2011 Christmas Edition Includes a sneak peek of Ice Age 4 - Continental Drift
The Channel Five/Paramount comedy TV series which centres on the lives of two very different brothers. Charlie Harper is a bachelor in paradise complete with Malibu beach house overpaid job and a very active dating life. The his uptight brother Alan in the throes of a divorce moves in - and brings his 10-year-old son Jake with him. Sorry Charlie. It looks like paradise lost.
Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex and money. Think of the story as a twist on John Grisham's The Firm, with the corporate evil made even more explicit. Reeves is wooden, and therefore doesn't seem to have much of a soul to lose, but he's really just our excuse to meet the devil. Pacino's the main attraction, gleefully showing off his--and the Antichrist's--chops at perpetrating menace and mayhem. --Jim Emerson
Featuring an illustrious cast headed by Ian Holm this dramatised account of the life and loves of Napoleon Bonaparte is a much sought-after classic series from Thames Television. Billie Whitelaw stars as Napoloeon's first wife Josephine with mistresses Desiree Clary and Marie Walewska played by Karen Dotrice and Catherine Schell. Featuring high calibre actors Ronald Hines Peter Bowles Gary Waldhorn and Stephanie Beacham this complete series features all nine hour-long episodes originally transmitted in 1974. At 25 Napoleon is already a general in the French army although on the unemployed list. In Marseilles he woos Desiree Clary the daughter of a rich merchant; but her family refuse a marriage until he has position and money. Napoleon leaves for Paris where he is put in charge of the Tuilleries and is soon made Commander of the Army of the Interior. There he meets and falls passionately in love with Jos''phine Beauharnais...
Based on a novel by the noted Japanese science fiction writer Yasutaka Tsutui, the brilliant and unsettling feature Paprika continues director Satoshi Kon's exploration of the disturbingly permeable boundaries between dreams and reality. Techno-geek Kosaku Tokita invented the DC Mini to allow therapists to enter a patient's dreams and explore his unconscious, but an evil cabal uses the Mini to create a mass nightmare that causes multiple suicides. Psychotherapist Atsuko Chiba uses her alter-identity, "dream detective" Paprika, to intervene. Entering the nightmare, she witness a bizarre parade of appliances, toys, and kitsch objects: all of her intelligence and imagination are needed to escape this nightmare and its perpetrators. As he did in Millennium Actress and Paranoia Agent, Kon effortlessly carries the audience between reality and fantasy, confirming his reputation as one of the most talented and interesting directors working in animation today. (Contains violence, violence against women, grotesque imagery, alcohol and tobacco use) --Charles Solomon, Amazon.com
Las Vegas police officer Vincent Downs (Jamie Foxx) finds himself caught in a high-stakes web of corrupt cops, internal affairs and murderous gangsters. When a failed heist leads to the kidnapping of his teenage son (Octavius J. Johnson), Downs must race against time during a wild and restless night to save him and bring the criminals to justice.
This landmark film by the virtuosic MIKHAIL KALATOZOV (Letter Never Sent) was heralded as a revelation in the post-Stalin Soviet Union and the international cinema community alike. It tells the story of Veronica and Boris, a couple who are blissfully in love until the eruption of World War II tears them apart. With Boris at the front, Veronica must try to ward off spiritual numbness and defend herself from the increasingly forceful advances of her beau's draft-dodging cousin. Winner of the Palme d'Or at the 1958 Cannes Film Festival, The Cranes Are Flying is a superbly crafted drama with impassioned performances and viscerally emotional, gravity defying cinematography by Kalatozov's regular collaborator SERGEI URUSEVSKY (I Am Cuba). Special Features New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray New interview with scholar Ian Christie on why the film is a landmark of Soviet cinema Audio interview from 1961 with director Mikhail Kalatozov Hurricane Kalatozov, a documentary from 2009 on the Georgian director's complex relationship with the Soviet government Segment from a 2008 program about the film's cinematography, featuring original storyboards and an interview with actor Alexei Batalov Interview from 2001 with filmmaker Claude Lelouch on the film's French premiere at the 1958 Cannes Film Festival New English subtitle translation PLUS: An essay by critic Chris Fujiwara
**Special Edition Combo Pack incl. 2 x Blu-ray, 3 x DVD and a limited edition o-card cover** Opposites may attract, but putting them together can result in chemical burns, electric shocks, and explosions. Enter Hachiman Hikigaya, a pessimistic high school student with no friends, no interest in making any, and the firm belief that everyone else's cherished high school experiences are either delusions or outright lies. Hachiman finds himself coerced by his well-meaning student advisor into joining the one-member Service Club. There he encounters club founder Yukino Yukinoshita, a smart, attractive, walking superiority complex who looks down on the entire student body. These two negative personalities are quick to attract Yui Yuigahama, who's cute, bright, cheerful, and needs the Service Club's help to... bake cookies? Is this a recipe for romance or the precursor for a nuclear meltdown? Will there be cookies, nookie, or a reason for everyone to play hooky? Contains episodes 1-13. Special Features: Clean Opening Animation, Clean Closing Animation.
Based on the childhood memoirs of Marcel Pagnol, author of Jean de Florette and Manon des Sources, Yves Robert's La Gloire de Mon Pre and its sequel Le Chteau de Ma Mre are two of the most loved and successful French films ever made.An adult Marcel nostalgically recalls idyllic retreats with his family to the hills of Provence. A love affair with the country began and during those perfect days he found new respect for his school-teacher father as he adapted to life away from the city, while the long journey there would soon bring its own adventures.Together these timeless classics stand as one of cinema's greatest celebrations of childhood, filled with warmth, love and a poignant nostalgia for bygone days they continue to captivate audiences.
Although it eventually runs out of smart ideas and resorts to a typically explosive finale, this above-average thriller rises above its formulaic limitations on the strength of powerful performances by Samuel L Jackson and Kevin Spacey. Both play Chicago police negotiators with hotshot reputations, but when Jackson's character finds himself falsely accused of embezzling funds from a police pension fund, he's so thoroughly framed that he must take extreme measures to prove his innocence. He takes hostages in police headquarters to buy time and plan his strategy, demanding that Spacey be brought in to mediate with him as an army of cops threatens to attack, and a media circus ensues. Both negotiators know how to get into the other man's thoughts, and this intellectual showdown allows both Spacey and Jackson to ignite the screen with a burst of volatile intensity. Director F Gary Gray is disadvantaged by an otherwise predictable screenplay, but he has a knack for building suspense and is generous to a fine supporting cast, including Paul Giamatti as one of Jackson's high-strung hostages, and the late JT Walsh in what would sadly be his final big-screen role. The Negotiator should have trusted its compelling characters a little more, probing their psyches more intensely to give the suspense a deeper dramatic foundation, but it's good enough to give two great actors a chance to strut their stuff. --Jeff Shannon
Enjoy all three Big Momma's films. Big Momma's House 1 Martin Lawrence brings down the house! (E! Online) as crafty FBI agent Malcolm Turner- he's willing to go through thick and thin in order to catch an escaped federal prisoner. Sherry (Nia Long) is the con's sexy former flame - she might have the skinny on millions in stolen bank loot and she's headed for Georgia to lay low for a while. That's enough to send Malcolm deep undercover as Big Momma an oversized overbearing Southern granny with an attitude as tough as her pork chops. The result is a genuinely clever comedy caper of epic proportions filled with nonstop laughs and tons of fun! Big Momma's House 2 Nonstop laughs are back in the house with this supersized sequel that's wilder funnier and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family! In the interest of national security FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma - a slick-talking slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to complete his most outrageous assignment ever! Big Momma's: Like Father Like Son Martin Lawrence returns as FBI agent Malcolm Turner and as Turner's deep-cover alter-ego Big Momma. But this time Turner is joined by his teenage stepson Trent as they go undercover at an all-girls performing arts school after Trent witnesses a murder. Posing as Big Momma and as hefty coed Charmaine they must find the murderer before he finds them.
A somewhat contrived screenplay doesn't stop this thriller from serving up some of the most spectacular fire sequences ever committed to film. Like any Ron Howard production Backdraft is impressively slick and boasts a stellar cast, including Kurt Russell and William Baldwin. The actors play sibling rivals who have been at odds since the death of their firefighter father years earlier. Robert De Niro is the veteran fire inspector who is tracking a series of mysterious and deadly arsons and Donald Sutherland is effectively creepy as the former arsonist who understands the criminal psychology of pyromaniacs. Rebecca De Mornay, Scott Glenn and Jennifer Jason Leigh are featured in supporting roles. Backdraft is a triumph of stunt work and flaming special effects. --Jeff Shannon
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon
Kiss the Girls is a thriller about a collaboration between two serial killers, and, coming after The Silence of the Lambs and Seven, it feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any one of dozens of similar thrillers. --Jeff Shannon, Amazon.com
On the front lines of America's drug war, one family is living in the crossfire in The Wire creator David Simon's THE CORNER.
When a flight attendant wakes up in the wrong hotel, in the wrong bed, with a dead man and no idea what happened her entire life changes in one night. Starring Kaley Cuoco as Cassie Bowden, The Flight Attendant is a dark comedic thriller based on the novel by New York Times best-selling author Chris Bohjalian. Deleted Scenes The Flight Attendant Inside the Series-Inside the Series is a behind the scenes look at The Flight Attendant which is a story of how an entire life can change in one night. A flight attendant (Kaley Cuoco) wakes up in the wrong hotel, in the wrong bed, with a dead man and no idea what happened.
Bridget Gregory (Linda Fiorentino) is a woman who knows what she wants and will stop at nothing to get it: including murder. After a drug deal goes wrong she cons her ineffectual husband Harlan (Bill Pullman) out of seven hundred thousand dollars. She hides in a small town where she takes up with young dumb lover Swale (Peter Berg) but soon Harlan is on her trail and he means business. John Dahl's modern take on the classic film noir is packed full of double-crosses sexual tensi
When advertising executive Bill Rago gets the chop he soon realises that he can't do anything else and is talked into teaching English grammar to a bunch of army recruits. The army wants him to be disciplined and do everything at the double; his pupils just want him to leave them alone...
Star Wars: The Clone Wars - Season 2
An unexpected critical (Grand Prix at Cannes) and commercial (three months in London's West End) success on its release in 2001, The Piano Teacher is a provocative, but ultimately frustrating, film. The intensifying relationship between Erika Kohut, a Viennese piano teacher whose musical focus is gradually undone by sexual repression, and Walter Klemmer, her uninhibited but unsuspecting student and admirer, lacks an underlying motivation, either physical or emotional, to sustain the tortuous encounters of the film's later stages. Director Michael Haneke powerfully evokes the claustrophobic décor of the flat that Kohut shares with her dictatorial yet ineffectual mother, with whom her relationship progresses from the pitiful to the farcical. And farce of the blackest kind is what the film descends to, as Kohut and Klemmer play out a vicious game of sado-masochistic control with an intriguing but indecisive conclusion. Isabelle Huppert is magnificently assured as Kohut, but Benoît Magimel often seems confused as Klemmer, while Annie Girardot resorts to a caricature of the mother. Fans of classical piano will enjoy the masterclass and rehearsal sequences during the first hour, though music is then relegated to a minor role--its deeper relevance to the film being ultimately difficult to define. English subtitles are provided, and the monochrome shades in which the scenes abound come through with suitably wan intensity. Yet it's hard not to feel that a more profound inquiry into the darker side of sexual desire has been lost along the way. --Richard Whitehouse
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