The Good Life has proved an enduring jewel in the BBC's mainstream comedy archive. More than 25 years after it first appeared in our living rooms, nostalgia must be a major reason for its appeal. A whole generation of young men--and their fathers--found the weekly sight of Felicity Kendal as Barbara Good, pert in denim dungarees, irresistible. But it's the quality of the playing that has really stood the test of time and triumphs over a premise--self-sufficiency in Surbiton--that now seems naïve. Even in 1975, a Tom Good (a masterpiece of comic eccentricity from Richard Briers) quitting the rat race would probably have sold up his semi and chanced his luck as a small holder somewhere more remote than suburban Surrey. Comic tensions arise not just from the Goods' daily struggle to beat the system on their own terms, but also from the relationship with their incredulous, often horrified, but usually supportive neighbours. Penelope Keith's Margo Leadbetter remains one of the great comic creations in British sitcom history--a simmering volcano of conservatism waging her own battle against creeping mediocrity in all aspects of life, whose human frailty somehow keeps her loveable. Paul Eddington as Jerry, her long-suffering husband, spars splendidly. These are happy memories indeed. --Piers Ford
A historic Hollywood hotel houses a supernatural evil. It's been subdued for decades - but when renovations start, a series of murders take place. It's up to our heroine to solve the mystery.
Welcome back to Westworld, the Emmy®-winning drama series where the puppet show is over and the newly liberated hosts are coming for humankind. Created for television by Jonathan Nolan and Lisa Joy, the first season of WESTWORLD explored a world in which every human appetite, not matter how noble or depraved, could be indulged. Delving into what it means to be human through the eyes of the lifelike AI hosts in the park, the series investigated the boundaries of an exotic world set at the intersection of the near future and the reimagined past. Meticulously crafted and artfully designed, Westworld offered its guests an unparalleled, immersive world where they have the freedom to become who they've always wanted to be or who they never knew they were. In the first season, the hosts didn't understand the nature of their reality. They didn't have an element of choice. All that changes with the pull of a trigger. In Season Two, chaos takes control as the rancher's daughter, Dolores Abernathy (series star EVAN RACHEL WOOD) takes charge, Maeve Millay (series star THANDIE NEWTON) is on a mission and the mysterious Man in Black (series star ED HARRIS) is back. A dark odyssey about the dawn of artificial consciousness, the birth of a new form of life on Earth, and the evolution of sin, the series also stars JEFFREY WRIGHT, JAMES MARSDEN, TESSA THOMPSON, LUKE HEMSWORTH, RODRIGO SANTORO and more.
Wuthering Heights is a heartrending story of unrequited love and sibling rivalry. When the dark brooding orphan boy Heathcliff enters the Earnshaw household at Wuthering Heights he is at first shunned by his new stepsiblings Catherine and Hindley. Catherine's feelings toward Heathcliff soon change but it all ends in tragic consequences for everyone.
A totally original - and at the time extremely daring - blend of music drama comedy satire fantasy and dance Rock Follies owes as much to the American musicals of the thirties and forties as it does to glam rock and women's lib. A huge success both critically and commercially it won a BAFTA Award for Best Drama Series and spawned a Number One album. First transmitted in 1976 this release features all 6 episodes that made up the first series of Rock Follies.
Penelope Keith stars as Audrey Forbes-Hamilton and Peter Bowles as noveau riche millionaire grocer Richard DeVere in this double DVD which contains the entire third series of this classic BBC comedy including the last ever episode.
In the tradition of The Sixth Sense and The Omen comes this riveting supernatural thriller filled with spine-tingling chills and white-knuckle suspense. Academy Award Winner Kim Basinger stars as Maggie O'onnor a single woman whose life revolves around her career as a nurse - until the surprise appearance of her sister Jenna (Angela Bettis) and Jenna's newborn baby girl Cody. When Jenna suddenly disappears Maggie is left to raise Cody (Holliston Coleman) an autistic child by herself. But after Jenna returns with a mysterious cult leader (Rufus Sewell) and abducts Cody Maggie discovers that the child possesses extraordinary powers: powers that forces of evil have waited centuries to control. Together with a FBI specialist in occult-related crimes (Jimmy Smits) Maggie races to save the life of the innocent girl who may hold the keys to save mankind or destroy it...
Benoit Jacquot's filmed Tosca treads a fine line between operatic staginess and cinematic contrivance. As per the libretto, each act takes place in a single setting, but with the singers here miming to a pre-recorded soundtrack. Jacquot freely reminds us of the conceit with cutaways to the recording session itself--revealing conductor, orchestra and soloists at work--thus a bridge is made between the on-screen action and the music-making itself, and the inherent duality of any opera production is laid refreshingly bare. The same cannot be said for the director's decision to interpolate spoken dialogue over the music in key places--a distraction not an enhancement. Angela Gheorghiu and Roberto Alagna are glamorous and attractive enough to make the most of their Hollywood-style close-ups; their singing easily bears similar close scrutiny--as anyone who owns the CD soundtrack album will surely already know. If Alagna lacks a little power as Cavaradossi on record, his charismatic screen presence happily compensates; Gheorghiu is both vocally and physically almost ideal as Tosca. Ruggero Raimondi's Scarpia completes an outstanding trio, and in the pit (or, rather, in the studio) conductor Antonio Pappano handles the drama of Puccini's score without missing a single nuance. Both musically and visually, then, this is a Tosca to treasure. On the DVD: Tosca on disc looks vibrant in this warm, widescreen picture accompanied by a DTS 5.1 soundtrack. Three filmed interviews--with Gheorghiu, Pappano and Jacquot--provide some insight into the making of this production. --Mark Walker
Giuseppe Verdi - Messa da Requiem.
Pat (Cassie McFarlane), an ordinary London girl with a caring family, a job she enjoys and her own flat, seeks nothing more than to settle down to a life of married, middle-class conformity. Her cosy world is jolted when she meets Del (Victor Romero), a charming and vaguely discontented toolmaker, who soon moves in and then loses his job causing them both to challenge their assumptions about each other and their aspirations. Burning an Illusion, the pioneering first feature from Menelik Shabazz marks a coming of age for black British cinema. A film about transformation and identity, this sensitive and entertaining love story traces the emotional and political growth of a young black couple in Thatcher's London. Product Features Filmed introduction with Menelik Shabazz (2005) Audio commentary with Menelik Shabazz, Cassie McFarlane and Victor Romero (2005) Blood Ah Goh Run (Menelik Shabazz, 1982, 13 mins): short film documenting the impact of the New Cross massacre of 1981, the Black People's Day of Action, and the uprisings in Brixton, Southall and Liverpool Other extras TBC Sleeve featuring original poster artwork by Anum Iyapo and Shakka Dedi
Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see in flashback) how he became obsessed by her (so much so that he failed to notice that she was played by two different actresses, representing different sides of her personality), and how she tantalised him, but would never allow him to satisfy his desire for her...
Pitched as a gritty, hard-hitting crime drama series about a mob family, Kingpin invites inevitable comparisons with The Sopranos--the pilot episode is even directed by Sopranos alumnus Allen Coulter--but the basic premise is more a south-of-the-border Godfather, with Miguel Cadena (Yancey Arias) as the conflicted Michael Corleone-type character who finds himself inexorably but somewhat reluctantly taking charge of his family's Mexican drug cartel. Written and produced by David Mills, a graduate of NYPD Blue and Homicide: Life on the Street, the show has all the right credentials for a successful TV drama, combining a colourful ensemble cast and evocative locations on either side of the Rio Grande, but somehow it failed to find enough of an audience in the US to get beyond one season (a similar fate befell the equally praiseworthy Boomtown). Unlike Tony Soprano, Miguel's (American) wife Marlene (Sheryl Lee, still best known as Laura Palmer from Twin Peaks) supports her husband's position with Machiavellian schemes of her own, though both parents strive to shelter their eight-year-old son from involvement in the messier side of the family business. After a bloody coup in the pilot episode, Miguel and his ruthless brother Chato (Bobby Cannavale) cement their hold over the business while struggling with the twin threats of family infighting and law enforcement pressure. As in Steven Soderbergh's Traffic, the DEA agents--principally go-getting Delia Flores (Angela Alvarado Rosa)--are significant characters in their own right. Also north of the border is cowardly plastic surgeon Dr Heywood Klein (Brian Benben), who enjoys the lifestyle too much to break his illicit connection with the Cadena family. It's all gripping, bloody, amoral stuff that makes for compelling viewing. Unfortunately, Kingpin never quite attains the effortlessly sublime levels of its northern predecessor and thus never quite breaks free from the long shadow of The Sopranos. --Mark Walker
Martial arts action drama directed by Feng Huang and starring Angela Mao, Jhoon Rhee and Carter Wong. Set in Korea, the film follows a small band of rebels who are engaged in fighting with occupying Japanese forces. Rhee stars as the leader of the resistance and, together with Chinese Hapkido expert Wan Ling-Ching (Mao), must ensure the safety of his group by seeking the help of their Chinese allies.
Thirteen-year-old Aviva wants to be a Mom - and will go to any lengths to realise her dream.
""Danger Will Robinson! Danger!"" In the year 1997 Earth is suffering from massive overpopulation. Professor John Robinson his wife Maureen their children (Judy Penny and Will) and Major Don West are selected to go to the third planet in the Alpha Centauri star system to establish a colony so that other Earth people can settle there. However Doctor Zachary Smith an agent for an enemy government is sent to sabotage the mission. He is successful in reprogramming the ship's robot
Award-winning documentary following eight kids competing for the position of best speller in the National Spelling Bee competition in America.
Drama starring Margi Clarke and Caroll Baker. Ronnie (Clarke), daughter of a bareknuckle fighter, is not averse to using her fists. When she is put in jail for assault, she escapes and goes to find her father, now an alcoholic dishwasher in New York. She resolves to bring him home to Liverpool and enters a female prizefight to raise the fare.
One of the most remarkable things about this recording of the Queen's Golden Jubilee Prom at the Palace--quite apart from the musical goodies on offer--is the opportunity to glimpse inside the royal garden, and see what Her Majesty's principal home looks like from the back. Who would have guessed she had her own lake? Voyeurism aside, director Bob Coles also catches the palpable sense of occasion and excitement that surrounds the concert, with some swooping camera angles and shots of a very chuffed-looking crowd. The music, introduced by Michael Parkinson, is a mix of popular favourites (Zadok the Priest, "Jupiter" from The Planets, Handel's Music for the Royal Fireworks) and a few lesser-known items such as Malcolm Arnold's The Nation's Dances. The outdoor acoustic is generally handled pretty well with some sensitive microphone placement, and the soloists all sound wonderful; Angela Gheorghiu stops the show with a passionate account of "Vissi d'Arte" (from Tosca) and 13-year-old clarinettist Julian Bliss gives a remarkably assured performance of Messager's fluffy salon-piece Solo de Concours. Occasionally the BBC Symphony Orchestra loses concentration and plays somewhat scrappily--the accompaniment to Figaro's aria "Largo al Factotum" is not all it should be--but overall this is a fine souvenir of a historic concert. On the DVD: Prom at the Palace has no special features on DVD. The arias in French and Italian are all subtitled in English. All profit from the sale of the DVD will be donated to the Queen Elizabeth II Golden Jubilee Trust. --Warwick Thomson
Philip Roath is thirty-five. An insurance salesman whose confidence is diminishing as rapidly as his hair and teeth, he's lazy, self-centred, guilt-ridden and insecure. With an overdraft to support, a boss who vainly tries to get him to work for his salary, an ex-wife who rings periodically to remind him of his inadequacies, and an analyst whose problems dwarf his own, he's altogether a bit worried...It Takes a Worried Man traces Roath's uphill struggle to come to terms with his lot. Created by Peter Tilbury - who also stars as the unfortunate Roath - the series built upon the resounding success of Tilbury's Shelly and Sorry, I'm a Stranger Here Myself, once again showcasing Tilbury's gift for adroit and keenly observed comic dialogue. This set comprises the complete first series.
When Katharina Blum spends the night with an alleged terrorist her quiet ordered life falls into ruins. Suddenly a suspect Katharina is subject to a vicious smear campaign by the police and a ruthless tabloid journalist testing the limits of her dignity and her sanity. Volker Schlondorff and Margarethe von Trotta's powerful adaptation of Heinrich Boll's novel is a stinging commentary on state power individual freedom and media manipulation - as relevant today as on the day of its release in 1975.
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