Chased by a vengeful criminal, the feds and a gang of otherworldly soldiers, a recently released ex-con, and his adopted teenage brother are forced to go on the run with a weapon of mysterious origin as their only protection.
Product Features Superbly directed by Frank Perry (The Swimmer, Play It as It Lays), with a scathing screenplay by Eleanor Perry (David and Lisa, Ladybug Ladybug), Diary of a Mad Housewife tells the story of Tina Balser (Carrie Snodgress, The Fury, Pale Rider) a frustrated housewife trapped in an unhappy marriage to an insufferably controlling, status-obsessed bore (Richard Benjamin, Catch-22). Tina seeks solace in a fling with an abusive lover, the arrogant writer Georg Prager (Frank Langella, Dracula), who treats her like a sex object, leading to therapy and further unhappiness. A caustic deconstruction of male chauvinism, Diary of a Mad Housewife was a huge critical hit, earning its female lead an Academy Award nomination upon its release. The Perrys' film is presented here in both its theatrical cut, and a long-unseen alternative TV version. Product Features High Definition remaster Original mono audio Long unseen alternative TV version containing unique scenes, presented in Standard Definition, as originally broadcast Theatrical cut audio commentary with actor Rutanya Alda and film historian Lee Gambin (2022) TV version audio commentary with Frank Perry biographer Justin Bozung (2022) Video appreciation by Academy Award-winning editor and filmmaker Chris Innis (2022) Original theatrical trailer Larry Karaszewski trailer commentary (2020) Radio spot Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Paula MejÃa, a profile of novelist Sue Kaufman, extracts from interviews with Frank Perry, Eleanor Perry and Carrie Snodgress, a look at Snodgress and Neil Young's relationship, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
A spoilt rich kid, a troubled teen from the wrong side of the tracks, a carefree playboy and a dogged detective find themselves all caught up in the sex crime of the century in this steamy star-studded crime thriller from the director of Henry: Portrait of a Serial Killer. Popular and charming, student counsellor Sam Lombardo (Matt Dillon) is no stranger to being the focus of female attention within the moneyed cliques of Florida's Blue Bay. His fortunes are about to change dramatically, however, when one of the wealthiest students at his high school, sultry siren Kelly Van Ryan (Denise Richards), accuses him of rape. The charge looks sure to stick when another girl from the other end of the social spectrum, Suzie Toller (Neve Campbell), steps forward with her own allegations, but Detective Duquette (Kevin Bacon) smells something fishy, and the truth is as murky and dangerous as the alligator-infested swamps in the hinterlands of this affluent beach community. Presented in new 4K restorations of its original theatrical version and extended Unrated Edition', Wild Things is a classic piece of sexy late-90s neo-noir from director John McNaughton and writer Stephen Peters, whose serpentine plotting will keep you on the edge of your seat until the end credits roll. Product Features New 4K restorations of both the Original Theatrical Version and the Unrated Edition from the original camera negatives by Sony Pictures Entertainment High Definition Blu-ray (1080p) presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Exclusive new audio commentary by director John McNaughton and producer Steven A. Jones Commentary by director John McNaughton, cinematographer Jeffrey Kimball, producers Steven A. Jones and Rodney Liber, editor Elena Maganini and score composer George S. Clinton Exclusive new interview with John McNaughton Exclusive new interview with Denise Richards Making of documentary An Understanding Lawyer outtakes Trailer Illustrated collector's booklet featuring new writing on the film by Anne Billson and Sean Hogan Double-sided fold-out poster Six double-sided, postcard-sized lobby card reproductions Reversible sleeve featuring original and newly commissioned artwork by Sam Hadley
Neo, Trinity and Morpheus continue to battle a war against the A.I.s and free more minds from the Matrix.
It is Christmas in Midsomer. A shot rings out from Draycott House. Nine years later the whole Villiers family come together again. At the police station DCI Barnaby heads home and asks Sgt Scott to contact him if anything happens warning him that: 'Things have a habit of happening around Christmas time.'
An entertaining action-packed thrill-ride about a cryptozoologist on the hunt for the infamous man-eating Loch Ness monster! From deep uncharted waters and through cavernous subterranean tunnels an unknown and menacing species emerges into Lake Superior. The gruesome bloodshed to follow doesn't stop at Nessie; she's brought her vicious offspring to help terrorize the innocent townspeople living around the lake. No man on land or water has a chance against this forty-foot bloodthirsty reptile and her spawn! No man except the only one who has ever survived Nessie's wrath. Driven by a deep-seeded vengeance James Murphy (Brian Krause) hunts down this terrible species with skillful force. Will Murphy save the locals of Lake Superior or end up as one of Nessie's countless casualties? Also starring Don S. Davis.
Following the destruction of the Death Star Imperial forces pursue the Rebel Alliance to the ice planet Hoth. After a devastating defeat Luke Skywalker (Mark Hamill) journeys to the planet Dagobah to train with the Jedi Master Yoda. Meanwhile in the Cloud City of Bespin Darth Vader attempts to lure Luke into a trap by kidnapping Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher). When Luke comes to their rescue he must fght a ferce lightsaber duel with Darth Vader himself and come face to face with a stunning revelation that could change his destiny.
Guy Pearce stars in this innovative thriller that begins with a crime and then goes back through time to trace its origins.
Hilarious documentary feature exploring the increasingly critical world we live in. After starring in a film that was critically bashed Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas Bill Maher Mike Ditka Rob Zombie Howie Mandel and many more. This fast moving hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
Hideous Kinky journeys back to the early 1970s to Marrakesh, that hippy mecca for everyone from Eric Clapton and Jimi Hendrix to Gillies MacKinnon, the director of this movie. Here you'll find one nice but confused middle-class young woman escaping the daily grind of a drab London with her two young daughters in tow. Whereas Esther Freud's book was told from the younger girl's perspective, the film-script places Julia centre-stage as she searches for what she describes wistfully as "the annihilation of the ego". Though fresh from her Titanic experience, Kate Winslet is no drippy hippy, bringing a refreshing feistiness to her role and looking fetching swathed in diaphanous layers. As her two daughters, Bella Riza (Bea, the wide-eyed younger one) and Carrie Mullan (Lucy, the sensible one) are brilliant discoveries--unselfconscious, charmingly quirky and enjoying a camaraderie that belies their difference in characters. Completing the family unit is Julia's lover, the endearingly unreliable Bilal (a fiery performance from Saïd Taghmaoui). When the money runs out, their adventures begin and the resilience and practicality of the girls is contrasted throughout with the dreaminess of their mother, her sense of duty vying with her quest for self-discovery. Visually, it's a veritable feast as we're pitched from the colour and cacophony of the market-place to the dusty harshness of the mountains. And that elusive title--which is never explained in the film--is in fact a phrase coined by the girls as a term of approbation.--Harriet Smith
Heather Mason and her father have been on the run, always one step ahead of dangerous forces that she doesn't fully understand, Now on the eve of her 18th birthday, plagued by horrific nightmares and the disappearance of her father, Heather discovers she's not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her forever.
A modern day take on the classic tale by Mary Shelley.. Frankenstein is set in present day Los Angeles and told entirely from the perspective of the Monster. After he is artificially created, then left for dead by a husband-and-wife team of eccentric scientists, Adam is confronted with nothing but aggression and violence from the world around him. This perfect creation-turned disfigured monster must come to grips with the horrific nature of humanity.
A modern day take on the classic tale by Mary Shelley.. Frankenstein is set in present day Los Angeles and told entirely from the perspective of the Monster. After he is artificially created, then left for dead by a husband-and-wife team of eccentric scientists, Adam is confronted with nothing but aggression and violence from the world around him. This perfect creation-turned disfigured monster must come to grips with the horrific nature of humanity.
Jim Jarmusch's Down by Law is in the same minimalist, oddball, black-and-white groove as his classic of American independent cinema, Stranger than Paradise (1984). The setting is Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this film is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Italian comedian Benigni, (Life is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train (1989)--a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton, Amazon.com
George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker
Family Guy creator Seth MacFarlane brings his boundary-pushing brand of humor to the big screen for the first time as writer director and voice star of Ted. In the live action/CG-animated comedy he tells the story of John Bennett (Mark Wahlberg) a grown man who must deal with the cherished teddy bear who came to life as the result of a childhood wish...and has refused to leave his side ever since.
Perception: The Everyday World is Real. Reality: That World is a hoax an elaborate deception spun by all-powerful machines of artificial intelligence that control us. Mind blowing stunts. Techno-slamming visuals. Megakick action. Keanu Reeves and Laurence Fishburne lead the fight to free humankind in The Matrix the cyber thriller that you will watch again and again. Written and Directed by the Wachowski brothers (Bound) the story sears the special effects stake out new movie-making territory - the movie leaves you breathless.
Neo, Trinity and Morpheus continue to battle a war against the A.I.s and free more minds from the Matrix.
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