Lancelot (Richard Gere) a nomadic rogue has no ties no enemies and no fear until that is he meets the beautiful Lady Guinevere of Leonesse (Julia Ormond). Guinevere has promised to marry King Arthur (Sean Connery) not only because his armies can protect her country but because she truly loves him. But her chance encounter with Lancelot as she prepares to enter Camelot stirs conflicting and powerful emotions within her. Arthur welcomes both into his city with open heart little foreseeing how his great capacity for love and trust opens the doors for his own betrayal...
Nicole Kidman is Isabel Archer a young woman of daring independence and equally fierce desires. But her headstrong innocence is no match for the manipulations of her duplicitous friend Madame Merle (Barbara Hershey in an Oscar-nominated performance) and the devious Gilbert Osmond (John Malkovich). Adapted from the novel by Henry James.
The year is 1929 and dictator Benito Mussolini (Rod Steiger) is still faced with the 20 year long war waged by Bedouin patriots to combat Italian colonisation in Africa. Mussolini appoints General Rodolfo Graziani (Oliver Reed) governor of Libya confidant that he can crush the rebellion and restore the glories of Imperial Rome. Inspirational in the Bedouin resistance toward the oppressors is the leadership of one man - Omar Mukhtar (Anthony Quinn). A teacher by profession guerilla
A brilliantly inventive whodunit offering a fascinating glimpse into the early days of radio and television, Death at Broadcasting House Features early film roles for Ian Hunter, Jack Hawkins and Donald Wolfit. With scenes filmed at the BBC's then newly constructed London headquarters, this classic murder mystery is presented here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. When an actor is murdered during the recording of a radio play, Detective Inspector Gregory quickly discovers that the victim had many enemies amongst his fellow players. When his deductions lead him nowhere he decides to reconstruct the crime with the full help of Broadcasting House, hoping that this tried and tested strategy will lead him to the killer. SPECIAL FEATURE: Image gallery
Destined to remain a dubious footnote in books of movie trivia, Lion of the Desert--an occasionally impressive epic from 1981--was financed with a budget of $35 million by Libyan dictator Muammar Qaddafi, who previously attempted the role of movie producer with the critically roasted Mohammad: Messenger of God. This effort didn't fare much better (it grossed approximately $1 million worldwide), and although some of its wartime action sequences are intelligently filmed, it's not likely to gain much more of a reputation on home video. Under a shaggy Muslim beard, Anthony Quinn stars as Omar Mukhtar, the Arab hero and guerrilla fighter who defended Libya against Benito Mussolini and Italy's attempted conquests during World War II. As straightforward biography, the movie's got an admirable epic sweep, but a cliché-ridden script and uniformly bad performances (from a cast that includes John Gielgud, Oliver Reed and Rod Steiger) make this little more than a curiosity for those wanting to learn more about Libyan history. --Jeff Shannon, Amazon.com
1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff Shannon
Legends Of The Fall: Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood. First Knight: Set in and around the city of Camelot First Knight is a sweeping epic about love honour betrayal and passion. Lancelot (Richard Gere) a nomadic rogue has no ties no enemies and no fear until that is he meets the beautiful Lady Guinevere of Leonesse (Julia Ormond). Guinevere has promised to marry King Arthur (Sean Connery) not only because his armies can protect her country but because she truly loves him. But her chance encounter with Lancelot as she prepares to enter Camelot stirs conflicting and powerful emotions within her. Arthur welcomes both into his city with open heart little foreseeing how his great capacity for love and trust opens the doors for his own betrayal... The Slipper And The Rose: In Euphrania live two unhappy people - a sad young girl called Cinderella (Gemma Craven) and a proud young prince (Richard Chamberlain) - trapped in two very different worlds. Following the death of her father poor Cinderella has been left in the care of her unfriendly step-mother (Margaret Lockwood) and her two spoilt step-sisters. Meanwhile the Prince of the land has come of age and the King (Michael Hordern) and the Queen want him to marry. His desperate parents hold a splendid ball and invite every noble girl in the land. Cinderella is shunned by her ugly sisters when they leave her behind and flounce off to the ball in their finery. Fortunately her Fairy Godmother (Annette Crosbie) intervenes transforming Cinderella and whisks her off to the ball - and so the love story blossoms in this exquistive movie with music by Richard and Robert Sherman.
The Message:It is the 7th Century and in Mecca powerful leaders are in conflict with Mohammed who attacks the many injustices their way of life produces - slavery drunkenness and cruelty. Mohammed claims to have seen a vision of the Angel Gabriel and calls to the people of Mecca to worship one God only. After a revelation from God Mohammed agrees to take arms against Mecca and at the Wells of Bedr the inexperienced Moslem troops are victorious. However at the Battle of Uh
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