August: Osage County tells the dark, hilarious and deeply touching story of the Weston family. A deep family crisis draws three daughters back to the family home, each returning with husbands and boyfriends in tow to solve the mystery of what happened.
A key film of the British New Wave, Saturday Night And Sunday Morning was a great box-office success - audiences were thrilled by its anti-establishment energy, the gritty realism of its setting, and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Sillitoe's largely autobiographical novel, the film is set in the grim industrial streets and factories of Nottingham, where Arthur Seaton spends his days at a factory bench, his Saturday evenings in the local...
Julia Roberts heads the cast of this comedy about a Hollywood A-list couple have trouble promoting their new movie after the director does a runner with the print, and he falls for her personal assistant.
After losing his job, a middle-aged man reinvents himself by going back to college.
This tense and terrifying romantic thriller delivers screams aplenty (Variety) and a corker of a climax (Rolling Stone)! Julia Roberts stars as Laura a young woman who thinks she's found the man of her dreams in Martin (Patrick Bergin). But after they are married Laura discovers the real Martin: compulsive controlling and dangerously violent. She escapes by faking her own death and relocating to a small Midwestern town. But even with a new identity Laura lives in fear stalked by the memory of Martin's brutality... a memory that comes to life with a vengeance when he discovers that she is still alive!
In the annals of horror only one film series is almost too disgusting to describe! Now the unthinkable has become all too real! The final chapter to the most notorious movie franchise ever made has arrived – The Human Centipede 3 (Final Sequence). Bully prison warden Bill Boss (Dieter Laser) has a lot of problems; his prison statistically has the highest amount of prison riots medical costs and staff turnover in the country. But foremost he is unable to get the respect he thinks he deserves from his inmates and the state Governor (Eric Roberts). He constantly fails in experimenting with different ideas for the ideal punishment to get the inmates in line which drives him together with the sizzling heat completely insane. Under threat of termination by the Governor his loyal right hand man Dwight (Laurence R Harvey) comes up with a brilliant idea - a revolutionary idea which could change the American prison system for good and save billions of dollars. An idea based on the notorious Human Centipede movies that will literally and figuratively get the inmates on their knees creating the ultimate punishment and deterrent for anyone considering a life of crime. Having nothing to lose Bill and Dwight create a jaw-dropping 500-person prison centipede. Re-uniting the stars of the first two films (Dieter Laser & Laurence R. Harvey) The Human Centipede 3 (Final Sequence) is the finale the world’s sickest horror franchise deserves. Nasty revolting and utterly deplorable if you thought the first two films were gross trust us you ain’t seen nothing yet! Click Images to Enlarge
Hook is Steven Spielberg's most spectacular film of the 90s. It is also seriously underrated, arguably the equal of ET, (1982) and Close Encounters of the Third Kind, (1977). An unofficial sequel to J.M. Barrie's Peter Pan, Hook adopts the startling premise of what happened after "the boy who never grew up", grew up. Robin Williams, in his career best performance, is the corporate suit forced to remember he once was "The Pan", returning to Neverland to battle nefarious Captain Hook (a splendid Dustin Hoffman), for his children's love. This is a ravishingly beautiful, stunningly designed film, at once highly imaginative and with a genuinely magical atmosphere which ranges from exquisite, delicate fantasy to slapstick tomfoolery. There is fine support from Maggie Smith, Julia Roberts and Bob Hoskins, and John Williams' rapturously romantic score is yet another career high. Slated upon release, and dubbed a flop though it grossed $200 million, Hook reacted against the "greed is good" 80s by upholding family values and responsibility while evoking a genuine sense of wonder. Only the somewhat pantomime final showdown disappoints, but alongside Legend, (1985)and Labyrinth, (1986), Hook is ripe for reassessment as a fantasy classic. The DVD transfer is superb and the disc, though not packed with additional features, has some interesting extras. --Gary S. Dalkin
There's nothing straight about this movie. But here's the dope anyway: Cheech and Chong make their film debut in this riotous rock 'n' roll comedy bringing with them the same madness lifestyles and sketches that sold over 10 million records in the early '70s. Cheech and Chong's marijuana-laced humor keeps their spirits high and leads them to an outrageous finale at L.A.'s Roxy Theater where Cheech performs in a pink tutu and Chong dresses as a large red quaalude. It will make you f
At University Hospital School of Medicine a group of ambitious medical students are about to die and live to describe the experience. Embarking on a daring and arrogant experiment the five aim to push through the confines of life and touch the face of death. In their search for knowledge however the five discover the chilling consequences of daring to tamper with immortality.
Raymond Barone seemingly has it all - a wonderful wife a beautiful family a great job a nice house on Long Island. Not only that but everybody loves him! Don't they...? For the first time on DVD all 9 complete seasons of comedy favourite Everybody Loves Raymond.
Winner of four Oscars® amongst them Best Picture® and universally reckoned to be one of the funniest films ever made, Annie Hall is one of writer/ director Woody Allen's greatest triumphs, detailing the on-off love affair between nebbish New Yorker Alvy Singer (Allen himself) and Diane Keaton as the free-spirited Annie. A smart, incisive and very, very funny take on modern romance, 88 Films are proud to present a true American classic. HIGH-DEFINITION BLU-RAY PRESENTATION IN 1.85:1 ASPECT RATIO ORIGINAL MONO 2.0 AUDIO OPTIONAL ENGLISH SDH STILLS GALLERY TRAILER
Infamous outlaw Ben Wade (Crowe) and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans (Bale) volunteers to deliver him alive to the 3:10 to Yuma, a train that will take the killer to trial. But with Wade's outfit on their trail and dangers at every turn the mission soon becomes a violent, impossible journey towards each man's destiny. Disc 1 4K Ultra HD (Movie + Special Features) Audio Commentary with Director James Mangold 3:10 to Score Featurette Sea to Shining Sea Documentary A Conversation with Elmore Leonard Featurette The Guns of Yuma Featurette Historical Timeline of The West (Blu-Ray⢠Only) Disc 2 Blu-Ray (Movie + Special Features) INSIDE YUMA: AN EXCLUSIVE BLU-RAY DISC INTERACTIVE EXPERIENCE DESTINATION YUMA MAKING-OF DOCUMENTARY AN EPIC EXPLORED FEATURETTE OUTLAWS, GANGS, AND POSSES DOCUMENTARY DELETED SCENES
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