Put on your shades and get the Blues again with the long awaited Blu-ray Edition of The Blues Brothers.Comedy icons John Belushi and Dan Aykroyd star in this funny musical comedy about Jake and Elwood Blues, two brothers searching for redemption with no money but a briefcase full of soul. When they discover that the orphanage where they were raised will be closed down unless the tax on the property can be paid in 11 days, they decide to raise money by putting their band back together and stage a big gig.
As a middle aged protestor faces a terminal illness her one desire is to meet Greta Garbo. The search for this reclusive star proves to be an hilarious quest.
This romantic story film was adapted from a story by Alexander Pushin. A young officer becomes the object of the amorous Cizarina's affections. He is banished when he rejects her and becomes the dashing Robin Hood-like bandit: The Eagle.
Everything you think you know about modern science is about to unravel in this critically acclaimed film about two young engineers and the consequences they face when they invent a machine that enables them to travel back in time. Primer won the Grand Jury Prize at the 2004 Sundance Film Festival and has drawn repeat viewers eager to crack writer-director-star Shane Carruth's puzzler of a time-travel drama. Carruth, an engineer by training, plays inventor Aaron, whose entrepreneurial partners...
When John Vandermark (Alan Cumming) a music teacher with a weakness for young men with great aspirations and nothing much else encounters Sebastian (David Boreanaz) he is stirred to help him in any way he can. But Vandermark soon grows bitter when his charity is abused and he finds that every woman in town is getting a piece of Sebastian. Vandermark wants to teach Sebastian a lesson...and changes their lives forever.
Mini (Nikki Reed) is not satisfied with being beautiful rich and intelligent. For her life is all about sampling as many new experiences as possible - 'firsts' she calls them. But when Mini takes her 'firsts' to the very limit by spending the night as a prostitute she spies an opportunity to get rid of her gold digging drug abusing alcoholic mother (Carrie Ann-Moss - Matrix Trilogy) once and for all. All she has to do is to persuade her long-suffering step-father Martin (
The gripping story of James Dean's rise to fame his romantic entanglements and his fatal desire for fast cars that led to his untimely death.
The excessive 80s... where everyone had huge hairdos and massive shoulder pads, mobile phones were the size of bricks and the movies were larger than life. We had John Belushi and Dan Aykroyd starring as The Blues Brothers; An American Werewolf in London took horror to new heights; a young Al Pacino thrilled as the iconic Scarface; and Kurt Russell challenged shape-shifting aliens in The Thing.
Anna is a charismatic but struggling filmmaker facing a midlife crisis having turned 40; she lives in her friend's garage in L.A. dances in a vagina costume for money and has neither job nor girlfriend. Just when she's about to give up on both she meets sexy post-feminist Katia. To impress her new muse Anna decides to write and direct an all-female remake of 'whose Afraid of Virginia Wolf?' casting Katia and her best friends Chloe and Penelope in the film. Along the way with the help of those around her she discovers some home truths with hilarious results. From director Anna Margarita Albelo (A Lez in Wonderland Hooters) comes this eccentric semi-autobiographical romantic comedy with Albelo in her first feature fiction film alongside Guinevere Turner (Go Fish The L Word) in a show-stopping and award-winning performance Carrie Preston (True Blood) and Janina Gavankar (True Blood).
Who's next? Dallas FBI agent Thomas Mackelway (Aaron Eckhart) is investigating the case of a murdered serial killer when he discovers that a former renegade FBI agent (Ben Kingsley) has dedicated himself to hunting down serial killers on his own. Mackelway begins to realize that avenging agent is after ""suspect zero"" a serial killer responsible for the murders of hundreds of people. Tom Cruise and Paula Wagner (Mission Impossible series The Others) are the producers of this contemporary action-crime thriller about a man tracking a serial killer who may just become a part of the very evil he's trying to eradicate.
The Wachowski Brothers' The Matrix took the well-worn science fiction idea of virtual reality, added supercharged Hollywood gloss and a striking visual style and stole The Phantom Menace's thunder as the must-see movie of the summer of 1999. Laced with Star Wars-like Eastern mysticism, and featuring thrilling martial arts action choreographed by Hong Kong action director Yuen Woo Ping (Crouching Tiger, Hidden Dragon), The Matrix restored Keanu Reeves to genre stardom following virtual reality dud Johnny Mnemonic (1995), and made a star of Carrie-Anne Moss, who followed this with the challenging perception twister Memento (2000). Helping the film stand out from rivals Dark City (1998) and The Thirteenth Floor (1999) was the introduction of the celebrated "bullet time" visual effects, though otherwise the war-against-the-machines story, hard-hitting style and kinetic set-pieces such as the corporate lobby shoot-out lean heavily on Terminator 2: Judgment Day (1991). Elsewhere the influence of John Woo, from the ultra-cool near real-world SF of Face/Off (1997) to the raincoats and sunglasses look of bullet-ballet A Better Tomorrow, is clearly in evidence. The set-up isn't without its absurdities, though--quite why super-intelligent machines bother to use humans as batteries instead of something more docile like cows, for example, is never explained, nor is how they expect these living batteries to produce more energy than it takes to maintain them. The Matrix is nevertheless exhilarating high-octane entertainment, although as the first part of a trilogy it perhaps inevitably doesn't have a proper ending. On the DVD: the anamorphically enhanced 2.35:1 image is virtually flawless, exhibiting only the grain present in the theatrical print, while the Dolby Digital 5.1 sound is demonstration quality, showing off the high-impact sound effects and Don Davis' fine score to great effect. Special features are "data files" on the main stars, producer and director and "Follow the White Rabbit", which if selected while viewing the movie offers behind the scenes footage. This is interesting, but gimmicky, requires switching back from widescreen to 4:3 each time, and would be better if it could be accessed directly from one menu. There is also a standard 25-minute TV promo film which is as superficial as these things usually are. --Gary S Dalkin
This acclaimed anthology features a series of one-hour episodes following the path of a handgun and the impact that it has on the lives of those that it encounters. A rotating all-star cast is directed by award-winning director Robert Altman including appearances by: James Gandolfini Daryl Hannah Randy Quaid Jennifer Tilly Sean Young Rosanna Arquette Carrie Fisher Daniel Stern Ed Begley Jr. Kathy Ireland Martin Sheen Fred Ward Edward James Olmos.
Independent sci-fi drama. Abe (David Sullivan) and Aaron (Shane Carruth) are two young engineers who work in an anonymous city for a large corporation and who in their spare time conduct their own scientific experiments in their garage. While working on a device that will block the gravitational pull of an object and so reduce its apparent mass the two scientists discover an extraordinary side-effect that allows them to manipulate time. Immediately taking advantage of this opportunity they are soon having to deal with its consequences and with its effect on their strained working relationship.
This documentary examines the Seattle music scene combined punk rock and heavy metal to create the grunge movement. More than just music it became a major social and fashion trend with a massive effect on American culture.
Episode IV - A New Hope: Luke Skywalker a young farm boy from Tatooine is thrust into the struggle of the rebel alliance when he meets Obi-Wan Kenobi who has lived for years in seclusion on the desert planet. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful rebel leader Princess Leia from the clutches of the evil Empire. Episode V - The Empire Strikes Back: Three years later Imperial forces continue to pursue the rebels. After the rebellion's defeat on the ice planet Hoth Luke journeys to the planet Dagobah to train with Jedi Master Yoda who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the Dark Side Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin... Episode VI - Return Of The Jedi: In the epic conclusion of the saga the Empire prepares to crush the rebellion with a more powerful Death Star while the rebel fleet mounts a massive attack on the space station.
Bartleby is the only person to answer a job advert that describes the role as dead end and boring. After being hired he prefers not to work and after he is fired he prefers not to leave... Based upon Herman Melville's novella 'Bartleby' is a unique black comedy satire of modern bureaucracy. A film that will stay in your mind for a very long time!
The opening reels of Matrix Revolutions do nothing to dispel the feeling of exhausted disappointment that set in during the second half of The Matrix Reloaded. There's plenty more talky guff combined with the picking-up of hard-to-remember plot threads as Neo (Keanu Reeves) lies in a coma in the "real" world and is stranded on a tube station in a limbo "beyond the Matrix" while his allies do a reprise of the shooting-their-way-past-the-bodyguards bit from the last film (this time, the baddies can walk on the ceiling). A new Oracle (Mary Alice) makes some pronouncements about the end being near and more things happen--including the evil Agent Smith (Hugo Weaving) manifesting in reality by possessing a minor character and perfidiously blinding our hero, who wears a becoming ribbon over his wounded eyes and perceives the world in an impressive "flaming truth vision". What about the action? The equivalent of the last film's freeway chase scene is a huge face-off as the Sentinels (robot squids) finally breach the caverns of Zion, "the last human city", and swarm against a battalion of pilot-manipulated giant robots: here, the effects are seamless and the images astonishing, though the fact that none of the major characters are involved and the whole thing goes on so long as if designed to top any previous robot-on-robot screen carnage means that it becomes monotonously amazing, like watching someone else play a great computer game. After a too-easily-managed major realignment of the enmities, the film--and the series--finally delivers a sign-off sequence that's everything you could want as Neo and Smith get into a kung fu one-on-one in a rain-drenched virtual city, flying as high as Superman and Brainiac in smart suits. It comes too late to save the day and the wrap-up is both banal and incoherent, but at least this single combat is a reward for hardy veterans who've sat through seven hours of build-up. --Kim NewmanOn the DVD: when the first Matrix DVD was released, with never-before-seen features such as the "Follow the White Rabbit" option, it set a benchmark against which subsequent discs were judged. But neither sequel has lived up to the original's high standards. The Matrix Revolutions two-disc set is an unexceptional package, with a routine "making of" featurette being the main bonus item. Amid all the usual backslapping guff about how great everyone is and what a great time they've all had, it's possible to glean some nuggets of useful information about the baffling plot--though cast and crew can't repress a note of weariness creeping in when discussing the horribly protracted shooting schedule. The feature on the CG Revolution is the most informative for people who like to know how everything was done, and, in the same vein, there's also a multi-angle breakdown of the Super Burly Brawl. A 3-D timeline gives a handy summary of the story so far, and there's a plug for The Matrix Online game. The anamorphic 2.40:1 picture is, of course, a real treat to look at, even if the movie is mostly shades of dark grey and dark green; soundwise the dynamic range of the Dolby Digital surround is extreme: all conversations are conducted in throaty whispers, while the action sequences will push your speakers to the limit. No DTS option, though. And as with Reloaded, there's no audio commentary either: the Wachowski's policy of not talking about their creation begins to seem like a ploy to avoid answering awkward questions. --Mark Walker
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