The MummyIf you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny BrownThe Mummy Returns Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff ShannonThe Mummy: Tomb of the Dragon Emperor The third film in the The Mummy series freshens the franchise up by setting the action in China. There, the discovery of an ancient emperor's elaborate tomb proves a feather in the cap of Alex O'Connell (Luke Ford), a young archaeologist and son of Rick O'Connell (Brendan Fraser) and his wife Evelyn (Maria Bello, taking over the role from Rachel Weisz). Unfortunately, a curse that turned the emperor (Jet Li) and his army into terra cotta warriors buried for centuries is lifted, and the old guy prepares for world domination by seeking immortality at Shangri La. The O'Connells barely stay a step ahead of him (climbing through the Himalaya mountains with apparent ease), but the action inevitably leads to a showdown between two armies of mummies in a Chinese desert. The Mummy: Tomb of the Dragon Emperor has a lot to offer: a supporting cast that includes the elegant Michelle Yeoh, Russell Wong, and Liam Cunningham, the unexpected appearance of several Yeti, and a climactic battle sequence that is nightmarishly weird but compelling. On the downside, the charm so desperately sought in romantic relationships, as well as comic turns by John Hannah (as Evelyn's rascal brother), is not only absent but often annoying. Rarely have witty asides in the thick of battle been more unwelcome in a movie. Rob Cohen's direction is largely crisp if sometimes curious (a fight between Fraser and Jet Li keeps varying in speed for some reason), but his vision of Shangri La, in the Hollywood tradition, is certainly attractive. --Tom Keogh
A scorching picture from 1967, Night of the Big Heat is a sweat-inducing shocker based on the 1957 novel from John Lymington. The remote island of Fara is experiencing a stifling heat wave in the middle of winter, causing life, as the locals know it, to come to a halt. Tensions rise as the heat increases plus a high-pitched tone of unknown origin is incinerating the villagers. Directed by Hammer favourite, Terence Fisher and starring Peter Cushing and Christopher Lee alongside chisel jawed Patrick Allen, Night of the Big Heat is sizzling British sci-fi at its most intense.
Iris (Freya Allan) inherits a run-down pub from her estranged father (Peter Mullan) and discovers a dark secret within its basement - Baghead - a shapeshifting creature that will let you speak to lost loved ones, but not without consequence..
From the legendary Shaw Brothers Studio, here's something a bit funnier than their usual fare: after an evil martial arts master (played by the very great Hwang Jang-li (Snake in the Eagle's Shadow) kills their own teacher, Wong Yu (The Shadow Boxing) and Chiang Kam (The Young Master) realise that they're next. But can the squabbling duo put their differences aside long enough to defeat him?With spirited slapstick, supernatural silliness and some jaw-dropping fights that really have to be seen to be believed, Kid From Kwangtang is gravity-defying treat from the glory days of Hong Kong cinema. 88 Films are proud to unleash this classic kung fu comedy on Blu-ray.
A cult comic masterpiece from acclaimed director Philippe de Broca, King of Hearts was a flop upon initial release in France, but was a smash hit in the US, where it ended up running for five years straight. During the latter part of World War I, Private Charles Plumpick (Alan Bates; Women in Love) is chosen to go into the French town of Marville and disconnect a bomb that the German army has planted. However, Charles is chased by some Germans and finds himself holed up at the local insane asylum, where the inmates are convinced that he is the King of Hearts. Feeling obligated to help the inmates, Charles attempts to lead them out of town, but they are afraid to leave and frolic about the streets in gay costumes. Will Charles be able to deactivate the bomb in time and save his newfound friends? Featuring a score by legendary film composer Georges Delerue and also starring Geneviève Bujold (Anne of the Thousand Days, Dead Ringers), King of Hearts is presented here from a gorgeous new 4K restoration in its UK debut as part of The Masters of Cinema Series, in a special Dual Format edition. Features: Limited Edition O-Card slipcase (first print run only) Gorgeous 1080p presentation from the Cohen Media Group 4K restoration (with a progressive encode on the DVD) Original LPCM mono audio Optional English subtitles Feature length audio commentary by film critic Wade Major Geneviève Bujold on the making of King of Hearts an interview with the Academy Award nominated actress from 2017 Interview with Pierre Lhomme the cinematographer discusses working with Philippe de Broca, and the techniques used for filming King of Hearts Interview with Michelle de Broca Producer and ex-wife of director Philippe de Broca talks about working on King of Hearts Eureka! trailer for the 2018 UK theatrical release of King of Hearts A collector's booklet featuring a new essay by Philip Kemp
All Quiet on the Western Front tells the gripping story of a young German soldier on the Western Front of World War I. Paul and his comrades experience first-hand how the initial euphoria of war turns into desperation and fear as they fight for their lives, and each other, in the trenches. The film from director Edward Berger is based on the world-renowned bestseller of the same name by Erich Maria Remarque. Winner of 4 Oscars, including Best Cinematography and Best International Film Winner of 7 BAFTAs, including in the categories of Best Film , Best Director , Best Film Not in the English Language and Best Adapted Screenplay Product Features Making-of Featurette Theatrical trailer Teaser
From a thrilling jet chase to a climactic countdown to nuclear disaster, James Bond is back in an electrifying adventure that pushes the limit for nonstop excitement. Roger Moore portrays the immortal action hero, perfectly capturing Agent 007's deadly expertise, acerbic wit and overpowering sex appeal as he investigates the murder of a fellow agent who was clutching a priceless Fabergé egg at the time of his death.
A cruel jidaigeki masterwork from director Tadashi Imai (Cruel Tale of Bushido) and screenwriter Shinobu Hashimoto, the writer of Masaki Kobayashi's great masterpiece Harakiri, Revenge is a lacerating attack on the absurdity and hypocrisy of feudal Japan.An innocuous comment during a weapon inspection wounds the pride of low-ranking samurai Shinpachi (Kinnosuke Nakamura), leading to an argument with his superior. The situation snowballs out of control, leading to a deadly duel and political fallout which threatens the entire clan.Available for the first time in the UK, the Masters of Cinema series is proud to present Tadashi Imai's Revenge in its worldwide debut on Blu-ray from a new 2K restoration.Special FeaturesLimited Edition Slipcase (First print run of 2000 copies only) featuring artwork by Tony Stella1080p presentation on Blu-ray from a 2K restoration of the original film elementsUncompressed original Japanese mono audioNewly translated English subtitles (optional)Brand new interview with Tony RaynsBrand new video piece by Jasper SharpPLUS: A collectors booklet featuring new writing on the film
A small-town police chief (Bill Paxton) concealing an explosive secret. A pair of ruthless drug dealers (cowriter Billy Bob Thornton and Michael Beach) who leave a bloody trail in their wake as they make their way from Los Angeles to Arkansas. And an enigmatic woman (Cynda Williams) caught in the middle. The way these desperate lives converge becomes a masterclass in slow-burn tension thanks to the nuanced direction of Carl Franklin, whose haunting film travels a crooked road across America's most fraught divisions of urban and rural, Black and white while imbuing noir conventions with a wrenching emotional depth. Product Features DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, approved by director Carl Franklin, with 2.0 surround DTS-HD Master Audio soundtrack Audio commentary from 1999 featuring Franklin New conversation between Franklin and cowriter-actor Billy Bob Thornton Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by author William Boyle
Left behind in another world, Hajime rose from nothing thanks to his will to survive and his beautiful allies. After saving the classmates who abandoned him, he begins an escort mission to Erisen. To find a way home, he'll fight anyoneincluding a god!
In a rapidly modernising English town, a psychopathic murderer is on the loose terrorising the young women of the local community. Fourteen year old Wynne (Jenny Agutter) begins to suspect that George (Bryan Marshall), her adoptive stepbrother who she's infatuated with, is the perpetrator. But could he really be responsible for such horrific crimes? Presented in a new 2K restoration, David Greene's much soughtafter British thriller is a gripping, cult classic of late1960s cinema and the latest addition to the BFI Flipside collection. Featuring a standout performance from Agutter and contributions from cult icons writer Richard Harris (The Avengers), production designer Brian Eatwell (Walkabout) and composer Basil Kirchin (Primitive London), I Start Counting' is a haunting comingofage tale like no other. Special Features Scanned & restored in 2k from the 35mm interpositive Audio commentary by film historian Samm Deighan A Kickstart: Jenny Agutter Remembers I Start Counting (2020, 20 mins) Loss of Innocence: A Video Essay on I Start Counting by Chris O'Neill (2020, 8 mins) Interview with Jonny Trunk (2021): the writer, broadcaster, DJ and owner of Trunk Records discusses the work of composer Basil Kirchin Original theatrical trailer Other extras TBC **FIRST PRESSING ONLY** Fully illustrated booklet with a new essay on the film by the BFI's Jo Botting and writing on the cast and director by Jon Dear
AMERICAN ASSASSIN follows the rise of Mitch Rapp (Dylan O'Brien), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton). The pair is then enlisted by CIA Deputy Director Irene Kennedy (Sanaa Lathan) to investigate a wave of apparently random attacks on both military and civilian targets. Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.
One of the most visually striking of all the later silent films, The Man Who Laughs reunites German Expressionism director Paul Leni and cinematographer Gilbert Warrenton from their horror hit the previous year, The Cat and the Canary (1927). Both films are often considered to be among the earliest works of legendary horror classics from Universal Studios, yet the undeniably eerie The Man Who Laughs is more accurately described as a Gothic melodrama. However, its influence on the genre and the intensity of the imageryart director Charles Hall and makeup genius Jack Pierce would go on to define the look of those 1930s Universal horror landmarkshave redefined it as an early horror classic, bolstered by one of the most memorable performances of the period. Adapted from the Victor Hugo novel, The Man Who Laughs is Gwynplaine (an extraordinary Conrad Veidt), a carnival sideshow performer in 17th-century England, his face mutilated into a permanent, ghoulish grin by his executed father's royal court enemies. Gwynplaine struggles through life with the blind Dea (Phantom of the Opera's Mary Philbin) as his companion though she is unable to see it, his disfigurement still causes Gwynplaine to believe he is unworthy of her love. But when his proper royal lineage becomes known by Queen Anne, Gwynplaine must choose between regaining a life of privilege, or embracing a new life of freedom with Dea. The startling makeup on Veidt was the acknowledged direct inspiration for The Joker in the 1940 Batman comic that introduced the character, and film versions of The Joker have been even more specific in their references to Leni's film. While The Man Who Laughs contains powerful elements of tragedy, doomed romance, and even swashbuckling swordplay, its influence on horror cinema is most pronounced. Leni died suddenly at the age of 44 a year after this film (with Veidt also unexpectedly passing away too soon in 1943), and The Man Who Laughs endures as one of the most haunting and stylish American silent films, made just as that era was coming to a close. The Masters of Cinema Series is proud to present the film on home video for the first time ever in the UK. Special Features: LIMITED EDITION O CARD (2000 UNITS) 1080p presentation on Blu-ray from Universal's 4K restoration Uncompressed LPCM 2.0 (stereo) score by the Berklee School of Music Uncompressed LPCM 2.0 (mono) 1928 movietone score A brand new interview with author and horror expert Kim Newman A brand new video essay by David Cairns Paul Leni and The Man Who Laughs featurette on the production of the film Rare stills gallery A collector's booklet featuring new writing by Travis Crawford, and Richard Combs
Two years have passed since the CCG carried out their raid on Anteiku, marking an unmistakable change to the atmosphere across Tokyo because of this show of strength. However, rather than eradicating ghouls, the city's supernatural denizens have simply become more cautious in going about their lives, while terrorist organisation Aogiri Tree seeks to grow in strength with the aim of rising to combat the CCG s growing threat to the very existence of ghouls. In a final push to investigate and exterminate Tokyo's unwanted elements, the CCG has created a special unit - the Quinx Squad, an unruly team of humans who use the special abilities of ghouls to fight. At the head of this squad is an oddly familiar face: Haise Sasaki, a young man struggling with both a new identity and the difficult nature of his new teammates. It's a problem made all the more difficult as his investigations begin to stir long-lost memories that could change everything for him... Contains Episodes 1-12 on Blu-Ray with both the English dub and the original Japanese with English subtitles.
It took God six days to create the heavens and the earth... and Monty Python 90 minutes to screw it up. John Cleese Graham Chapman Terry Jones Eric Idle Terry Gilliam and Michael Palin have returned to explain The Meaning of Life (again - this time on Blu-ray). The Python crew offer the usual tasteful sketches involving favourite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Pythons. After seeing them in action you'll never look at life in quite the same way again! Special Features: Hour long newly created HD featurette with Producer John Goldstone in conversation with the cast Eric Idle Introduction Feature Commentary from Terry Jones and Terry Gilham The Snipped Bits: 7 Deleted Scenes Singalong The School of Life Song and Dance Songs Unsung Selling The Meaning of Life Fish: The School of Life Soundtrack for the Lonely
Immediately recognisable by his distinctive silver mask, the heroic wrestler known as El Santo ('The Saint') was Mexico's most popular luchador, becoming a folk hero and the star of a hugely popular series of action films. Enter Santo: The First Adventures of the Silver-Masked Man presents the two earliest cinematic excursions of this icon of Mexican popular culture. In Santo vs. Evil Brain (Santo contra cerebro del mal), the dastardly Doctor Campos is kidnapping and brainwashing scientists. When undercover detective Santo falls prey to Campos' scheme, Lieutenant Zambrano (Enrique Zambrano) and El Incognito (Fernando Osés) must come to his assistance to foil Campos' plans. Meanwhile, in the same year's Santo vs. Infernal Men (Santo contra hombres infernales), the trio of Santo, El Incognito, and Zambrano team up once again to fight a band of drug smugglers. Shot in Cuba in the final days before Fidel Castro entered Havana, these two films represent the celluloid birth of a true screen legend, and spawned a further fifty Santo films. Beautifully restored in 4K from the original negatives, these thrilling films finally receive their world Blu-ray premieres in this individually numbered Limited Edition two-disc set, complete with new and archival extra features, including a feature-length documentary, a poster, and an 80-page book. Product Features Brand new 4K restorations from the original camera negatives of Santo vs. Evil Brain and Santo vs. Infernal Men Original mono audio Perdida (2011), feature-length documentary by Viviana GarcÃa-Besné, granddaughter of Jorge GarcÃa-Besné, exploring her family's massive contribution to Mexican cinema, including initiating the Santo series Archival interview with actor JoaquÃn Cordero (2010) Santo vs. Evil Brain restoration comparison Santo vs. Infernal Men restoration comparison Perdida image gallery: stills collection from the Calderón family New and improved optional English translation subtitles Limited Edition exclusive 80-page book Limited Edition exclusive poster World premieres on Blu-ray Limited edition of 6,000 copies for the UK and US All extras subject to change
After wooing stewardess Yoriko (Chieko Matsubara, Tokyo Drifter), war photographer Hondo (Akira Kobayashi, Battles Without Honor and Humanity) sees her kidnapped by a team of deadly female assassins who use vinyl records as weapons. Investigating her whereabouts, Hondo uncovers a conspiracy to steal a buried stash of WWII-era gold. Soon he must dodge go-go dancing ninjas and chewing-gum bullets to save Yoriko, whose family secret is tied to the hidden treasure. Every bit as stylish and inventive as the wildest works by his mentor Seijun Suzuki, Yasuharu Hasebe's spy spoof is a gaudy 1960s pop delight that ranks with the likes of Joseph Losey's Modesty Blaise and Mario Bava's Danger: Diabolik! Product Features High-Definition digital transfer Uncompressed mono PCM audio Audio commentary by Jasper Sharp Archival interview with director Yasuharu Hasebe Trailer Optional English subtitles Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow Limited edition booklet featuring new writing by Japanese cinema expert Chris D. Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
One of the most artistically significant and controversial motion pictures ever made D. W. Griffith's silent epic The Birth of a Nation was a massive commercial success at the time of its release owing to its dynamic storytelling and its breakthrough developments in cinema language that have become common traits of practically every film that has since followed. However the picture's legacy is one that continues to elicit outrage over its vulgar depictions of African-Americans and its deceptive historiography of the United States in the second half of the nineteenth century. The Birth of a Nation begins depicting the amiable relationship between two families Northern and Southern and the way in which the impending Civil War intensifies the conflict of their worldviews. Following the end of the war and the assassination of President Lincoln a lawless chaos courses throughout the Reconstruction South and the Ku Klux Klan is formed to take on a rising black militia and impose a vengeful vigilante justice across their land and birthright. It's a film that's deeply divisive even to the senses of a single viewer: images of painterly beauty in composition and tonal quality often exhibit a contemptuous inflammatory coarseness with regard to subject matter; just as frequently long tracts evince an innocent terrifically lyrical grandeur. Griffith would attempt to make amends for the moral schism of this schizophrenic epic in his next film Intolerance but The Birth of a Nation cannot - and should not - remain unseen or undiscussed: it is a great and terrible masterpiece. The Masters of Cinema Series releases Griffith's three-hour epic including a series of the director's Civil War shorts for the first time on Blu-ray in the UK. Special Features: New 1080p presentation (on the Blu-ray) of the film from archival 35mm elements in its original aspect ratio Music by the Mont Alto Motion Picture Orchestra in 2.0 stereo and DTS-HD Master Audio 5.1 Short archival introductions to the film by D. W. Griffith and Walter Huston Newly rediscovered original intermission sequence and 1930 re-release title sequence Seven Civil War shorts directed by Griffith: In the Border States (1910); The House with Closed Shutters (1910); The Fugitive (1910); His Trust (1910); His Trust Fulfilled (1910); Swords and Hearts (1911); and The Battle (1911). A lengthy booklet with writing about the film rare archival imagery and more.
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