Disney's classic animated retelling of the French fairy tale, with a new scene added for the forthcoming Imax exclusive re-release.
Set Comprises: Blue Hawaii (1961): The year was 1961. Fallout shelters dot surburban backyards. Ken joins Barbie. Roger Maris slugs 61 home runs. And Elvis Presley is in paradise playing an ex-G.I. who comes home to Blue Hawaii. His mother (Angela Lansbury) expects him to climb the corporate ladder. But Elvis would rather wear an aloha shirt than a white collar so he goes to work as a tour guide. Lucky Elvis: his first customers are a carfull of cuties. Elvis lovely scenery lovelier girls and rock-a-hula songs - now that's paradise! Girls Girls Girls (1962): Ross Carpenter a fishing guide/sailor who loves his life out on the sea finds out his boss is retiring to Arizona and has to find a way to buy the Westwind a boat that he and his father built. GI Blues (1960): The year was 1960. A payola scandal shocks the music world. Movie fans are introduced to glorious Smell-O-Vision. The 50-star flag is adopted. And in G.I. Blues Elvis adopts an on-screen persona he knows well in real life - a singin' G.I. in West Germany. Eager to open a stateside nightclub after his hitch in khakis he takes part in a wager to raise the dough he needs. The bet: he can melt the heart of a willowy dancer (Juliet Prowse). But all bets may be off when real love intervenes... Roustabout (1964): The year was 1964. The miniskirt is in. If you can't Watusi you can't dance. Cassius Clay (soon to be Muhammad Ali) claims the heavyweight crown. And Elvis is a karate-chopping biker who's hired as a carnival Roustabout. At first he just provides the muscle and a diversion for the beautiful carny girls. Then he picks up a guitar and gets the midway rockin'. Looks like this talented tough guy may be what the good-hearted owner (Barbara Stanwyck) needs to save her travelling show from bankruptcy. King Creole (1958): The year was 1958. Everybody's dating at the drive-in. America launches its first satellite. The novel 'Lolita' stirs up controversy. And Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime? Easy Come Easy Go (1967): On his first day as a civilian Elvis starts his new job -- self-employed treasure hunter! Fans will dig these treasures too: rockin' tunes romance with a go-go dancer underwater action and The King twisted like a human pretzel at a groovy '60s yogafest!
Chorus Of The Deutsche Oper Berlin Orchestra Of The Deutsche Oper Berlin Conducted By Lawrence Foster Live from the Deutsche Oper Berlin
Albert Markovsky is an environmental poet at odds with a slick department chain salesman, so he seeks the aid of existential detectives, the Jaffees, to help him deal with it.
Angela Lansbury returns in her Golden Globe-winning role of mystery writer Jessica Fletcher. With more Cabot Cove Syndrome happening more people are turning up dead wherever she ventures. Jessica is the only one clever enough to read between the lines and see the clues nobody else knew were there. Along for the chase are amazing guest stars like Harvey Fierstein (Independence Day) Jon Polito (Miller's Crossing) David Soul (Starsky & Hutch) Neil Patrick Harris (How I Met Your Mother) plus many others.
Based on the novel of the same name by Hunter Davies this glossy coming-of-age comedy directed by Clive Donner (The Caretaker) follows the exploits of sex-obsessed Jamie (Barry Evans - Adventures of a Taxi Driver Mind Your Language) as he attempts to join the Swinging Sixties set and lose his virginity by seducing the local girls. This fun-filled fantasy is populated with many famous faces of the time including Judy Geeson (To Sir with Love 10 Rillington Place) Denholm Elliott (Bad Timing Brimstone & Treacle) Nicky Henson (Witchfinder General Psychomania) Extras: Complete uncensored presentation of main feature Alternative censored sequences (10 mins) Because That Road is Trodden (Tim King 1969 23 mins): dream-like confessional about the fantasies of a public schoolboy Stevenage (Gordon Ruttan 1971 21 mins): documentary celebration of Britain's first New Town and the setting for Here We Go Round the Mulberry Bush
An intense, compelling series from the early '70s, Man at the Top stars Kenneth Haigh in the continuing story of Joe Lampton, the aggressively ambitious anti-hero of John Braine's bestselling novel Room at the Top. Haigh won a BAFTA nomination for his portrayal of Lampton, and a strong supporting cast includes Zena Walker, Paul Eddington, George Sewell and Colin Welland. This set contains both series and the hit film sequel from Hammer Films. Thirteen years on from his marriage to the pregnant Susan, Joe is now a father of two with a stockbroker-belt home and a career in management consultancy. As tenacious and pushy as ever, his attentions rarely remain fixed; with plenty of candidates eagerly forming the 'other woman' queue, Joe will seize any opportunity, be it personal or professional, to further his climb to the top in the world of big business and beyond...
This beautifully animated film will captivate any adult or child who has ever been touched by the magical stories of Roald Dahl. The fantasy dream world of the BFG has been wonderfully brought to life by award-winning British animators Cosgrove Hall and now looks and sounds even better on DVD. When little Sophie is taken from her orphange bed one night it's just the beginning of a thrilling adventure with The Big Friendly Giant. As they catch dreams together in Dream Country and blow them into children's bedroom trouble appears in the shape of The Bloodbottler and Fleshlumpeater - big bad giants who like to gobble children for breakfast! It's up to Sophie and The BFG to persuade the Queen Of England to help them stop the giants and thwart their fiendish plans...
A small time businessman on the make fancies himself for the big time but spends his days fetching and carrying for the local traveller community leader John Power who just happens to be a forceful and dangerous Godfather of the local travelling community. A tense story of violent retribution interwoven with wicked Irish humour.
World War I is over and Eaton Place has moved into the 1920's. The uncertainty of this new age is emphasised as Richard Bellamy's plans for the future with his new wife Virginia cause anxiety. James Bellamy on returning from the war looking for a worthwhile occupation decides to follow in his father's footsteps and enters politics. James and Georgina are caught up in the hysterical gaiety of the times and throw a wild fancy dress party which ends in tragedy. James finds himself bored with his life and embarks on an affair with his best friend's wife. Meanwhile below the stairs Hudson becomes enamoured with a new young housemaid and puts his position as butler in danger... Amidst the political turbulence there is also social exuberance for some members of the upper class. Georgina strikes up a friendship with a wild society girl causing great distress to her family. Meanwhile James is experiencing the heartaches of unrequited love as Georgina doesn't recognise his strong feelings for her. Worst of all a massive blow is dealt to the whole household as tragedy strikes Eaton Place. James has unfortunately made a bad investment and is forced to sell Eaton Place to pay off creditors. Episodes Comprise: 1. On with the Dance 2. A Place in the World 3. Laugh a Little Louder Please 4. The Joy Ride 5. Wanted-A Good Home 6. An Old Flame 7. Disillusion 8. Such a Lovely Man 9. The Nine Days Wonder 10. The Understanding Alberto 11. Will Ye No Come Back Again 12. Joke Over 13. Noblesse Oblige 14. All The Kings Horses 15. Whither Shall I Wander?
Lost in Space began life in 1965 as a science-fiction take on The Swiss Family Robinson. Produced by Irwin Allen, then in the midst of his run of spectacular-but-childish TV SF (before he became the master of big-screen disaster movies), the show featured a family of all-American space colonists cast away on a mysterious planet. Gradually the whole thing devolved into a silly (but sometimes fun) exercise in childish camp. This box set includes all 29 black and white episodes from the first season (with a burst of colour at the end of the last show--a foretaste of the garish look of the remaining two seasons) along with "No Place to Hide", the expensive pilot show that sold the series but which prompted Allen to revamp the whole premise in comic mode when network execs responded best to its unintended humour. "No Place to Hide" has action scenes that cropped up in the first six regular episodes but is missing several of the show's trademark aspects, most notably that infectious theme from Johnny Williams (later, John Williams of Star Wars fame) and the scheming presence of Dr Smith (Jonathan Harris) and his alternately menacing and comical robot ("It does not compute"). As the series progresses (or degenerates, depending on your taste), Harris's Smith changes from pantomime villain, a saboteur who is trying to kill the family, into pantomime dame, a panicky old idiot whose foolishness, cowardice and avarice are an endless source of plots. It mostly makes do with the regular cast plus an array of shaggy-suited, snarling aliens, but you do get sterling ham from visiting astronauts such as Warren Oates ("Welcome Stranger"), Robby the Robot from Forbidden Planet ("War of the Robots") and a very young Kurt Russell ("The Challenge"). Stories about surviving on an alien world give way to lifts from fairy tale, myth and old movies as Smith gets hold of a wishing cap, becomes a giant, is chosen as a sacrificial king, turns the children over to an alien zoo, squeaks in fright as a werewolf approaches or is cursed with a platinum Midas touch. --Kim Newman
Angels, the popular BBC prime-time drama series about student nurses in a London hospital, ran from 1975 to 1983. The series began as a 50-minute drama series but changed to two half-hour episodes a week in 1979. Created by Paula Milne, the series chronicled the personal and professional lives of six student nurses, and controversially, tackled issues such as contraception, alcoholism and promiscuity as part of the nurses' lives. Grittily authentic each actress taking a part was required t...
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
A sequence of dramatic events befalls the residents of Eaton Place. Elizabeth becomes involved with the Suffragettes which has disastrous consequences upon Rose a financial crisis threatens to force the Bellamys from their home and James returns from India with a fiancee in tow who threatens to shatter the peace. The formidable Thomas and Sarah receive a rousing send-off from the other servants as they set off to begin their new life together in north London. Is this really the las
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
All nine films in the science-fiction franchise thus far. In 'Planet of the Apes' (1968) a group of astronauts, led by George Taylor (Charlton Heston), crash-lands on a strange planet where mute humans are treated as slaves by intelligent apes. Taylor is hunted down and captured by horse-riding gorillas and then taken for experimentation by chimpanzee Dr Zira (Kim Hunter). When Zira discovers Taylor's intelligence, she and her fiancé Cornelius (Roddy McDowall) appeal to the governing council on his behalf, but the appeal fails, leaving the astronaut no choice but to go on the run. Fleeing for his freedom, Taylor soon makes a shocking discovery about the provenance of this strange planet. In 'Beneath the Planet of the Apes' (1970) astronaut Brent (James Franciscus) is on a special mission to rescue George Taylor. After travelling to the ape village where he was imprisoned, he meets Dr Zira and learns that Taylor was last seen in the Forbidden Zone. Setting off in pursuit he soon discovers that his colleague has been taken prisoner by an underground society of telepathic mutant humans who worship an atomic warhead. In 'Escape from the Planet of the Apes' (1971) Dr Zira, Cornelius and Dr Milo (Sal Mineo) escape the nuclear devastation of Earth by travelling back in time in Taylor's spaceship, arriving in Los Angeles in the year 1973. They are initially held in captivity in a zoo, where Milo is attacked and killed by a savage gorilla. When Zira and Cornelius prove their intelligence they are released and hailed as celebrities, but some resent the apes' arrival, seeing them as a threat to human supremacy. In 'Conquest of the Planet of the Apes' (1972) the year is now 1991. Caesar (McDowall), the son of Zira and Cornelius, has been sheltered for 18 years by circus owner Armando (Ricardo Montalban). Following a plague which wiped out all cats and dogs, apes have been adopted as pets by humans, but when Caesar sees them being treated as slaves, he leads his fellow simians i
The four films in this Agatha Christie Murder Mystery Collection demonstrate exactly why Christie's reassuringly formulaic whodunits have been extraordinarily resilient source material. In each we find a corpse (or several), an assorted group of suspects gathered in a self-contained location, all with a motive to commit murder, and the coincidental presence of the totem detective (Poirot or Miss Marple). Between 1974 and 1981, producers John Brabourne and Richard Goodwin mined the Christie seam for some of its ripest riches. Murder on the Orient Express (1974), directed by Sidney Lumet, features a cavalcade of stars including Ingrid Bergman, Lauren Bacall, John Gielgud and Sean Connery; while Christie herself gave Albert Finney's Poirot her blessing. The Art Deco setting exudes glamour; the plot is preposterously diverting; the lighting, silvery and washed-out, giving the suspects an appropriately grim and ghoulish air. With a superior Anthony Shaffer screenplay Death on the Nile (1978) saw Peter Ustinov taking over as Poirot. The backdrop of ancient Egyptian monuments helps bring this adaptation a touch of class, complemented by composer Nino Rota's epic theme tune. The Mirror Crack'd (1980) features Elizabeth Taylor and Kim Novak as rival Hollywood legends descending on a quaint English village to make a film, with Rock Hudson as Taylor's husband and Angela Lansbury as a rather unconvincingly robust Miss Marple. Shaffer returned to the fray, adapting Evil Under the Sun (1981) and moving Poirot from the Cornish Riviera to an island off the coast of Albania. Ustinov reprises his role and Maggie Smith returns, camper than ever, as the hotel owner inconvenienced by murder. On the DVD: It's a pity that the sound quality hasn't been sharpened up, though: Murder on the Orient Express sometimes evokes memories of the muffled incoherence of an old fleapit. Apart from trailers, extras are few and far between. There are no cast lists or filmographies. But Death on the Nile and Evil Under the Sun both feature interesting short promotional "'making of"' documentaries in 4:3 format. --Piers Ford
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
After the death of her bullying husband the not-so aged and downtrodden housewife Thelma Caldicot (Pauline Collins) is shipped off to the Twilight Years Rest Home by her money-grabbing son and manipulative daughter in-law. Appalled by the conditions Mrs Caldicot decides to taker matters into her own hands...
The makers of Supernova are apparently counting on the fact that generational turnover renders old formulas fresh again for new audiences. This is the only explanation for a sci-fi thriller that could charitably be called a "homage" to Ridley Scott's trend setting Alien. A medical rescue ship responds to a distress call from a mining colony and finds only one survivor: a strange young man (Peter Facinelli), who comes aboard carrying an even stranger alien artefact. But the plot of this film, which was directed and then disowned by Walter Hill, grows confused as it tries to explain the sinister force that will lead to a star transforming to supernova status, causing a universe-shattering explosion. Some nice sexual tension between James Spader (as the recovering drug-addict co-pilot) and Angela Bassett (as the ship's doctor). Notable mostly, however, for the eerie resemblance, both physical and vocal, between Facinelli and Tom Cruise. --Marshall Fine, Amazon.com
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